The Rinzai school (, p=Línjì zōng), named after Linji Yixuan (Romaji: Rinzai Gigen, died 866 CE) is one of three sects of Zen in Japanese Buddhism, along with Sōtō and Ōbaku. The Chinese Linji school school of Chan Buddhism was first transmitted to Japan by Myōan Eisai (1141–1215). Contemporary Japanese Rinzai is derived entirely from the Ōtōkan lineage transmitted through Hakuin Ekaku (1686–1769), who is a major figure in the revival of the Rinzai tradition.Moore (2018), p. xiii.
Rinzai Zen was established in Japan as the samurai rose to power. Along with early imperial support, Rinzai came to enjoy the patronage of this newly ascendant warrior class.
+ Gozan system | ||
!Kyoto !Kamakura | ||
First Rank | Tenryū-ji | Kenchō-ji |
Second Rank | Shōkoku-ji | Engaku-ji |
Third Rank | Kennin-ji | Jufuku-ji |
Fourth Rank | Tōfuku-ji | Jōchi-ji |
Fifth Rank | Manju-ji | Jōmyō-ji |
Another Rinka lineage was the Hotto lineage, of which Bassui Tokushō is the best-known teacher.
Hakuin considered himself to be an heir of Shōju Rōnin (Dokyō Etan, 1642–1721), but never received formal dharma transmission from him. Nevertheless, through Hakuin, all contemporary Japanese Rinzai-lineages are considered part of the Ōtōkan lineage, brought to Japan in 1267 by Nanpo Jomyo, who received his dharma transmission in China in 1265.
Tōrei Enji (1721–1792), who had studied with Kogetsu Zenzai, was a major student of Hakuin and an influential author, painter and calligrapher.Tōrei, Taibi Shaku (1996), The Discourse on the Inexhaustible Lamp of the Zen School, C.E. Tuttle Company, p. 5.Joskovich, Erez Hekigan. The Inexhaustible Lamp of Faith: Faith and Awakening in the Japanese Rinzai Tradition. Japanese Journal of Religious Studies 42/2:319-338. Nanzan Institute for Religion and Culture. He is the author of the influential The Undying Lamp of Zen (Shūmon mujintō ron), which presents a comprehensive system of Rinzai training.Cleary, Thomas (2012), The Zen Reader, Shambhala Publications, p. 150.Cleary, Thomas (2010). The Undying Lamp of Zen: The Testament of Zen Master Torei, Shambhala Publications, p. viii.
Through Torei's student Gasan Jitō (1727–1797) Hakuin's approach became a focal point in Japanese Rinzai Zen. Before meeting Hakuin, Gasan received Dharma transmission from Rinzai teacher Gessen Zen'e, who had received dharma transmission from Kogetsu Zenzai. Gasan is often considered to be a dharma heir of Hakuin, despite the fact that "he did not belong to the close circle of disciples and was probably not even one of Hakuin's dharma heirs." Gasan's students Inzan Ien (1751–1814), who also studied with Gessen Zen'e,terebess.hu, 隱山惟琰 Inzan Ien (1751–1814) and Takujū Kosen (1760–1833) created a systematized way of koan-study, with fixed questions and answers. In 1808 Inzan Ien became abbott of Myoshin-ji, one of the main Rinzai temples in Japan, where he served for a short time, while Takujū Kosen was appointed as head abbott of Myoshin-ji in 1813.terebess.hu, 卓洲胡僊 Takujū Kosen (1760–1833) All contemporary Japanese Rinzai-lineages, and their methods and styles of koan-study, stem from these two teachers, though at the end of the Tokugawa-periond his line was at the brink of extinction.Michael Mohr, Hakuin. In: Buddhist Spirituality II: Later China, Korea, and Japan
A Rinzai university was founded in 1872, Hanazono University, initially as a seminary for those entering the priesthood. Hanazono University has grown to become the major Rinzai higher education institution in Japan.
Some influential modern Rinzai figures include Omori Sogen (大森 曹玄, 1904–1994), Sōkō Morinaga (盛永 宗興, 1925–1995), Shodo Harada (原田 正道), Eshin Nishimura (西村 惠信; born 1933), Keido Fukushima (福島 慶道, 1933–2011) and D.T. Suzuki (鈴木 大拙 貞太郎, 1870–1966).
Important Japanese sources of the Rinzai school include the works of Hakuin Ekaku and his student Tōrei Enji. Torei's Undying Lamp of Zen (Shūmon mujintō ron) offers a comprehensive overview of Hakuin's Zen and is a major source for Rinzai Zen practice.Joskovich, Erez Hekigan. The Inexhaustible Lamp of Faith: Faith and Awakening in the Japanese Rinzai Tradition.Japanese Journal of Religious Studies 42/2:319-338. Nanzan Institute for Religion and Culture. A more modern overview of Japanese Rinzai praxis is Omori Sogen's Sanzen Nyumon (An Introduction to Zen Training).
The student's relationship with a Zen teacher is another central element of Rinzai Zen practice. This includes the formal practice of sanzen, a private interview between student and master and various methods of "direct pointing" that are used by Rinzai masters to guide the student to the experience of kensho.Moore (2018), pp. 145-150
Formal Rinzai training focuses on zazen (seated meditation). Practices such as different forms of breath meditation (ganana, diaphragmatic breathing and tanden, breath cultivation), kōan introspection, Hua Tou, and mantra practice (such as using the mantric syllable Ah) are used in zazen.Moore (2018), pp. 106-120. Other practices include walking meditation (Jp. kinhin), ōryōki (a meditative meal practice), and samu (physical work done with mindfulness). Chanting ( okyo) Buddhist texts or Dharani is also a major element of Rinzai practice.Moore (2018), pp. 126-132.
