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Patricia Lea Jenkins (born July 24, 1971) is an American film director, screenwriter, and producer. She has directed the feature films Monster (2003), Wonder Woman (2017), and Wonder Woman 1984 (2020).

For the film Monster, she won the Independent Spirit Award for Best First Feature and the Franklin J. Schaffner Award of the American Film Institute (AFI). For the pilot episode of the series The Killing (2011), she received a Primetime Emmy Award nomination and the Directors Guild of America award for Best Directing in a Drama Series. In 2017, she occupied the seventh place for Times Person of the Year.


Early life
Jenkins was born in Victorville, California, to William T. Jenkins, a U.S. Air Force officer and who earned a in the , and Emily Roth, who later worked in as an environmental scientist. Her older sister is Elaine Roth, her younger sister is Jessica Jenkins Murphy.

She spent her early childhood moving frequently due to her father's military service. Having lived briefly in and , the family eventually settled in Lawrence, Kansas. When she was seven years old, her father died during a mock dogfight at the age of 31. During a road trip from Kansas to San Francisco, her mother dropped Jenkins and her sister off at a movie theater, where they watched the original Superman starring Christopher Reeve. Jenkins found the film inspiring, and the experience sparked an interest in pursuing filmmaking as a career.

She completed kindergarten through her junior year of high school while living in Lawrence. Her mother then moved the family to Washington, D.C., where Patty completed her senior year of high school. She received her undergraduate degree in Painting Byrd, Lauren C. “How Wonder Woman' Https://bust.com/movies/18871-patty-jenkins-52-weeks-of-directors.html . from The Cooper Union for the Advancement of Science and Art in 1993, and a master's degree in directing from the American Film Institute's in 2000. While a student at AFI, Jenkins, an avid fan of the films of Pedro Almodóvar, made the 2001 short film Velocity Rules, that she describes as a cross between a and Almodóvar's tone about an accident-prone housewife.Woerner, Meredith (May 30, 2017). "The world needs Wonder Woman. Director Patty Jenkins explains why" . Los Angeles Times.

Beginning in junior high school, Jenkins took interest in , and . At age 20, while interning at a commercial production company, she heeded a suggestion that she could receive film training if she worked on set for free. After doing so for some months, Jenkins advanced to second assistant camera and , then spent eight years as a . While shooting a music video, her recommended that she attend the American Film Institute to learn directing. She later made a superhero that played at . There she met , who later introduced her to producer , leading to her directing her first feature film, Monster (2003).


Career

2001–2014: Monster success and TV projects
Patty Jenkins started her career with Just Drives (2001) as her first film as director, she would later follow it up with Velocity Rules Https://www.imdb.com/title/tt0282242/?ref_=nm_flmg_dr_14 .

This ended up moving her towards the film Monster (2003); at first she tried to get producer to direct, but under his advice she ended up writing the script herself. Jenkins ended up writing to the film's subject, serial killer , who was a street prostitute who went on a 1989–1990 murder spree of seven of her male clients, and was at the time on death row. Wuornos was initially distrustful of Jenkins but on the night before her execution, left Jenkins all of her personal letters which convinced Jenkins that she was the only one who could direct the film.

With a budget of $1.5 million and attached to the film, Monster ended up being a commercial and critical success, grossing $64.2 million and earning Theron her first and only . Noted film critic ranked Monster 1st on his list of the best films of 2003 and later in 2009, ranked it 3rd on the list of the best films of the decade. For this film, Jenkins won the Independent Spirit Award for Best First Feature and the Franklin J. Schaffner Award of the American Film Institute (an award for outstanding graduates of the ), and also was nominated for the Edgar Allan Poe Award for Best Screenplay.

After the success of Monster, Jenkins was approached by former United States Air Force to develop a film about his life. When that project did not reach fruition, she attempted to make a movie titled I Am Superman, a film with no relation to , but development ended when she became pregnant. Jenkins spent the next decade working in television.

