Ruthless Records was an American record label founded by Eazy-E in Compton, California on March 3, 1987. All of the Ruthless trademarks have been owned by Comptown Records, Inc. since 1987. Several artists and groups on the label such as N.W.A, Eazy-E, MC Ren, the D.O.C., Michel'le, and Bone Thugs-n-Harmony have released RIAA certified albums.
One of the first albums for the label was Eazy's solo debut, Eazy-Duz-It, released in November 1988. It was followed two months later by N.W.A's Straight Outta Compton, which was eventually certified triple Platinum by the RIAA.
Ruthless closed out 1989 with the reissue of N.W.A.'s first compilation album, N.W.A. and the Posse, originally released in November 1987 through independent distributor Macola. The reissue was much more successful than the original release; despite not charting on the Billboard 200, it was ultimately certified gold by the RIAA for half a million copies sold. The album featured the Eazy-E solo hit, "The Boyz-n-the Hood".
As the N.W.A members went on tour in support of their projects, some began to voice their displeasure with the financial situation at Ruthless. According to group member MC Ren, it was a common opinion that N.W.A and Ruthless manager Jerry Heller was the one receiving their due:
Heller, in his 2006 memoir Ruthless, disputes any allegations of financial misconduct.
In 1989, after coming off tour, group member Ice Cube voiced his opinions on the group's finances. Cube, who had been paid about $32,000 so far, asked Eazy-E for a meeting on money allocation.David J. Leonard, "Ice Cube", in Mickey Hess, ed., Icons of Hip Hop: An Encyclopedia of the Movement, Music, and Culture, Volume 1 (Westport, Connecticut & London, England: ABC-CLIO, 2007), p. 301. N.W.A's manager Jerry Heller, Eazy's business partner, led the meeting. At Cube's concerns, Heller offered N.W.A's five members—Eazy, Dr. Dre, Cube, DJ Yella, and MC Ren—a contract nearly unchanged, with a $75,000 signing bonus. Only Cube refused to sign it. Though Heller continually claimed that everything was in order, and even offered them to open the account books to prove his innocence, Ruthless (Heller/Reavill, 2007) the ensuing confrontation ended in Ice Cube leaving N.W.A. in January 1990 without signing on as a solo artist to Ruthless, which the remaining members proceeded to do. Cube's departure caused the rest of the group to turn on him.
That August, through Ruthless, N.W.A. released their lone EP, 100 Miles and Runnin', with Dr. Dre and DJ Yella providing full production and Eazy-E providing executive production. In the EP's only single, 100 Miles and Runnin', alluding to Ice Cube, Dre raps, "It started with five, but yo, one couldn't take it / So now there's four, 'cause the fifth couldn't make it." And in "Real Niggaz", soon after Ren raps, "Only reason niggas pick up your record is 'cause they thought it was us", Dre calls Cube both "too much cargo" and the proverbial traitor Benedict Arnold. The EP was critically and commercially successful, going platinum in America.
The label also experienced outside pressure due to the group. The success of their song "Fuck tha Police" led to a threatening FBI letter to distributor Priority Records.
1988 also saw the release of J.J. Fad's gold-certified album Supersonic, produced by N.W.A members Dr. Dre and DJ Yella and co- produced by Arabian Prince and in 1989, singer Michel'le's first album Michel'le, and the D.O.C.'s critically acclaimed No One Can Do It Better (all released through Atlantic), the former produced by N.W.A beat-smiths Dr. Dre and DJ Yella with the latter produced solely by Dre; following these efforts, Dre and Yella returned to N.W.A, producing the 100 Miles and Runnin' E.P. and the group's sophomore effort, Niggaz4Life, which reached Platinum status. Above the Law's Livin' Like Hustlers was also released during this period (by way of Epic Records) and Kokane's Addictive Hip Hop Muzick.
In 1989, Eazy signed hip-hop's first white female rapper Tairrie B to Ruthless' new Comptown label subsidiary. She released her debut album The Power of a Woman in 1990 (through MCA Records) featuring the single and video for "Murder She Wrote" which Eazy and Philadelphia rapper Schoolly D appeared in. The album also featured guest vocals by Dr. Dre, D.O.C. and future House of Pain frontman Everlast, and production by QDIII
N.W.A. began to split in 1991. Dr. Dre recalls, "The split came when Jerry Heller got involved. He played the divide and conquer game. Instead of taking care of everybody, he picked one nigga to take care of and that was Eazy. And Eazy was like, 'I'm taken care of, so fuck it'." Dr. Dre was advised by The D.O.C. and the rapper's friend and bodyguard, Suge Knight, that he should leave the label to avoid any possible financial meddling by Heller, offering to extricate Dre from his Ruthless contract. Dr. Dre and The D.O.C. sent Suge to look into Eazy-E's financial situation as they began to grow suspicious of Eazy-E and Jerry Heller. Dr. Dre and The D.O.C. asked Eazy-E to release them from Ruthless, but Eazy-E refused. The impasse led to what reportedly transpired between Suge Knight and Eazy at Audio Achievements. After he refused to release Dr. Dre and The D.O.C., Suge Knight told Eazy-E that he had kidnapped Jerry Heller and was holding him hostage in a van. This did not convince Eazy to release Dr. Dre and The D.O.C. from Ruthless. Knight succeeded in procuring Dre, D.O.C. and Michel'le's contracts—through reportedly illicit means—Suge Knight threatened Eazy-E's family: Suge Knight gave Eazy a piece of paper that contained Eazy's mother's address, telling him, "I know where your mama stays." Eazy-E finally signed Dr. Dre and The D.O.C.'s releases, officially ending N.W.A.
