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   » » Wiki: Sukajan
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A , also known as souvenir jacket or tour jacket, is a type of satin often embroidered with motifs that originated in post-World War II occupied .

Modeled after varsity jackets, they were originally a souvenir created by Japanese for American stationed in Japan. The sukajan was later adopted by Japanese working-class as an act of rebellion, and has since endured in popularity both in Japan and abroad.


History

1950s: Post WWII origins
The sukajan originated in post-war occupied Japan (1945–1952) around the CFAY naval base in .

Originally, sukajan were meant as a souvenir from a tour of duty, hence their other popular names: souvenir and tour jackets. Initially they were made on commission, either by embroidering the servicemen's own military , or from scratch. Modeled after bombers, varsity, and baseball jackets, they were crafted using lustrous materials like and, more commonly, . When silk was not available, as was often the case due to silk shortages in Japan at the time, nylon, acetate, and even leftover silk were used instead.

Noticing their popularity, Kosho & Co.—a textile trading company later renamed to —started mass-producing sukajan and selling them at street stalls and , making 95% of all sukajan produced in the immediate post-war period. The jackets were produced in the nearby towns of Kiryū and Ashikaga by skilled artisans from Japan's traditional kimono industry, which had been disrupted by the war.


Embroidery
Unlike the embroidered that American servicemen purchased as souvenirs for women back home—which exclusively featured traditionally feminine motives like Japanese flowers, especially , , and —sukajan were designed specifically for the servicemen themselves, a fact reflected in their bolder imagery, which typically included:

  • Fierce animals from Asian mythology and art (tigers, dragons or )
  • American military insignia or iconography
  • Maps of Japan or battle locations
  • Eagles, fighter planes, or Native American motifs
  • Text commemorating specific military units or tours of duty

The embroidered designs were typically prominently displayed on the back, with additional motifs appearing on the chest and sleeves. The fusion of Eastern and Western elements reflected the garment's origins and was a deliberate form of self-, enacted as a marketing strategy in the context of Japan's difficult post-war economic recovery.: "This strategy of self-orientalism reinforced and circulated particular stereotypes of Japan and demonstrates an awareness of the marketability in, and hoped-for profitability from, such references in the desperate economic climes of postwar Japan.": "In a sombre viewing of this jacket while visiting TOYO Enterprises’ archives, I asked what the embroiderers would have thought in stitching the starbursts above Nagasaki and Hiroshima. The grave reply suggested that economic necessity overruled sentiment in the desperate postwar climate."


1960s: The sukaman
During the 1960s, the sukajan became associated with Japanese , particularly through the sukaman movement. The term "sukaman" emerged by combining "Yokosuka" (the city) and manbo, the latter being a term for Japanese delinquent teens (as mambo dancing was popular among them). The movement was initially composed of Japanese teens from Yokosuka who learned style tips from American soldiers and imitated their fashion choices. Yokosuka teens loved the sukajan, and were the ones to coin the term by combining "Yokosuka" and the Japanese pronunciation of janpā.

While the popularity of sukajan was initially limited to the areas near the naval base, it skyrocketed after sukajan were donned by the main character of the 1961 Japanese film Pigs and Battleships, which follows the misadventures of a wanna-be around the naval base and its nearby red light district, which further increased their association with delinquency.

By 1967, sukajan spread to Tokyo and beyond thanks to the sukaman movement becoming more popular. They were often worn as an act of rebellion against the mainstream Ivy style favored by middle-class youth.


1970s: Vietnam war
The sukajan tradition evolved through subsequent military conflicts in Asia, particularly during the . It was more common for those soldiers to commission embroidery directly on their military-issued clothing, and they featured more serious, vulgar, and somber designs, like battle maps, personal details of service, or mottos like "When I die I’ll go to heaven because I’ve served my time in hell". These garments are sometimes referred to as .


Cultural impact
The sukajan has experienced several revivals in mainstream fashion, becoming a significant trend in global fashion in the 2010s, with both vintage pieces and new reproductions being sought after. To this day, traditional manufacturers like TOYO Enterprise continue to reproduce sukajan using historical designs and techniques, while many fashion brands have created their own interpretations.

Celebrities like , , , , Kyary Pamyu Pamyu and (among others) have worn sukajan, contributing to their popularity.

In the film Drive (2011), wears a white quilted sukajan with a large golden scorpion on the back. The inspiration for the jacket came from one of Gosling's own sukajan, but the jacket featured in the movie was custom made, with 13 copies used throughout the movie. The white scorpion sukajan became iconic and, since the original was not commercially available, it led to numerous replicas and imitations.


See also


Sources

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