In 2011, she directed one segment in the made-for-television anthology film Five. Jenkins received an Emmy nomination because of her work on the film. Jenkins directed many commercials and TV shows, like episodes of Arrested Development and Entourage. She received an Emmy nomination again, for directing AMC's The Killing pilot. In October 2011, she was hired to direct , the first sequel to 2011 superhero film Thor, but left the project after less than two months, due to creative differences. In 2014, she was attached to Sweetheart, a film about a female assassin, but that film was never made.


2015–present: Breakthrough and worldwide fame
In 2015, Jenkins signed on as director for the DC Extended Universe film Wonder Woman, with a screenplay by and a story co-written by Heinberg, and , and starring .Chitwood, Adam (June 1, 2017). "'Wonder Woman' Producer Charles Roven on the Many Writers That Tried to Tackle the Script" . Collider. The film was released in June 2017, and gave Jenkins the biggest domestic opening for a female director, surpassing previous record holder Fifty Shades of Grey by Sam Taylor-Johnson. With this film, Jenkins also became the first female director of an American studio superhero film, and the third female director to direct a film with a budget over $100 million. The film was acclaimed by both critics and audiences and grossed over $800 million worldwide, exceeding box office original predictions. Wonder Woman eventually became the highest-grossing film directed by a woman, surpassing previous record holder Mamma Mia! by . However, in 2019, directed by Jennifer Lee (with ) and Captain Marvel, directed by (with ) became number one and two respectively, dropping Wonder Woman and Jenkins to number three.

While promoting Wonder Woman, Jenkins mentioned that her next project would likely be a limited television series developed with her husband. This project was later revealed as a horror series titled Riprore, to premiere on the service Shudder. In July 2017, the cable network TNT announced Jenkins would direct the premiere of a six-episode television drama, I Am the Night, written by her husband Sam Sheridan, and featuring her Wonder Woman star . She additionally served as executive producer.

In September 2017, Variety reported Jenkins would return to direct Wonder Woman 2. However, on MTV's "Happy, Sad, Confused" podcast, Jenkins revealed that she considered walking away from the sequel due to salary dispute between her and Warner Bros. On December 6, 2017, Jenkins was named by Time as the seventh runner-up for Time Person of the Year.

Wonder Woman 1984 was scheduled to be released by Warner Bros. Pictures in the United States on June 5, 2020, but, due to the COVID-19 pandemic, the release was delayed until December 25, 2020. It had originally been scheduled for November 1, 2019; unlike the first film, the sequel received a mixed critical reception and was a box office failure. She has been negotiating the terms of her contract with for an estimated seven to nine million dollars, which would be a record breaking salary for a female filmmaker. She signed on to the first film with no guarantee of directing a second film, but envisioned the second one during the making of Wonder Woman, which turned out to benefit her greatly. When she had signed on to do the second film, she had the ability to get a much higher salary than she would have if she had been signed on to do both films from the beginning. Her goal with her negotiations were to make sure she would get the same salary that her male counterparts would be getting for doing this movie and she seems to have succeeded.

In October 2020, it was revealed that Gal Gadot and Jenkins will be teaming up again for the film Cleopatra. The film will star Gadot as the titular , the historical pharaoh of ancient Egypt, with Jenkins as the director. In December 2021, Jenkins dropped out of the film, but remained as a producer, to instead focus on a third Wonder Woman film and the spin-off film .

In November 2020, a spin off film set in the Wonder Woman universe focusing on the Amazons of Themyscira was confirmed to be in early development. Jenkins will not return to direct the film, but cowrote the script with . In 2021, Warner Bros. announced a third installment of the Wonder Woman franchise with Jenkins attached to write and direct. However, in December 2022, it was reported by The Hollywood Reporter that Jenkins' third film would not be moving forward after all and was considered to be "dead in its current incarnation", as the film did not fit with the newly appointed heads' plans for the DC Extended Universe or its upcoming successor, the DC Universe.

