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Berghain () is a in , . It is named after its location near the border between and and is a short walk from Berlin Ostbahnhof main line railway station. Panoramabar: Berlin's Underworld | XLR8R Founded in 2004 by friends Norbert Thormann and Michael Teufele, it has since become one of the world's most famous clubs and has been called the world capital of .

Berghain traces its roots to 1990s Berlin, beginning with hardcore techno and parties in the Reichsbahnbunker, evolving into the influential gay club Ostgut in 1998. After Ostgut’s closure in 2003, its founders opened Berghain in 2004 in a former , merging techno music with sexual freedom. It features a techno-focused main room, the -oriented Panorama Bar, and a seasonal outdoor garden. Its sound systems are considered state-of-the-art. It was temporarily transformed into an during the COVID-19 pandemic before resuming club events in 2021. Lab.oratory is a male-only located in the basement of Berghain, described by Rolling Stone as Berlin’s most extreme.

Berghain is known for its extended weekend hours, strict and selective door policy, diverse culture, dedicated spaces for sexual activity, and an environment that has been described as influencing fluidity in sexual orientation and behavior. It has been embroiled in controversy over drug-related incidents, including and safety concerns, as well as political criticism linked to its and atmosphere.

Berghain’s owners launched the record label in 2005, focusing on techno genres and releases from resident DJs, followed by the Ostgut Booking agency around 2007, both of which became influential in the dance music scene before closing in 2021 and 2022 respectively. Berghain has consistently ranked among the world’s top clubs in ’s Top 100 since 2008—reaching #1 in 2009—and has been repeatedly nominated as Best Global Club by the International Dance Music Awards. It is frequently referenced in music, television, film, and popular media.


History
Berghain's origins go back to the mid-1990s. Beginning in 1992, Reichsbahnbunker Friedrichstraße was used for hardcore techno parties.
(2025). 9780226595481, The University of Chicago Press. .
Thormann and Teufele hosted a male-only night called Snax. Snax Club launched in 1994 with men-only events called Pervy Party.Another Snax-event, called FC Snax United, has its own logo, featuring following words: "est 1994" One of the locations of Snax Club was Reichsbahnbunker in Mitte. In 1995, Snax Club also came to Vrieshuis Amerika in . After parties in Bunker ended in December 1996, Snax Club found a steady location of its own, which opened in 1998 and was called Lab.oratory. Thormann and Teufele were offered to rent a depot building next to the Lab.oratory. This venue occupying a former railway repair depot in Friedrichshain became Ostgut.
(2025). 9781478025047, Duke University Press. .
Lab.oratory hosted regular gay events, but "on certain nights of the month" Ostgut and Lab.oratory were combined into one space for Snax. Unless a Snax event took place, Ostgut was open to the general public. Despite being inclusive to all genders, Ostgut remained predominantly gay. It was a unique intersection between techno music and gay sex: "The main bar was located behind the dance floor as well as the darkrooms, more or less to the irritation of the party people from Mitte. In Mitte’s techno clubs, gay lifestyle played only a marginal role. And vice versa: Most gay clubs didn’t care much about modern club music." Two years after the Ostgut launch, the same team opened another space in the same building, this was named Panorama Bar. All three spaces together had the address Mühlenstraße 26–30.

According to , Ostgut, "known for unique parties and boundless freedoms, sexual and otherwise, is considered to have paved the way for Berghain". "It remains Teufele’s and Thormann’s ultimate secret how they persuaded (or seduced) the gay crowd to dance to modern club music." Ostgut closed in January 2003, with the building slated for demolition and later replaced by a large indoor arena, the .

Berghain opened in 2004 as a reincarnation of Ostgut. Panorama Bar opened in October 2004, the main space Berghain in December of the same year. A new Lab.oratory opened in 2005. The name "Berghain" is a of the two city quarters that flank the south and north sides of the building, (formerly in ) and (formerly in ), and has been described as evocative of the club's "post-1989 identity". The literal meaning of the German word Berghain is "mountain grove".

The club is located in the former Friedrichshain Combined Heat and Power Plant built in 1953 as part of the flagship post-war and abandoned in the 1980s. The space was originally rented from the energy company but has been owned outright by the club since 2011. The building has a cavernous main room with 18-meter ceilings and is dominated by steel and concrete. The design of the club's interior, as well as later interior and exterior expansions of the venue, were carried out by the Berlin design firm Studio Karhard.

In 2016, a German court officially designated Berghain a cultural institution, which allows the club to pay a reduced tax rate.


