Samhain ( , , , ) or i=no () is a Gaels festival on 1 November marking the end of the harvest season and beginning of winter or the "darker half" of the year.Ó hÓgáin, Dáithí. Myth Legend and Romance: An Encyclopaedia of the Irish Folk Tradition. Prentice Hall Press, 1991. p. 402. Quote: "The basic Irish division of the year was into two parts, the summer half beginning at Bealtaine (May 1st) and the winter half at Samhain (November 1st) ... The festivals properly began at sunset on the day before the actual date, evincing the Celtic tendency to regard the night as preceding the day". It is also the Irish and Scottish Gaelic name for November. Celebrations begin on the evening of 31 October, since the Celtic day began and ended at sunset. This is about halfway between the autumnal equinox and winter solstice. It is one of Quarter days Gaelic seasonal festivals along with Imbolc, Bealtaine, and Lughnasa. Historically it was widely observed throughout Ireland, Scotland, and the Isle of Man. Its Brittonic Celtic Britons equivalent is called Calan Gaeaf in Wales.
Samhain is believed to have Celtic pagan origins, and some Neolithic in Great Britain and Ireland are aligned with the sunrise at the time of Samhain. As a festival for communing with the ancestors, however, it may predate the Celtic era. A number of stone circles and dolmens, including for example, Avebury, exhibit a west-south-west alignment, the azimuth angle of the setting sun on 31 October.
Samhain is mentioned in the earliest Irish literature, from the 9th century, and is associated with many important events in Irish mythology. The early literature says Samhain was marked by great gatherings and feasts and was when the ancient burial mounds were open, which were seen as portals to the Otherworld. Some of the literature also associates Samhain with bonfires and sacrifices.
The festival was not recorded in detail until the early modern era. It was when cattle were brought down from the transhumance and livestock were slaughtered. Special were lit, which were deemed to have protective and cleansing powers.O'Driscoll, Robert (ed.) (1981) The Celtic Consciousness New York: Braziller pp. 197–216: Ross, Anne "Material Culture, Myth and Folk Memory" (on modern survivals); pp. 217–42: Danaher, Kevin "Irish Folk Tradition and the Celtic Calendar" (on specific customs and rituals) Like Bealtaine, Samhain was a liminality or threshold festival, when the boundary between this world and the Otherworld blurred, making contact with the aos sí (the 'spirits' or 'fairy') more likely. Most scholars see them as remnants of pagan gods. At Samhain, they were propitiation with offerings of food and drink to ensure the people and livestock survived the winter. The souls of dead kin were also thought to revisit their homes seeking hospitality, and a place was set at the table for them during a meal. Mumming and guising were part of the festival from at least the early modern era, whereby people went door-to-door in costume, reciting verses in exchange for food. The costumes may have been a way of imitating and disguising oneself from the aos sí. Divination was also a big part of the festival and often involved nuts and apples. In the late 19th century, John Rhys and James Frazer suggested it had been the "Celtic New Year", but that is disputed.Hutton, Ronald (1996) Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press , p. 363.
In the 9th century, the Western Church endorsed 1 November as the date of All Saints' Day, possibly due to the influence of Alcuin or Irish missionaries, and 2 November later became All Souls' Day. It is believed that Samhain and All Saints'/All Souls' influenced each other and the modern Halloween.
Since the later 20th century Celtic neopagans and have observed Samhain, or something based on it, as a religious holiday.
The name of the superficially similar Galician festival of Samaín from the Cedeira comarca is etymologically unrelated, being derived from Latin sambucum 'elderberry'.
The word Samain is believed to be related to the month name SAMON on the Gaulish language Coligny calendar from the 2nd century CE.Stüber, Karin. The Historical Morphology of N-Stems in Celtic. National University of Ireland, Maynooth, 1998, p. 111. The 17th day of SAMON is marked as TRINOX SAMONI ("the three nights of Samon"), indicating a possible festival.