In December 2020, Disney announced that Jenkins was hired to direct Rogue Squadron, a Star Wars spin-off film inspired by the group of starfighter pilots of the same name. The film was scheduled to be released on December 22, 2023. Jenkins would be the first female director to helm a Star Wars film, but not the first female director within the overall franchise. In June 2021, The Hollywood Reporter reported that Matthew Robinson had been hired by to write the script. In November 2021, it was reported that the film's production had been delayed due to scheduling conflicts with other projects Jenkins was developing. In September 2022, Disney removed Rogue Squadron from their release schedule. The film was then shelved in March 2023. In March 2024, Jenkins revealed that following the cancellation of the third Wonder Woman film, she had returned to Rogue Squadron, finalizing a deal with Lucasfilm prior to the 2023 Writers Guild of America strike, and that she now "owes" a new draft of the script.


Other work
Jenkins, Wonder Woman actresses Gal Gadot and , President Diane Nelson and U.N. Under-Secretary General appeared at the on October 21, 2016, the 75th anniversary of the first appearance of Wonder Woman, to mark the character's designation by the United Nations as its "Honorary Ambassador for the Empowerment of Women and Girls".Serrao, Nivea (October 13, 2016). "Wonder Woman named UN Honorary Ambassador for empowerment of women and girls" . Entertainment Weekly. "Wonder Woman Named the United Nations' Honorary Ambassador for the Empowerment of Women and Girls" . . October 21, 2016. The gesture was intended to raise awareness of UN Sustainable Development Goal No. 5, which seeks to achieve gender equality and empower all women and girls by 2030.Roberts, Elizabeth (December 13, 2016). "UN drops Wonder Woman as honorary ambassador" . . The decision was met with protests from UN staff members who stated in their petition to UN Secretary-General that the character is "not culturally encompassing or sensitive", and served to objectify women. As a result, the character was stripped of the designation, and the project ended December 16.


Style and themes
In the film Monster, Jenkins explored the issues of morality and femininity. In Wonder Woman, Jenkins suggests that the audience experiences the journey of the lead character Diana Prince through Diana's eyes. Diana is portrayed as the universal human character that the audience never experiences from the outside. Jenkins suggests that the major theme of the film is the idea that there are no other villains than humans themselves. She mentions how she was influenced by Superman and how that is incorporated in her own superhero film.

(who plays in the Wonder Woman franchise) said that Jenkins fought for feminist themes to be included in Wonder Woman, and rejected the idea of including a controversial origin story for the Amazons, which portrayed them as victims rather than warriors.

Some of Jenkins' mentors and influencers include , and . She mentions that she often likes to discuss the process of making soundtracks with musicians like Perry, who was a musical consultant on her film Monster. The organization and structure of music, according to Jenkins, has a lot of parallels to theatre and drama. As a director, she uses this rhythm to direct the delivery of dialogues.


Personal life
In 2007, Jenkins married Sam Sheridan, a former firefighter and the author of the book A Fighter's Heart. They have a son and reside in Santa Monica, California.


Filmography
Short film
2001Just Drive
Velocity Rules
2017Epilogue: Etta's Mission
2022Doug Ever After
2024Tea
2025What's the Deal with Birds?

Feature film

2003Monster
2017Wonder Woman
2020Wonder Woman 1984
2023Poolman

Television

2004Arrested Development Episode "The One Where They Build a House"
2006Entourage Episodes "Crash and Burn" and "The Release"
2011Five TV movie;
Segment "Pearl"
2011–2012The Killing Episodes "Pilot" and "What I Know"
2013Betrayal Episode "Pilot"
2015Exposed Unaired pilot
2019I Am the Night Episodes "Pilot" and "Phenomenon of Interference"

Acting credits

2008The Sarah Silverman ProgramJill Talley"Fetus Don't Fail Me Now"
2020Impractical Jokers: Dinner PartyHerself"The 4 Meals, 1 Color Episode"


Accolades
In 2004, for her work on Monster, she won the Independent Spirit Award for Best First Feature and the Franklin J. Schaffner Award of the American Film Institute (an award for outstanding graduates of the ). In 2011, Jenkins received an Emmy nomination for Outstanding Directing for a Drama Series for the pilot of The Killing. She received two nominations at the 2012 Directors Guild of America Awards for Outstanding Directorial Achievement, one for Dramatic Series for The Killing and the other for Movies for Television/Mini-Series for Five; she won the former.

2004
2012
2020
2022


See also
  • List of female film and television directors


External links
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