Teponaztli

 ( Slit Drums ) 

A teponaztli is a type of slit drum used in central Mexico by the and related cultures.

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Structure Teponaztli are made of hollow hardwood logs, often fire-hardened. Like most slit drums, teponaztlis have two slits on their topside, cut into the shape of an "H". The resultant strips or tongues are then struck with rubber-head wood mallets, or with deer antlers.Guggenheim. Since the tongues are of different lengths, or carved into different thicknesses, the teponaztli produces 2 different pitches, usually near a major third or Perfect fourth apart.Collier, p. 404.

Teponaztli were usually decorated with relief carvings of various deities or with abstract designs, and were even carved into the shapes of creatures or humans. Some of these creatures are open-mouthed, providing increased volume through the hole at the end. On other drums, a hole was made on the drum's underside. Teponaztli from the Mixtec culture in what is today south-central Mexico are known for their various battle or mythological scenes carved in relief.

These drums ranged in size from about 1 foot (30 cm) to 4 feet (1.2 metres) long. The larger teponaztli would be rested upon a supporting frame. The smaller ones could either be rested on a frame or carried by straps about the shoulders.

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Use Someone who plays a teponaztli is called a teponāzoāni and teponaztli were used in dances, poetry, celebrations(as shown in the Florentine Codex above) or in warfare as a means of communication. According to some sources, on important state occasions the blood of sacrificial victims was at times poured into the drum.Collier, p.404.

Motolinia, a Franciscan friar and chronicler of post-conquest Aztec life, stated that the teponaztli, or as he called it the contrabajos (counterbass), was often played with the huehuetl skin drum to accompany various dances.Motolinia, Book 2, Chapter 26. In addition to dances, teponaztlis were used to accompanied poetry readings: the notations for the sounds of the drum beats ( cuīcatlahtōl ) even at times appear within the poetry itself (" totocoto tototo cototo tiquititi titiqui tiquito").Coe, p. 193-194. The word cuīcatlahtōl, meaning "musical note", is formed from the two words cuīcatl (song) and tlahtōlli (word). This solfege-style notation allows reconstruction the rhythms and sounds of the Aztecs.

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Strokes Each drum pattern is written using four syllables: To, Ko, Ti, Ki

Pitch:

• To and Ko: low tones
• Ti and Ki: high tones

Beat:

• To and Ti: downbeats
• Ko and Ki: upbeats

+ Aztec beat dedicated to the ruler Ahuitzotl Tulga, P. (2012). Aztec Drum Rhythms. Retrieved September 7, 2012, from link.
high		♩		♩		♩	♩	♩
low	♫		♫		♫
name	toko	ti	toko	ti	toko	ti	ti	ti

+ ancient Mayan people beat called Xtoles
high	♫	♩	♩	♩		♩	♩
low					♩
name	tiki	ti	ti	ti	to	ti	ti	quarter pause

+ Huichol people deer-hunting beat from northwestern Jalisco
high	♩		♩		♩		♩
low		♫		♫		♫
name	ti	toko	ti	toko	ti	toko	ti	quarter pause

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Notes

• Michael Coe (2002); Mexico: From the Olmecs to the Aztecs, London: Thames and Hudson.
• Collier, Simon; Skidmore, Thomas E.; Blakemore, Harold (1992) The Cambridge Encyclopedia of Latin America and the Caribbean, Cambridge World Encyclopedia, Cambridge University Press.
• Guggenheim Museum, The Aztec Empire: Catalogue of the Exhibition, Guggenheim Museum, New York.
• Motolinia, Toribio de Benavente, Historia de los Indios de la Nueva España .
• " Teponaztli", in Dictionary of Musical Instruments, University of Michigan School of Information, Cultural Heritage Initiative for Community Outreach, accessed April 2007.
• Gabriel Pareyon "El teponaztli en la tradición musical mexica" [3]

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External links

• Understanding the teponaztli rhythms, with audio files.
• Description and photo of an owl-shaped teponaztli at the British Museum.
• Description and photo of a Mixtec teponaztli at the British Museum.
• Teponaztli audio files.

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