Nightclub
The club's main room is focused on techno, with a smaller upstairs space, Panorama Bar, featuring . An outdoor garden opens between late spring and early autumn to host daytime DJ sets.

Berghain has a sound system on its main dance floor. Its first iteration, called the Dance Stack, was installed in 2005 and was one of the company's largest club installs. The Dance Stack was replaced with a new, updated Funktion-One system in 2023. The Panorama Bar system was upgraded in 2017 with a four-point line-array system with an additional six subwoofers from Studt Akustik.

At the onset of the COVID-19 pandemic in Germany, in March 2020, Berghain closed along with all other nightclubs in Berlin. Over the summer, it hosted several sound art installations inside the building and garden. In September 2020, the indoors club reopened as an art space, hosting an exhibition titled "Studio Berlin" featuring 115 Berlin-based artists including , and Wolfgang Tillmans. In October 2021, 19 months after shuttering, Berghain resumed indoor dance club events. Patrons are required either to be vaccinated against or to have recovered from COVID-19.


Lab.oratory
The basement holds a male-only establishment called "Lab.oratory", which described in 2014 as being "known as Berlin’s most extreme ." For Snax parties, Lab.oratory and Berghain are combined into a single venue. This is in tradition with the old Snax at Ostgut in Mühlenstraße, but takes place less frequently.


Culture
Berghain has become associated with and . It is open continuously most weekends from Saturday night through late Monday morning. The club offers dark rooms dedicated to sexual activity, and media have frequently reported on guests openly indulging in sexual acts. In 2019 Frieze magazine observed that in Berghain's early years, "the main room was mostly a space for , ... and now its palette is more mixed however the club’s values remain the same: concealment, queerness and excess". The twice-yearly Snax Party is reserved for gay patrons only.

No photos are allowed to be taken inside the club, and patrons are required to cover their smartphone cameras with a sticker. This policy was also maintained in 2020 when the club temporarily converted into an art space for the "Studio Berlin" exhibition during the COVID-19 pandemic. Additionally, the toilets of the club have no mirrors, purportedly so the club's guests are spared the "buzzkilling indignity of seeing their own faces after an epic partying session".

A 2022 academic study described Berghain as a unique "pharmacolibidinal constellation", where existing sexual orientations may become porous, as well as preexisting behaviors altered, due to the environment.

The club's door policy is notorious for being both strict and opaque, generating frequent debate and speculation. The club's bouncers have also been accused of racism. The head bouncer , who is a photographer, is also a minor celebrity in the techno scene.


Controversies and criticism
Berghain has, at times, been the focal point of controversy surrounding drug use in the club and consequential health emergencies.

A 30-year-old American woman died in June 2017, shortly after she left Berghain, having taken that she had supposedly purchased inside the club. While visiting , she, her husband, and their Dutch friend decided to visit the club late one night. She had her own MDMA pill taken by security, according to , and therefore bought two additional pills in the restroom of the club. After the effects of the pills started, where the woman showed signs of medical distress—by foaming from the mouth and losing consciousness—another person in the club, along with the club staff, allegedly delayed calling medical services, under the impression that the effects would wear off. After another fifteen minutes or so, an ambulance was called, and she was rushed to the hospital; however, she died shortly after arrival.

A toxicology report revealed that the MDMA dosage she consumed was substantially greater than what is considered a standard recreational amount. This incident prompted extensive discussions within German media regarding the safety protocols associated with drug use in Berlin's nightlife, encompassing appeals for the implementation of on-site drug-checking services and enhanced emergency procedures.

In 2019, there were unconfirmed reports of three individuals dying in a single night at Berghain after consuming pills that were marketed as ecstasy. Moreover, in 2022, incidents of needle spiking were encountered by clubbers at Berghain, where individuals were injected with unidentified drugs without their consent. Although these incidents have not been formally verified, they have helped fuel ongoing discussions regarding drug safety in nightclub settings. In spite of pressure from publicly documented cases of overdose, clubs such as Berghain have resisted introducing harm-reduction policies, including drug-checking, on the grounds of legal ambiguity and in order to maintain their low-interventionist policy. This has generated controversy among public health proponents, some of whom maintain that preventive measures could be taken to minimize health risks without undermining the cultural identity of the club. The German courts' official acknowledgment of the club as a cultural institution has raised additional concerns about state accountability and responsibility for public health and safety.

