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In , a rishi ( ) is an accomplished and enlightened person. They find mention in various . Rishis are believed to have composed hymns of the . The Post-Vedic tradition of regards the rishis as "great " or "sages" who after intense meditation (tapas) realized the supreme truth and eternal knowledge, which they composed into hymns.Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, , pp. 13–15. The term appears in literature as Isi; in they can be either , , or a monk of high rank.


Etymology
According to Indian tradition, the word may be derived from two different meanings of the root 'rsh' (). Sanskrit grammarians cf. Commentary on , iv, 119 derive this word from the second meaning: "to go, to move".Dhātupāṭha of Pānini, xxviii). V. S. Apte V. S. ApteV. S. Apte (Sanskrit-Hindi Kosh, 1890, reprint 1997 by Motilāl Banārasidās Publishers, Delhi) gives this particular meaning and derivation, and also gives the same, with some qualification.

Another form of this root means "to flow, to move near by flowing". (All the meanings and derivations cited above are based upon Sanskrit English Dictionary of Monier-Williams). Monier-Williams also quotes Tārānātha who compiled the great (Sanskrit-to-Sanskrit) dictionary named "ṛṣati jñānena saṃsāra-pāram" (i.e., "one who reaches beyond this mundane world by means of spiritual knowledge").

Before Monier-Williams' work was published, Yāska suggested it came from "drish" and quotes Aupamanyava to support his opinion.

However, the root has a close cognate ərəšiš 31.5; cf. 40.4 "an ecstatic" (see also , ). Yet the Indo-European dictionary of connects the word to a PIE root *h₃er-s meaning "rise, protrude", in the sense of "excellent" and thus cognate with Ṛta and and . In Sanskrit, forms of the root rish become arsh- in many words, (e.g., arsh).

Modern etymological explanations such as by Manfred Mayrhofer in his Etymological Dictionary Etymologisches Wörterbuch des Altindoarischen, Heidelberg 1986, I 261 leave the case open, and do not prefer a connection to "pour, flow" ( *h₁ers), rather one with German rasen "to be ecstatic, be in a different state of mind" (and perhaps Lithuanian aršus).


In Hindu texts
In the , the word denotes an inspired poet of Vedic hymns. In particular, Ṛṣi refers to the authors of the hymns of the . Some of the earliest lists of Rishi are found in Jaiminiya Brahmana verse 2.218 and Brihadaranyaka Upanishad verse 2.2.4.Justin McDaniel (2013), This Hindu holy man is a Thai Buddhist, South East Asia Research, Volume 21, Number 2, page 309, 303-321

Post-Vedic tradition regards the Rishis as "sages" or , constituting a peculiar class of divine human beings in the early mythical system, as distinct from , Devas and mortal men. Swami Vivekananda described "Rishi"s as Mantra-drashtas or "the seers of thought". He told— "The truth came to the Rishis of India — the Mantra-drashtâs, the seers of thought — and will come to all Rishis in the future, not to talkers, not to book-swallowers, not to scholars, not to philologists, but to seers of thought."

The mentions female rishikas such as Romasha, , , , Visvavara, , Juhu, Vagambhrini, Paulomi, , , Savitri and . The adds Nodha, Akrishtabhasha, Sikatanivavari and Gaupayana.

In 12, on the other hand, there is the post-Vedic list of , , , , , and . The Mahābhārata list explicitly refers to the saptarshis of the first and not to those of the present manvantara. Each manvantara had a unique set of saptarshi. In Harivamsha 417ff, the names of the Rishis of each manvantara are enumerated.

In addition to the Sapta, there are other classifications of sages. In descending order of precedence, they are , , . Deva, Param, Shruta and Kānda are added in Manusmriti iv-94 and xi-236 and in two dramas of Kālidasa.

The Chaturvarga-Chintāmani of Hemādri puts '' at the seventh place in the eightfold division of Brāhmanas. Amarakosha (2.7.41–42) (the famous Sanskrit synonym lexicon compiled by Amarasimha) mentions seven types of s : Shrutarshi, Kāndarshi, Paramarshi, Maharshi, Rājarshi, Brahmarshi and Devarshi. Amarakosha strictly distinguishes Rishi from other types of sages, such as sanyāsi, , parivrājaka, tapasvi, muni, brahmachāri, yati, etc.


In Buddhist texts
The term Rishi found mentions throughout the . In , they are known as "Isi"s. A Rishi can also be called a Buddha, Paccekabuddha, Arhat or monk of high rank. In Buddhist Pali literature, is called many times as "Mahesi"(Pali; Sanskrit: Maharṣi; meaning the greatest sage). The Isigili Sutta in , mentions the name of Five hundred Rishis (Paccekabuddhas). The Buddhist text, , written during 1–3rd centuries CE, mentions Rishis throughout (modern day , , , , ) and invokes them for the protection of the . Translated into English by Cheng Yew Chung based on Amoghavajra’s Chinese Translation (Taisho Volume 19, Number 982)

Many also mentions various Rishis. The Naḷinikā Jātaka (Jā 526) introduces a , a Rishi(Isi), living alone in the Himālayas. His son, who was also a Rishi, was named (; Sanskrit: Ṛṣyaśṛṅga). The Agastya Jataka (Sanskrit; Pali: Akkhata Jataka) story, mentions , named Agastya(Sanskrit; Pali: Akkhata) as Rishi.


Rishi in Indonesia
Most medieval era Hindu temples of Java, show Rishi statues or reliefs, usually guarding the southern side of temples. Some examples include and the Prambanan temple near .Maud Girard-Geslan et al (1997), Art of Southeast Asia, Harry Abrams, Paris, page 350


Ruesi in Cambodia, Thailand, Myanmar and Laos
(Sanskrit: ṛṣi, , , ) is a sage, the equivalent of Rishi in . In , there are some known as ရေသ့ Resa. Rishi Akkhata (Pali; Sanskrit: Agastya), known as Phra Reusi Akkhot in , is an important Ruesi in , as in the , this Ruesi is mentioned as the and practiced his ascetism in and . Veneration of Ruesis is a notable practice in Southeast Asian Buddhism. The name "Rishi" (pronounced "ruesi") is also the basis of one of the letters of the , so reu-si ().


Other uses
Rishi is also a male given name, and less commonly a Brahmin last name.

In , "Rishi" is the seventh chakra (group) of . The names of chakras are based on the numbers associated with each name. In this case, there are and hence the 7th chakra is "Rishi". South Indian Music Book III, by Prof. P Sambamoorthy, Published 1973, The Indian Music Publishing House Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications

The descendant families of these Rishis, refer to their ancestral lineage through their family "". This is a common practice among the Brahmin sects of the current Hindu society.


See also


Notes

Further reading


External links
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