Some Neolithic passage tombs in Ireland are aligned with the sunrise around the times of Samhain and Imbolc. These include the Mound of the Hostages ( Dumha na nGiall) at the Hill of Tara, and Loughcrew at Slieve na Calliagh.Brennan, Martin. The Stones of Time: Calendars, Sundials, and Stone Chambers of Ancient Ireland. Inner Traditions, 1994. pp. 110–11
According to Irish mythology, Samhain (like Bealtaine) was a time when the 'doorways' to the Otherworld opened, allowing supernatural beings and the souls of the dead to come into our world; while Bealtaine was a summer festival for the living, Samhain "was essentially a festival for the dead". The Boyhood Deeds of Fionn says that the sídhe (fairy mounds or portals to the Otherworld) "were always open at Samhain". Each year the fire-breather Aillen emerges from the Otherworld and burns down the palace of Tara during the Samhain festival after lulling everyone to sleep with his music.
One Samhain, the young Fionn mac Cumhaill, stays awake and slays Aillen with a magical spear, for which he is made leader of the fianna. In a similar tale, one Samhain, the Otherworld being Cúldubh emerges from the burial mound on Slievenamon and snatches a roast pig. Fionn kills Cúldubh with a spear throw as he re-enters the mound. Fionn's thumb is caught between the door and the post as it shuts, and he puts it in his mouth to ease the pain. As his thumb had been inside the Otherworld, Fionn is bestowed with great wisdom. This may refer to gaining knowledge from the ancestors. Acallam na Senórach ('Colloquy of the Elders') tells how three female werewolf emerge from the cave of Rathcroghan (an Otherworld portal) each Samhain and kill livestock. When Cas Corach plays his harp, they take on human form, and the fianna warrior Caílte then slays them with a spear.
Some tales suggest that offerings or sacrifices were made at Samhain. In the Lebor Gabála Érenn (or 'Book of Invasions'), each Samhain the people of Nemed had to give two-thirds of their children, their corn, and their milk to the monstrous Fomorians. The Fomorians seem to represent the harmful or destructive powers of nature; personifications of chaos, darkness, death, blight, and drought.Smyth, Daragh. A Guide to Irish Mythology. Irish Academic Press, 1996. p. 74 This tribute paid by Nemed's people may represent a "sacrifice offered at the beginning of winter, when the powers of darkness and blight are in the ascendant".MacCulloch (2009), p. 80 According to the later Dindsenchas and the Annals of the Four Masters—which were written by Christian monks—Samhain in ancient Ireland was associated with a god or idol called Crom Cruach. The texts claim that a firstborn child would be sacrificed at the stone idol of Crom Cruach in Magh Slécht. They say that King Tigernmas, and three-fourths of his people, died while worshiping Crom Cruach there one Samhain. Annals of the Four Masters: Part 6 at Corpus of Electronic Texts.
The legendary kings Diarmait mac Cerbaill and Muirchertach mac Ercae each die a threefold death on Samhain, which involves wounding, burning, and drowning, and of which they are forewarned. In the tale Togail Bruidne Dá Derga ('The Destruction of Dá Derga's Hostel'), king Conaire Mór also meets his death on Samhain after breaking his geis (prohibitions or taboos). He is warned of his impending doom by three undead horsemen who are messengers of Donn, the god of the dead.Ó hÓgáin, Dáithí. Myth, Legend & Romance: An encyclopaedia of the Irish folk tradition. Prentice Hall Press, 1991. pp. 165–66 The Boyhood Deeds of Fionn tells how each Samhain the men of Ireland went to woo a beautiful maiden who lives in the fairy mound on Croghan Hill (Croghan Hill). It says that each year someone would be killed "to mark the occasion", by persons unknown. Some academics suggest that these tales recall human sacrifice, and argue that several ancient Irish bog body (such as Old Croghan Man) appear to have been kings who were ritually killed, some of them around the time of Samhain.
