extra=sometimes romanized utaawase, poetry contests or waka matches, are a distinctive feature of the Japanese literary landscape from the Heian period. Significant to the development of Japanese poetics, the origin of group composition such as renga, and a stimulus to approaching waka as a unified sequence and not only as individual units, the lasting importance of the poetic output of these occasions may be measured also from their contribution to the imperial anthologies: 92 poems of the Kokinshū and 373 of the Shin Kokinshū were drawn from uta-awase.
Social context
物合, the matching of pairs of things by two sides, was one of the pastimes of the
Heian period court. The items matched might be e-awase, kai-awase,
Sweet Flag or iris roots, flowers, or poems.
The last took on new seriousness at the end of the ninth century with the 寛平御時后宮歌合, the source of over fifty poems in the Kokinshū.
The twenty-eight line Poetic diary of the 亭子院歌合 devotes two of its lines to the musical accompaniments, gagaku and saibara, and four to the costumes worn by the Emperor Uda, other participants and the attendants who carried in the 州浜, the trays with low miniature "sand-bar beach" coastal landscapes used in mono-awase. At the end of the contest, the poems were arranged around the suhama, those about mist being placed in the hills, those on the bush-warbler upon a blossoming bough, those on the lesser cuckoo upon sprigs of Deutzia, and the remainder onto braziers hanging from miniature cormorant-fishing boats.
Format
Elements common to
uta-awase were a sponsor; two sides of kataudo, the Left and the Right, the former having precedence, and usually the poets; a series of ban in which a poem from each side was matched; a hanja who declared katsu or ji, and might add hanshi; and the provision of dai, whether handed out at the beginning or distributed in advance.
In general, anything that might introduce a discordant tone was avoided, while the evolving rules were 'largely prohibitive rather than prescriptive', admissible vocabulary largely limited to that of the Kokinshū, with words from the Man'yōshū liable to be judged archaism.
Use of a phrase such as
harugasumi, 'in the spring haze', when the topic was the
Kigo 'first geese' could provoke much hilarity.
The number of rounds varied by the occasion; 千五百番歌合 of 1201 was the longest of all recorded
uta-awase.
Judgement
The judge was usually a poet of renown. During the
Teijiin Poetry Contest the
Emperor Uda served as judge, and when one of his own offerings was matched against a superior poem by Ki no Tsurayuki, commented 'how can an imperial poem lose?', awarding himself a draw.
served as judge some twenty-one times.
During the 六百番歌合 of 1192, he awarded victory to a poem with the line 'fields of grass', observing its
Honkadori and commenting 'it is shocking for anyone to write poetry without knowing
Genji.
Judging another contest he wrote how, upon recital, there must be 'allure (
en) and profundity (yūgen) ... an aura of its own that hovers about the poem much as a veil of haze among
cherry blossoms, the belling of a stag before the autumn moon, the scent of springtime in the
plum blossom, or the autumn rain in the
Momiji upon the peak'.
Utaawase-e
歌合絵 are illustrated records of actual poetry contests or depictions of imaginary contests such as between the Thirty-six Poetry Immortals.
The fourteenth-century 東北院職人歌合絵巻 depicts a group of craftsmen who held a poetry contest in emulation of those of the nobility. With a
sutra transcriber as judge, a physician, blacksmith, sword polisher,
Miko and fisherman competed against a master of Yin and Yang, court carpenter, founder, gambler and merchant, each composing two poems on the themes of the
Tsukimi and
love.
Other offshoots
自歌合, practised by the likes of poet-priest Saigyō, was a development in which the contestant 'played a kind of poetic chess with himself', selecting the topics, writing all the poems, and submitting the results to a judge for comment.
十二類歌合 is a satirical work of the early fifteenth century in which the Twelve Animals of the Zodiac hold a poetry competition on the themes of the moon and love; other animals headed by a stag and a badger gate-crash the gathering and the badger causes so much outrage that he barely escapes alive; disgraced, he retreats to a cave where he writes poems with a brush made of his own hair.
See also
