Stroszek is a 1977 West German tragicomedy
Plot
Bruno Stroszek is a
West Berlin street performer. Released from
prison and warned to stop drinking, he immediately goes to a familiar bar where he meets Eva, a
prostitute down on her luck, and lets her stay with him at the apartment his landlord kept for him. They are then harried and beaten by Eva's former
pimps, who insult Bruno, pull his
accordion apart and humiliate him by making him kneel on his
grand piano with bells balanced on his back. Faced with the prospect of further harassment, Bruno and Eva decide to leave
Germany and accompany Bruno's eccentric elderly neighbour Scheitz, who was planning to move to
Wisconsin to live with his
United States nephew Clayton.
After sightseeing in New York City they buy a used car and arrive in a winter-bound, barren prairie near the town of Railroad Flats. There Bruno works as a mechanic with Clayton and his assistant. Eva works as a waitress at a truck stop and Scheitz pursues his interest in animal magnetism. Eva and Bruno buy a mobile home which is sited on Clayton's land; with bills mounting, the bank threatens to repossess it. Eva returns to prostitution to supplement her wages, but it is not enough to meet the payments. She tires of Bruno's worrying and leaves him, accepting a ride with truck drivers bound for Vancouver.
A collection agent visits Bruno, who is now drinking heavily, and has him release the home for auction. Scheitz believes there is a conspiracy against them and sets off with Stroszek to confront it. They try to rob the bank in town, find it closed, and hold up the barber shop beneath it instead. With the $32 stolen they go grocery shopping across the street. The police arrive and arrest Scheitz without noticing Bruno. Holding a large frozen turkey from the store and the shotgun, Bruno returns to the garage where he works, loads the tow truck with beer, and drives along a highway into the mountains.
The truck breaks down in a small mountain town and Bruno pulls over to a restaurant, where he tells his story to a German language-speaking businessman. He then starts the truck and leaves it circling in the parking lot with a fire taking hold in the engine compartment. He enters a roadside attraction across the street and activates the coin-operated animal exhibits, then switches on a chairlift and rides it with his frozen turkey. After completing a trip up and down the mountainside, he passes out of view and a shot is heard. The police arrive at the scene to find the truck fully ablaze, Bruno's body still on the chairlift, and animals performing nonstop. The film ends with footage of a dancing chicken and other animals.
Cast
-
Bruno S. as Bruno Stroszek
-
Eva Mattes as Eva
-
Clemens Scheitz as Scheitz
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Clayton Szalpinski as Clayton
-
Ely Rodriguez as Clayton's assistant
-
Scott McKain as Scott, a home repossessor
Production
Stroszek was conceived during the production of
Woyzeck, for which Herzog had originally planned to use Bruno Schleinstein in the title role. After believing
Klaus Kinski to be more suitable for the part, Herzog specifically wrote the leading role in
Stroszek to compensate Schleinstein for his disappointment over
Woyzeck. The film was written in four days and uses a number of biographical details from Schleinstein's life.
Parts of the movie were shot in Nekoosa, Wisconsin and in a truck stop in Madison, Wisconsin.
Reception
Film review aggregator
Rotten Tomatoes reports a 96% approval critic response based on 23 reviews, indicating "Fresh" and an average score of 8.2/10.
of
The New York Times gave the film a positive review, stating, "It's a 'road' picture. In some distant way it reminds me of
Easy Rider, but it's an
Easy Rider without sentimentality or political paranoia. It's terrifically, spontaneously funny and, just as spontaneously, full of unexpected pathos."
of the
Chicago Tribune awarded his top score of four stars
and placed it at #10 on his year-end list of the best movies he saw in 1978, calling it a "strange, funny, heartbreaking film."
[Siskel, Gene (January 7, 1979). "Movies '78: Film clips and the year's Top 10 in review". Chicago Tribune. Section 6, p. 3.] Variety called it "a moody, overlong pic ... which seems to fizzle out and climax at least three times before the actual finale."
["Film Reviews: Stroszek". Variety. July 20, 1977. 18.] Charles Champlin of the
Los Angeles Times declared it "a strange and original piece of work ... if in its last third it is overwhelmed by its own symbolisms and is disappointing, it has in its first half some passages of terrific power and brutal believability."
[Champlin, Charles (September 21, 1977). "Bruno S. in New Adventure". Los Angeles Times. Part IV, p. 1.] Penelope Gilliatt of
The New Yorker wrote, "This is a brilliant, poetic film about a man's clutch on a difficult existence."
[Gilliatt, Penelope (July 25, 1977). "The Current Cinema". The New Yorker. 74, 77.] A less enthusiastic review by Gary Arnold of
The Washington Post called it a "dogged, obstinately despairing parable" that "is strewn with gauche little appeals for sympathy."
[Arnold, Gary (October 1, 1977). "'Stroszek': Misfit With Noble Heart". The Washington Post. B1.] Richard Combs of
The Monthly Film Bulletin was also somewhat negative and stated, "On such well-trodden ground, it seems, Herzog has little to say that is not derivative of himself or others; one can only hope that he quickly finds his way back to more unfamiliar regions."
Geoff Andrew of Time Out said, "Although relatively indulgent for Herzog, the film's comedy works well enough, because Herzog's idiosyncratic imagination finds an ideal counterpoint in the bleak flatlands of poor white America. His view of that country is the most askance since the films of Monte Hellman. For all the supposed lightness, it is the film's core of despair which in the end devours everything."
In 2002, Roger Ebert of the Chicago Sun-Times called it "one of the oddest films ever made" when including it as one of his "Great Movies".
External links
