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In Mesopotamian religion, Tiamat ( or , ) is the primordial , mating with (Apsu), the , to produce the gods in the Babylonian epic Enûma Elish, which translates as "when on high". She is referred to as a woman, and has—at various points in the epic—a number of features (such as breasts) and features (such as a tail).

In the Enûma Elish, the Babylonian , Tiamat bears the first generation of deities after mingling her waters with those of Apsu, her consort. The gods continue to reproduce, forming a noisy new mass of divine children. Apsu, driven to violence by the noise they make, seeks to destroy them and is killed. Enraged, Tiamat also wars upon those of her own and Apsu's children who killed her consort, bringing forth a series of monsters as weapons. She also takes a new consort, , and bestows on him the Tablet of Destinies, which represents legitimate divine rulership. She is ultimately defeated and slain by 's son, the storm-god , but not before she conjures forth monsters whose bodies she fills with "poison instead of blood". Marduk dismembers her, and then constructs and structures elements of the cosmos from Tiamat’s body.


Etymology
Thorkild Jacobsen and both argue for a connection with the Akkadian word for sea, (), following an early form, ti'amtum.
(1992). 9780674643635, Harvard University Press.
Burkert continues by making a linguistic connection to Tethys. The later form , which appears in the Hellenistic writer ' first volume of universal history, is clearly related to Greek , an Eastern variant of . It is thought that the proper name ti'amat, which is the or form, was dropped in secondary translations of the original texts, because some Akkadian copyists of Enuma Elish substituted the ordinary word tāmtu ('sea') for Tiamat, the two names having become essentially the same due to association. Tiamat also has been claimed to be with the Northwest Semitic word (תְּהוֹם; 'the deeps, abyss'), in the Book of Genesis 1:2.

The Babylonian Enuma Elish is named for its : "When on high or:", the heavens did not yet exist nor the earth below, the subterranean ocean was there, "the first, the begetter", and Tiamat, the overground sea, "she who bore them all"; they were "mixing their waters". It is thought that female deities are older than male ones in , and Tiamat may have begun as part of the cult of , a female principle of a watery creative force, with equally strong connections to the underworld, which predates the appearance of Ea-Enki.

(1999). 9783825305338, Winter.

finds this "mixing of the waters" to be a natural feature of the middle , where fresh waters from the Arabian aquifer mix and mingle with the salt waters of the sea.

(1998). 9780521583480, Cambridge University Press.
This characteristic is especially true of the region of , whose name in means "two seas", and which is thought to be the site of , the original site of the Sumerian creation beliefs.
(1997). 9780710304872, Saar Excavation Reports / London-Bahrain Archaeological Expedition: Kegan Paul.
The difference in density of salt and fresh water drives a .


Appearance and nature
In the Enuma Elish, Tiamat’s physical description includes a tail, a thigh, "lower parts" (which shake together), a belly, an , ribs, a neck, a head, a skull, eyes, nostrils, a mouth, and lips. She has insides (possibly "entrails"), a heart, arteries, and blood.

Tiamat was once regarded as a or , although Assyriologist has previously recognized that a "dragon form can not be imputed to Tiamat with certainty." She is still often referred to as a monster, though this identification has been credibly challenged.

(2025). 9781463219185 .
In Enuma Elish, Tiamat is clearly portrayed as a mother of monsters but, before this, she is just as clearly portrayed as a mother to all the gods.


Mythology
With Tiamat, Abzu (or Apsû) fathered the elder deities and (masc. the 'hairy'), a title given to the gatekeepers at Enki's Abzu/E'engurra-temple in . Lahmu and Lahamu, in turn, were the parents of the 'ends' of the heavens (, from an-šar, 'heaven-totality/end') and the earth (); Anshar and Kishar were considered to meet at the horizon, becoming, thereby, the parents of (Heaven) and Ki (Earth).

Tiamat was the "shining" personification of the sea who roared and smote in the chaos of original creation. She and Abzu filled the cosmic abyss with the primeval waters. She is " Ummu-Hubur who formed all things".