Kōans are a common object of meditation when engaged in formal zazen. Shikantaza ("just sitting") is less emphasized in Rinzai, but still used. This contrasts with Sōtō practice, which has de-emphasized kōans since Gentō Sokuchū (circa 1800), and instead emphasizes shikantaza.
The Rinzai school developed its own formalized style of kōan introspection and training. This includes a standardized curriculum of kōans, which must be studied and "passed" in sequence. This process may include standardized questions ( sassho) and common sets of "capping phrases" ( jakugo) or poetry citations that are memorized by students as answers.Bodiford, William M. (2006). Koan practice. In: "Sitting with Koans". Ed. John Daido Loori. Somerville, MA: Wisdom Publications, p. 94. A student's understanding of a kōan is presented to the teacher in a private interview ( dokusan, daisan, or sanzen) and the teacher's job is to guide the student to kensho, in part by judging the student's kyōgai. Kōan-inquiry may be practiced during zazen (sitting meditation) , kinhin (walking meditation), and throughout all daily activities.Lachs, Stuart (2006), The Zen Master in America: Dressing the Donkey with Bells and ScarvesLow, Albert (2006), Hakuin on Kensho. The Four Ways of Knowing, pp. 36-37. Boston & London: Shambhala
In general, the Rinzai school is known for the rigor and severity of its training methods. The Rinzai style may be characterized as somewhat martial or sharp (following in the spirit of Linji Yixuan). Since the adoption of Rinzai Zen by the Hōjō clan in the 13th century, some Rinzai figures have even developed the samurai arts ( budō) within a Zen framework.Mann, Jeffrey, When Buddhists Attack: The Curious Relationship Between Zen and the Martial Arts, p. 61. One influential figure was the Rinzai priest Takuan Sōhō who was well known for his writings on Zen and budō addressed to the samurai class (see The Unfettered Mind).Takuan Soho, The Unfettered Mind: Writings from a Zen Master to a Master Swordsman, p. xv. In this regard, Rinzai is often contrasted with another sect of Zen deeply established in Japan, Sōtō, which has been called more gentle and even rustic in spirit. A Japanese saying reflects these perceptions: Rinzai Shōgun, Sōtō Domin.
The Rinzai school also adopted certain Taoist energy cultivation practices. They were introduced by Hakuin Ekaku (1686–1769) who learned them from a hermit named Hakuyu.Waddell, Norman (ed. & trans.), Hakuin's Precious Mirror Cave: A Zen Miscellany, 2009, p. 83. These energetic practices are called naikan. They are mainly based on focusing the mind and one's vital energy ( ki) on the Dantian (a spot slightly below the navel).Julian Daizan Skinner (2017), "Practical Zen: Meditation and Beyond," pp. 203–204. Singing DragonHakuin Ekaku (2010), "Wild Ivy: The Spiritual Autobiography of Zen Master Hakuin", p. 150. Shambhala Publications
Certain Japanese The arts such as painting, calligraphy, Chinese poetry, Japanese garden, and the tea ceremony are also often used as methods of Zen cultivation in Rinzai. Hakuin Ekaku is famously known for his sumi-e (ink and wash) paintings as well as for his calligraphy.Stephen Addiss, John Daido Loori, The Zen Art Book: The Art of Enlightenment, p. 15. Eisai is said to have popularized green tea in Japan and the famed master of Japanese tea, Sen no Rikyū (1522–1591), was also trained in Rinzai.Nishibe Bunjo, "Zen priests and Their Concepts of Tea," p. 13, in Chanoyu Quarterly no. 13 (1976).
These head temples preside over various networks, comprising a total of approximately six thousand temples, forty monasteries, and one nunnery. The Myōshin-ji branch is by far the largest, approximately as big as the other branches combined: it contains within it about three thousand five hundred temples and nineteen monasteries.
North American Rinzai centers include Rinzai-ji founded by Kyozan Joshu Sasaki Roshi and the Pacific Zen Institute founded by John Tarrant Roshi in California, Dai Bosatsu Zendo Kongo-ji established by Eido Shimano Roshi and Soen Nakagawa Roshi in New York, Chozen-ji founded by Omori Sogen Roshi in Hawaii, Daiyuzenji in Illinois and Korinji in Wisconsin both founded by in Omori Sogen Roshi's line, and Chobo-Ji founded by Genki Takabayashi Rōshi in Seattle, Washington. In Europe there is Havredal Zendo established by a Dharma heir of Eido Shimano, Egmund Sommer (Denko Mortensen).
Ōbaku is also descended from the Chinese Linji school, and so technically may be considered a part of the Japanese Rinzai movement; further, its abbots are now part of the same Ōtōkan lineage as Rinzai branches, though they were not so originally (instead following a more recent Chinese lineage). While Manpuku-ji, the Ōbaku headquarters temple, is considered one of the 15 Rinzai branches mentioned above, Ōbaku Zen is administratively separate from the other 14 branches and continues to maintain its own distinct identity.
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