By 1994, MC Ren and Eazy-E had a falling out, with Ren calling Eazy "big headed" and even proposed a N.W.A. reunion without Eazy.O'Connor, Christopher. Shock Treatment , The Source, February 7, 1994. Producer Big Hutch/Cold 187 um alleges that during this time period, even Wright began to feel as though Heller was dishonest with the label's finances:
However he added, "I can't knock Jerry Heller... because Jerry Heller gave us all an opportunity. He took us to the people to get massive exposure. We couldn't have walked through the doors as brothers like that. We needed a guy like Jerry Heller to do that. You need that face, you need that voice, you need that guy with a connect like that. Without him there wouldn't have been none of that."
Eazy-E allegedly fired Heller shortly before his death in 1995.
Before his death, he had just signed the Cleveland-based group Bone Thugs-n-Harmony, whose 1994 extended play Creepin on ah Come Up was well received by critics and fans. The EP went 4× Platinum. Eazy-E executive produced Bone Thugs' second album, E 1999 Eternal, which was released shortly after his death. Their smash 1996 single "Tha Crossroads" was dedicated to Eazy-E and helped push the album to multi-platinum success.
In September 2003, Bone Thugs-N-Harmony announced that they had officially left Ruthless.
The label has had several distributors simultaneously. Early Ruthless releases were distributed by Macola. All of N.W.A's releases and Eazy-E's debut solo album on Ruthless Records were distributed by Priority Records, and the rights to these releases are now held by Priority's new owner, Capitol Records. Releases by the D.O.C, Michel'le, Yomo & Maulkie and JJ Fad were marketed through Atlantic Records or its subsidiary Atco Records. These master rights are still held by Atlantic's parent company, Warner, while Above The Law's releases were marketed through Epic Records and Giant. In 1994, Ruthless found exclusive distribution through Relativity, a former heavy metal label. Relativity was later folded into its parent company, Sony.
| Eazy-E | 1987–1995 | 5 |
| MC Ren | 1987–1998 | 4 |
| N.W.A | 1987–1991 | 3 |
| J. J. Fad | 1987–1991 | 2 |
| Dr. Dre | 1987–1991 | — |
| The D.O.C. | 1988–1991 | 1 |
| Michel'le | 1988–1991 | 1 |
| Fila Fresh Crew | 1988–1990 | 1 |
| Yomo & Maulkie | 1989–1992 | 1 |
| Kokane | 1989–1995 | 2 |
| Tairrie B | 1989–1994 | 1 |
| Jimmy Zavala | 1990–1991 | 1 |
| Above the Law | 1989–1996 | 4 |
| Penthouse Players Clique | 1991–1993 | 1 |
| Atban Klann | 1992–1995 | — |
| H.W.A. | 1992–1995 | 2 |
| Menajahtwa | 1992–1994 | 1 |
| Blood of Abraham | 1993–1994 | 1 |
| Bone Thugs-n-Harmony | 1993–2003 | 5 |
| Brownside | 1994–1995 | — |
| Frost | 1994–1997 | 2 |
| King T | 1997–2000 | – |
| Spymob | 2004-2005 | 2 |
| Stevie Stone | 2007–2009 | 1 |
| Hopsin | 2007–2009 | 1 |
| Dr. Dre | 1987–1991 |
| Cold 187um | 1989–1996 |
| DJ U-Neek | 1993–2003 |
| J. J. Fad | Supersonic |
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| Eazy-E | Eazy-Duz-It |
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| N.W.A | Straight Outta Compton |
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| The D.O.C | No One Can Do It Better |
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| Michel'le | Michel'le |
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| Above the Law | Livin' Like Hustlers |
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| N.W.A | 100 Miles and Runnin' |
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| J. J. Fad | Not Just a Fad |
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| N.W.A | Niggaz4Life |
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| Above the Law | Vocally Pimpin' |
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| Yomo & Maulkie | Are U Xperienced? |
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| Jimmy Zavala | Muzical Madness |
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| Penthouse Players Clique | Paid the Cost |
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| MC Ren | Kizz My Black Azz |
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| Eazy-E |
| |
| Above the Law | Black Mafia Life |
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| Eazy-E | It's On (Dr. Dre) 187um Killa |
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| MC Ren | Shock of the Hour |
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| H.W.A. | Az Much Ass Azz U Want |
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| Kokane | Funk Upon a Rhyme |
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| Bone Thugs-n-Harmony | Creepin on ah Come Up |
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| Above the Law | Uncle Sam's Curse |
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| Menajahtwa | Cha-licious |
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| Bone Thugs-n-Harmony | E. 1999 Eternal |
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| Frost | Smile Now, Die Later |
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| Eazy-E | Str8 off tha Streetz of Muthaphukkin Compton |
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| MC Ren | The Villain in Black |
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| Frost | When Hell.A. Freezes Over |
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| Bone Thugs-n-Harmony | The Art of War |
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| MC Ren | Ruthless for Life |
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| Bizzy Bone | Heaven'z Movie |
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| Krayzie Bone | Thug Mentality 1999 |
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| Bone Thugs-n-Harmony | BTNHResurrection |
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| Layzie Bone | Thug by Nature |
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| Eazy-E | Impact of a Legend |
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| Bone Thugs-n-Harmony | Thug World Order |
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| N.W.A | N.W.A and the Posse |
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| N.W.A | Greatest Hits |
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| N.W.A |
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| Various Artists | The N.W.A Legacy, Vol. 2 |
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| N.W.A |
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Works cited
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