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Polygnotus (; Polygnotos) was an painter from the middle of the 5th century BC.


Life
He was the son and pupil of . He was a native of but was adopted by the Athenians and admitted to their citizenship.

During the time of , Polygnotus painted for the Athenians a picture of the taking of on the walls of the and another of the marriage of the daughters of in the . mentions historians and the poet attest that Polygnotus did not paint for money but rather out of a charitable feeling towards the Athenian people. In the hall at the entrance to the Acropolis, other works of his were preserved. The most important of his paintings were his frescoes in the Lesche of the Knidians, a building erected at by the people of . The subjects of these were the visit to by and the taking of Troy.

The traveller Pausanias recorded a careful description of these paintings, figure by figure.Pausanias, 10.25–31. The foundations of the building have been recovered in the course of the French excavations at Delphi. Some archaeologists have tried reconstructing the paintings from this evidence rather than their colours. The figures were detached and rarely overlapping, ranged in two or three rows one above another, and the further were not smaller nor dimmer than the nearer. Therefore, it seems that the paintings of this time were executed on almost precisely the same plan as contemporary sculptural reliefs.

Polygnotus employed only a few simple colours. Technically, his art was primitive. His excellence lay in the beauty of his drawing of individual figures, especially in his art's "ethical" and ideal character. A contemporary and teacher of , Polygnotus had the same grand manner. Almost childlike simplicity, sentiment at once noble and gentle, and extreme grace and charm of execution marked his works, in contrast to the more animated, complicated and technically superior paintings of later ages.


Citations

Bibliography
  • Pausanias, Description of Greece. W. H. S. Jones (translator). Loeb Classical Library. Cambridge, MA: Harvard University Press; London, William Heinemann Ltd. (1918).


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