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In ancient Roman religion and , the Parcae (singular, Parca) were the female of who directed the lives (and deaths) of humans and gods. They are often called the in English, and their Greek equivalent were the . They did not control a person's actions except when they are born, when they die, and how much they suffer.

The Parcae recorded the metaphorical thread of life of every mortal and immortal from birth to death. Even the gods feared them, and by some sources Jupiter was also subject to their power.

Nona was supposed to determine a person's lifespan on the , that is, the day on which the name of the child was chosen, which occurred on the ninth day from birth for a male and the eighth for a female.S. Breemer and J. H. Waszinsk Mnemosyne 3 Ser. 13, 1947, pp. 254–270: on personal destiny as linked to the collation of the dies lustricus.

The recurrence of the was also considered a dies festus and as such nefas by some Roman scholars as and , because on it the flaminica dialis offered the sacrifice of a goat to Jupiter in the .Macr. Sat. I 16, 30.

According to some treatments, the Parcae seem to be more powerful than many, or perhaps even all, of the gods: "The power of the Parcae was great and extensive. Some suppose that they were subjected to none of the gods but Jupiter; while others support that even Jupiter himself was obedient to their commands; and indeed we see the father of the gods, in Homer's Iliad, unwilling to see Patroclus perish, yet obliged, by the superior power of the Fates, to abandon him to his destiny." Similarly: "We have the clearest evidence of the poet for it, that whatever happens to us is under the influence of the Parcae. Jupiter himself can not interfere to save his son Sarpedon."


Names and sources
The names of the three Parcae are:
  • Nona (Greek equivalent ), who spun the thread of life from her onto her spindle;John Day, God's Conflict With the Dragon and the Sea: Echoes of a Canaanite Myth in the Old Testament, CUP Archive, 1985, p. 308.
  • Decima (Greek Lachesis), who measured the thread of life with her rod;
  • Morta (Greek ), who cut the thread of life and chose the manner of a person's death.L. L. Tels de Jong Sur quelques divinites romaines de la naissance et de la prophetie 1959, pp. 70–77; 83–85.P. Ramat "Morta" in Archivio glottologico italiano 40, 1960, pp. 61–67.J. H. Waszinsk Gnomon 34, 1962, p. 445.

The earliest extant documents referencing these deities are three small (cippi) found near ancient shortly after World War II.G. Dumezil La religion romaine archaique Paris, 1974, part 4, chapt. They bear the inscription:

Neuna fata, Neuna dono, Parca Maurtia dono

The names of two of the three Roman Parcae are recorded ( Neuna = Nona, Maurtia = Morta) and connected to the concept of fata.L. L. Tels De Jong Sur quelques divinites romaines de la naissance et de la prophetie 1959 pp. 67–130.

(1622-1625) by Peter Paul Rubens]]One of the sources for the Parcae is '' by , II 654, V 532, VIII 452, XV 781. Another source is by , in the opening of Book I.


See also


Further reading
  • Thomas Blisniewski: Kinder der dunkelen Nacht. Die Ikonographie der Parzeten Mittelalter bis zum späten XVIII. Jahrhundert. Thesis. Cologne 1992. Berlin 1992


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