In the Echtra Neraí ('The Adventure of Nera'), King Ailill of Connacht sets his retinue a test of bravery on Samhain night. He offers a prize to whoever can make it to a gallows and tie a band around a hanged man's ankle. Demons thwart each challenger, who runs back to the king's hall in fear. However, Nera succeeds, and the dead man asks for a drink. Nera carries him on his back, and they stop at three houses. They enter the third, where the dead man drinks and spits it on the householders, killing them. Returning, Nera sees a Wild Hunt burning the king's hall and slaughtering those inside. He follows the host through a portal into the Otherworld. Nera learns that what he saw was only a vision of what will happen the next Samhain unless something is done. He returns to the hall and warns the king.Monaghan, p. 107Ó hÓgáin, Dáithí. Myth Legend and Romance: An Encyclopaedia of the Irish Folk Tradition. Prentice Hall Press, 1991. p. 317
The tale Aided Chrimthainn maic Fidaig ('The Killing of Crimthann mac Fidaig') tells how Mongfind kills her brother, King Crimthann of Munster, so that one of her sons might become king. Mongfind offers Crimthann a poisoned drink at a feast, but he asks her to drink from it first. Having no other choice but to drink the poison, she dies on Samhain eve. The Middle Irish writer notes that Samhain is also called Féile Moingfhinne (the Festival of Mongfind or Mongfhionn) and that "women and the rabble make petitions to her" at Samhain.Byrne, Francis John. Irish King and High Kings. Four Courts Press, 2001. p. 75
Many other events in Irish mythology happen or begin on Samhain. The invasion of Ulster that makes up the main action of the Táin Bó Cúailnge ('Cattle Raid of Cooley') begins on Samhain. As cattle-raiding typically was a summer activity, the invasion during this off-season surprised the Ulstermen.Monaghan, p. 438 The Second Battle of Magh Tuireadh also begins on Samhain.Monaghan, p. 345 The Morrígan and The Dagda meet and have sex before the battle against the Fomorians; in this way, the Morrígan acts as a sovereignty figure and gives the victory to the Dagda's people, the Tuatha Dé Danann. In Aislinge Óengusa ('The Dream of Óengus') it is when he and his bride-to-be switch from bird to human form, and in Tochmarc Étaíne ('The Wooing of Étaín') it is the day on which Óengus claims the kingship of Brú na Bóinne.
Several sites in Ireland are especially linked to Samhain. Each Samhain, a host of otherworldly beings was said to emerge from the Cave of Cruachan in County Roscommon.O'Halpin, Andy. Ireland: An Oxford Archaeological Guide. Oxford University Press, 2006. p. 236 The Hill of Ward (or Tlachtga) in County Meath is thought to have been the site of a great Samhain gathering and bonfire; the Iron Age ringfort is said to have been where the goddess or druid Tlachtga gave birth to triplets and where she later died.Monaghan, p. 449
In The Stations of the Sun: A History of the Ritual Year in Britain (1996), Ronald Hutton writes: "No doubt there were pagan religious observances as well, but none of the tales ever portrays any". The only historical reference to pagan religious rites is in the work of Geoffrey Keating (died 1644), but his source is unknown. Hutton says it may be that no religious rites are mentioned because, centuries after Christianization, the writers had no record of them. Hutton suggests Samhain may not have been particularly associated with the supernatural. He says that the gatherings of royalty and warriors on Samhain may have been an ideal setting for such tales, in the same way, that many Arthurian tales are set at courtly gatherings at Christmas or Pentecost.Hutton, Ronald (1996) Stations of the Sun: A History of the Ritual Year in Britain. Oxford: Oxford University Press , p. 362.
In 19th-century Moray, boys asked for bonfire fuel from each house in the village. When the fire was lit, "one after another of the youths laid himself down on the ground as near to the fire as possible so as not to be burned and in such a position as to let the smoke roll over him. The others ran through the smoke and jumped over him". When the bonfire burnt, they scattered the ashes, vying for who should scatter them most. In some areas, two bonfires would be built side by side, and the people—sometimes with their livestock—would walk between them as a cleansing ritual. The bones of slaughtered cattle were said to have been cast upon bonfires.
People also took the flames from the bonfire back to their homes. During the 19th century, in parts of Scotland, torches of burning Scots pine or turf were carried sunwise around homes and fields to protect them. In some places, people doused their hearth fires on Samhain night. Each family then solemnly re-lit its hearth from the communal bonfire, thus bonding the community. The 17th-century writer Geoffrey Keating claimed that this was an ancient tradition instituted by the druids. Dousing the old fire and bringing in the new may have been a way of banishing evil, which was part of New Year festivals in many countries.
