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   » » Wiki: Ratnangi
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Ratnangi (pronounced ratnāngi, meaning the one with a gem-like body) is a rāgam in (musical scale of South Indian classical music). It is the 2nd rāgam (parent scale) in the 72 melakarta rāgam system of Carnatic music. It is called Phenadhyuti in Muthuswami Dikshitar school of Carnatic music. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras


Structure and Lakshana
It is the 2nd rāgam in the 1st chakra Indu. The mnemonic name is Indu-Sri. The mnemonic phrase is sa ri ga ma pa dha ni. Its structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

The scale uses the notes shuddha rishabham, shuddha gandharam, shuddha madhyamam, shuddha dhaivatham and kaisiki nishadham. As it is a melakarta rāgam, by definition it is a (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of , which is the 38th melakarta scale.


Asampurna Melakarta
Phenadhyuti is the 2nd Melakarta in the original list compiled by . The notes used in the scale are the same, but the ascending scale is different.


Janya rāgams
Ratnangi has a few minor rāgams (derived scales) associated with it, of which Revati is very popular. See List of janya rāgams for full list of scales associated with Ratnangi.


Compositions
Here are a few common compositions sung in concerts, set to Ratnangi.

The following composition is set to Phenadhyuti.

  • Sri Dakshinamurthim by Muthuswami Dikshitar


Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.

Ratnangi's notes, when shifted using , yield two other melakarta rāgams, namely and . Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration, refer to Graha bhedam on Ratnangi.


Notes
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