Sodobnost () is a Slovenian literary and cultural magazine, established in 1933. It is considered the oldest of currently existing literary magazines in Slovenia. Although Sodobnost has traditionally been a magazine focused on cultural and literary issues, it nowadays covers a wide range of current affairs. It is part of the Eurozine editorial project.
Following the Axis powers invasion of Yugoslavia in April 1941 the magazine closed down. After World War II the magazine was re-established as Novi svet ("New World"), which changed its name to Naša sodbonost ("Our Contemporary Time") in 1952, thus re-establishing the tradition with the interwar journal. Between 1946 and 1955, it mostly served as a means of cultural propaganda of the new Communist regime. During this time, it was edited by Boris Ziherl, the main cultural ideologist of the Communist Party of Slovenia. In 1955, Ziherl was replaced by a more pragmatic editorial board, and in 1963 it assumed its original name, Sodobnost. The following year, the literary historian and philosopher Dušan Pirjevec joined the editorial board, raising the overall intellectual level of the magazine. During this period, the contributors and editors of Sodobnost engaged in a long and sharp polemic with the alternative magazine Perspektive (edited by Taras Kermauner, Janko Kos, Dominik Smole and Dane Zajc), which assumed a more critical stand towards the Titoist regime. When the Perspektive were dissolved by the regime in 1964, the editors of Sodobnost published a solidarity note, and were replaced by the regime, as well.
After a period of crisis in 1964-1965, the new editorial board (headed by the poet Ciril Zlobec) shifted the attitude of the magazine to moderate and pragmatic positions, which opened the magazine to all quality contributors who were not openly and militantly against the prevailing policies in Yugoslavia and Slovenia. Between the mid 1960s and early 1980s, Sodobnost enjoyed the status of the most prestigious magazine in Slovenia; after that, it went into a gradual but continuous decline. In the late 1990s, under the editor Evald Flisar it became more influential again.
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