At household festivities throughout the Gaelic regions and Wales, many rituals were intended to divine the future of those gathered, especially concerning death and marriage.Hutton, p. 380 Apples and hazelnuts were often used in these divination rituals and games. In Celtic mythology, apples were strongly associated with the Otherworld and immortality, while hazelnuts were associated with divine wisdom.MacLeod, Sharon. Celtic Myth and Religion. McFarland, 2011. pp. 61, 107 One of the most common games was apple bobbing. Another involved hanging a small wooden rod from the ceiling at head height, with a lit candle on one end and an apple hanging from the other. The rod was spun round, and everyone took turns to try to catch the apple with their teeth.Danaher (1972), pp. 202–05 Apples were peeled in one long strip, the peel tossed over the shoulder, and its shape was said to form the first letter of the future spouse's name.Danaher (1972), p. 223
Two hazelnuts were roasted near a fire; one named for the person roasting them and the other for the person they desired. If the nuts jumped away from the heat, it was a bad sign, but if the nuts roasted quietly, it foretold an excellent match.McNeill (1961), The Silver Bough Volume III, pp. 33–34Danaher (1972), p. 219 Items were hidden in food—usually a cake, barmbrack, cranachan, champ or sowans – and portions of it served out at random. A person's future was foretold by the item they happened to find; for example, a ring meant marriage, and a coin meant wealth.McNeill (1961), The Silver Bough Volume III, p. 34 A salty oatmeal bannock was baked; the person ate it in three bites and then went to bed in silence without anything to drink. This was said to result in a dream in which their future spouse offers them a drink to quench their thirst. Egg whites were dropped in water, and the shapes foretold the number of future children. Young people would also chase crows and divine some of these things from the number of birds or the direction they flew.
One custom—described as a "blatant example" of a "pagan rite surviving into the Christian epoch"—was recorded in the Outer Hebrides and Iona in the 17th century. On the night of 31 October, fishermen and their families would go down to the shore. One man would wade into the water up to his waist, where he would pour out a cup of ale and ask 'Seonaidh' ('Shoney'), whom he called "god of the sea", to bestow on them a good catch. The custom was ended in the 1670s after a campaign by ministers, but the ceremony shifted to the springtime and survived until the early 19th century.
People also took special care not to offend the aos sí and sought to ward off anyone out to cause mischief. They stayed near to home or, if forced to walk in the darkness, turned their clothing inside-out or carried iron or salt to keep them at bay. In southern Ireland, it was customary on Samhain to weave a small cross of sticks and straw called a 'parshell' or 'parshall', which was similar to the Brigid's cross and God's eye. It was fixed over the doorway to Apotropaic magic bad luck, sickness, and witchcraft and would be replaced each Samhain.Danaher, Kevin. The Year in Ireland: Irish Calendar Customs. Mercier Press, 1972. pp. 207–208
The dead were also honoured at Samhain. The beginning of winter may have been seen as the most fitting time to do so, as it was a time of 'dying' in nature.MacCulloch, John Arnott (1911). The Religion of the Ancient Celts. Chapter 10: The Cult of the Dead. The souls of the dead were thought to revisit their homes, seeking hospitality. Places were set at the dinner table and by the fire to welcome them.McNeill, The Silver Bough, Volume 3, pp. 11–46 The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.Miles, Clement A. (1912). Christmas in Ritual and Tradition. Chapter 7: All Hallow Tide to Martinmas. James Frazer suggests, "It was perhaps a natural thought that the approach of winter should drive the poor, shivering, hungry ghosts from the bare fields and the leafless woodlands to the shelter of the cottage".Frazer, James George (1922). . Chapter 62, Part 6: The Hallowe'en Fires. However, the souls of thankful kin could return to bestow blessings just as easily as that of a wronged person could vengeful ghost.Monaghan, p. 120
In Scotland, young men went house-to-house with masked, veiled, painted, or blackened faces, often threatening to do mischief if they were not welcomed. This was common in the 16th century in the Scottish countryside and persisted into the 20th.Bannatyne, Lesley Pratt (1998) Forerunners to Halloween Pelican Publishing Company. p. 44 It is suggested that the blackened faces come from using the bonfire's ashes for protection. In Ireland in the late 18th century, peasants carrying sticks went house-to-house on Samhain collecting food for the feast. Charles Vallancey wrote that they demanded this in the name of St Colm Cille, asking people to "lay aside the fatted calf, and to bring forth the black sheep".Frazer, Sir James George (1913). The Golden Bough: Third Edition. Cambridge University Press, 2012. p.241 In parts of southern Ireland during the 19th century, the guisers included a hobby horse known as the Láir Bhán (white mare). A man covered in a white sheet and carrying a decorated horse skull would lead a group of youths, blowing on cow horns, from farm to farm. At each, they recited verses, some of which "savoured strongly of paganism", and the farmer was expected to donate food. By doing so, he could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune. Journal of the Royal Society of Antiquaries of Ireland, Volume 2. 1855. pp. 308–09 This is akin to the Mari Lwyd (grey mare) procession in Wales, which takes place at Midwinter. In Wales, the white horse is often seen as an omen of death.Montserrat Prat, 'Metamorphosis of a Folk Tradition' in Simon Callow, Andrew Green, Rex Harley, Clive Hicks-Jenkins, Kathe Koja, Anita Mills, Montserrat Prat, Jacqueline Thalmann, Damian Walford Davies, and Marly Youmans, Clive Hicks-Jenkins (Lund Humphries, 2011), pp. 63–79 Elsewhere in Europe, costumes, mumming, and hobby horses were part of other yearly festivals. However, in the Celtic-speaking regions, they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".