In the myth recorded on , the deity (later Ea) believed correctly that Abzu was planning to murder the younger deities as a consequence of his aggravation with the noisy tumult they created. This premonition led Enki to capture Abzu and hold him prisoner beneath Abzu’s own temple, the E-Abzu ('temple of Abzu'). This angered , their son, who reported the event to Tiamat, whereupon she fashioned eleven monsters to battle the deities in order to avenge Abzu's death. These were her own offspring: Bašmu ('Venomous Snake'), Ušumgallu ('Great Dragon'), Mušmaḫḫū ('Exalted Serpent'), Mušḫuššu ('Furious Snake'), (the 'Hairy One'), (the 'Big Weather-Beast'), ('Mad Lion'), ('Scorpion-Man'), Umū dabrūtu ('Violent Storms'), Kulullû ('Fish-Man'), and ('Bull-Man').

Tiamat was in possession of the Tablet of Destinies, and in the primordial battle, she gave the relic to Kingu, the deity she had chosen as her lover and the leader of her host, and who was also one of her children. The terrified deities were rescued by , who secured their promise to revere him as "king of the gods." He fought Tiamat with the arrows of the winds, a net, a club, and an invincible spear. Anu was later replaced first by , and (in the late version that has survived after the First Dynasty of ) then subsequently by , the son of Ea.

Slicing Tiamat in half, Marduk made from her ribs the vault of heaven and earth. Her weeping eyes became the sources of the and the , her tail became the .

(2025). 9783319227955, Springer Praxis.
With the approval of the elder deities, he took the Tablet of Destinies from Kingu, and installed himself as the head of the Babylonian pantheon. Kingu was captured and later was slain: his red blood mixed with the red clay of the Earth would make the body of humankind, created to act as the servant of the younger deities.

The principal theme of the epic is the rightful elevation of Marduk to command over all the deities. American Assyriologist E. A. Speiser remarked in 1942 that "It has long been realized that the Marduk epic, for all its local coloring and probable elaboration by the Babylonian theologians, reflects in substance older Sumerian material ... The exact Sumerian prototype, however, has not turned up so far." However, this surmise that the Babylonian version of the story is based upon a modified version of an older epic, in which Enlil, not Marduk, was the god who slew Tiamat,Expressed, for example, in has been more recently dismissed as "distinctly improbable".As by


Interpretations
It was once thought that the myth of Tiamat was one of the earliest recorded versions of a , a mythological motif that generally involves the battle between a culture hero and a or aquatic monster, serpent, or dragon. Chaoskampf motifs in other mythologies perhaps linked to the Tiamat myth include: the Hittite myth; the Greek lore of 's killing of the Python as a necessary action to take over the ; and to Genesis in the Hebrew Bible.

A number of writers have put forth ideas about Tiamat: ,Graves, The Greek Myths, rev. ed. 1960:§4.5. for example, considered Tiamat's death by Marduk as evidence for his hypothesis of an ancient shift in power from a society to a . The theory suggested that Tiamat and other ancient monster figures were depictions of former supreme deities of peaceful, woman-centered religions. Their defeat at the hands of a male hero corresponded to the overthrow of these matristic religions and societies by male-dominated ones.


In popular culture
The depiction of Tiamat as a multi-headed dragon was popularized in the 1970s as a fixture of Dungeons & Dragons, a role-playing game inspired by earlier sources which associate Tiamat with later mythological characters, such as (Leviathan).Four ways of Creation: " Tiamat & Lotan ." Retrieved on August 23, 2010

In the , an unseen monster is designated as "Titanus Tiamat" in . Tiamat fully appears as an aquatic serpentine dragon in the Godzilla vs Kong prequel graphic novel Godzilla Dominion before making her live action debut in .


See also
  • Nu (mythology)an ancient Egyptian deity with a similar role
  • Chaos (cosmogony)Ancient Greek deity with a similar role
  • (Norse)
  • (Chinese)
  • Sea of Sufa primordial sea in the World of Darkness in Mandaean cosmology


Bibliography

External links

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