Hutton writes: "When imitating malignant spirits, it was a very short step from guising to playing pranks". Playing pranks at Samhain is recorded in the Scottish Highlands as far back as 1736 and was also common in Ireland, which led to Samhain being nicknamed "Mischief Night" in some parts. Wearing costumes at Halloween spread to England in the 20th century, as did the custom of playing pranks, though there had been mumming at other festivals. At the time of mass transatlantic Irish and Scottish immigration, which popularised Halloween in North America, Halloween in Ireland and Scotland had a strong tradition of guising and pranks.Rogers, Nicholas. (2002) "Festive Rights: Halloween in the British Isles". Halloween: From Pagan Ritual to Party Night. pp. 43, 48. Oxford University Press. Trick-or-treating may have come from the custom of going door-to-door collecting food for Samhain feasts, fuel for Samhain bonfires or offerings for the aos sí. Alternatively, it may have come from the Allhallowtide custom of collecting .
The "traditional illumination for guisers or pranksters abroad on the night in some places was provided by or mangelwurzel, hollowed out to act as lanterns and often carved with grotesque faces". They were also set on windowsills. By those who made them, the lanterns were variously said to represent the spirits or supernatural beings,Ronald Hutton. The Stations of the Sun: A History of the Ritual Year in Britain. Oxford University Press, 1996. pp. 382–83 or were Apotropaic magic evil spirits.Palmer, Kingsley. Oral folk-tales of Wessex. David & Charles, 1973. pp. 87–88Wilson, David Scofield. Rooted in America: Foodlore of Popular Fruits and Vegetables. Univ. of Tennessee Press, 1999. p. 154 These were common in parts of Ireland and the Scottish Highlands in the 19th century. They were also found in Somerset (see Punkie Night). In the 20th century, they spread to other parts of Britain and became generally known as jack-o'-lanterns.
The Manx celebrate Hop-tu-Naa on 31 October, which is a celebration of the original New Year's Eve. Traditionally, children carve turnips rather than pumpkins and carry them around the neighbourhood singing traditional songs relating to hop-tu-naa.
It is suggested that many of the modern secular customs of All Hallows' Eve (Halloween) were influenced by the festival of Samhain. Other scholars argue that Samhain's influence has been exaggerated and that All Hallows' also influenced Samhain itself.
Most North American Halloween traditions were brought over by Irish diaspora and Scottish immigrants in the 19th century.Santino, Jack. All Around the Year: Holidays and Celebrations in American Life. University of Illinois Press, 1995. p.153 Then, through American influence, these Halloween traditions spread to many other countries by the late 20th century.Colavito, Jason. Knowing Fear: Science, Knowledge and the Development of the Horror Genre. McFarland, 2007. pp.151–152
Neopagans usually celebrate Samhain on 31 October–1 November in the Northern Hemisphere and 30 April–1 May in the Southern Hemisphere, beginning and ending at sundown. Some Neopagans celebrate it at the astronomical midpoint between the autumnal equinox and winter solstice (or the full moon nearest this point), which is usually around 6 or 7 November in the Northern hemisphere.
Wiccans believe that at Samhain, the veil between this world and the afterlife is at its thinnest, making it easier to communicate with those who have left this world.
Calendars
Early Irish literature
Historic customs
Ritual bonfires
Divination
Spirits and souls
Mumming and guising
Livestock
Celtic Revival
Related holidays
Allhallowtide
Modern paganism
Celtic Reconstructionism
Wicca
See also
Secondary sources
Further reading
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