Alongside drug scandals, Berghain has also had political scandals. In 2018, AfD politician Sibylle Schmidt called for the closure of the club in a motion. Her justification followed AfDs overall far-right leaning rhetoric, claiming the drug use and oversexualized atmosphere. The request was publicly ridiculed and not seriously considered, but it does speak volumes about the club's reverence and notoriety when it comes to its drug scene.

There have been controversies regarding the clubs ties to Israel, and its employment of Israeli army personnel as security.

According to a rumour, a man once tried to smuggle in G in a bottle of eye drops. When asked, he stated it was medication and was told to ingest it on the spot by security. Upon ingestion, it was reported that he suffered immense pain and damage to his eyes, and was subsequently taken to a hospital.


Record label and booking agency
In 2005, Berghain's owners started a record label, , conceived by former Ostgut resident DJ Nick Höppner after Ostgut's closure in 2003. Its first releases were by Berghain/Panorama Bar DJ residents such as , Cassy and . The label's music is mostly , , and .

In 2007, Berghain collaborated with the Berlin State Ballet to create Shut Up and Dance! Updated, a ballet for five dancers that was performed at the club in late June and early July that year. The ballet's soundtrack, released on Ostgut Ton on May 29, 2007, is made up of five specially composed tracks by prominent minimal techno artists, such as Luciano, Âme, Sleeparchive and (The 7th Plain). The soundtrack received some positive reviews, while the ballet was less well received.

In October 2010, the label released a five-year anniversary compilation, Fünf, for which field recordings from within the club were used. Nick Höppner explained that the idea had come from his collaborator on "a regular Sunday morning at she noticed how everything in the building was resonating and vibrating and swinging and humming–she realized that there were a lot of sounds coming from the building itself. That led to the idea of doing field recordings within the building while it's not open to the public."

In the same 2010 interview, Höppner stated that Ostgut Ton was turning down many recordings because there are "so many in-house artists", while the label at that time was selling more product than other labels, but not generating much profit.

Ostgut Ton closed in December 2021, having been (according to ) "a dominant force in dance music, beloved for its mix series and dozens of EPs, albums and compilations" for 16 years.

In 2021, ARTE Concerts produced a series of three videos at the Berghain and released it on YouTube.

Around 2007, Berghain also launched its own booking agency Ostgut Booking, which among other artists represented Ben Klock, Steffi, and Marcel Dettmann. In October 2022, it was announced that Ostgut Booking (which at the time represented 28 acts and had eight employees) would be closing down at the end of the year.


Recognition

DJ Magazine's top 100 Clubs
Berghain first entered 's Top 100 Clubs list in 2008, ranking 20th, and reached the top position the next year.


Position by year
200820New Entry
2009
20108
20116
201213
201318
201414
201513
201616
201712
201810
201910
20208
20216
202212
202316
202413
202516


International Dance Music Awards
2010Best Global ClubBerghain - Berlin, Germany
2012
2013
2014
2015
2016
2020


In popular culture
  • In 2013, American pop star hosted an event at Berghain promoting her techno-inspired album,
  • In the TV series Sense8, one of the characters, Riley Gunnarsdóttir (Tuppence Middleton), is admired for a recording of a DJ set she made at Berghain.
  • In 2016, American comedian Conan O'Brien attempted to gain admission to Berghain while filming a travel episode of his television show Conan, but was denied and asked to leave, even after he asked if he could enter without his camera crew.
  • In 2017, the card game was released, a satirical card game where the goal is to "Let the right people in, outshine your colleagues and win the game!"
  • A character in the 2021 film The Matrix Resurrections named Berg has a series of tattoos on his arm of the Berghain logo. are also known patrons of the club.
  • In the 2021 television series Gossip Girl, Max Wolfe is said in the pilot episode to have visited Berghain. In his final appearance, he is shown to be thrown out of the club.
  • In 2021, suspected that "a number of Berlin clubs have inspired Hitman IIIs new night time venue: Club Hölle", a virtual in-game nightclub, including "Berghain, and Griessmüehle".
  • The electro song "Ostbahnhof" by the French producers and , released in 2022, describes a night spent at Berghain without naming the club.
  • In 2023, the film features John Wick visiting a fictional club in Berlin named "Himmel und Hölle" inspired by this club. It also features a cameo from the bouncer Sven Marquardt.
  • The song "Berliner Luft" by German band Scooter, released in 2023, mentions Berghain along with other Berlin clubs.
  • In June 2024, the podcast Search Engine released a two part episode documenting efforts to gain entrance into the club.
  • In December 2024, in an episode of the show , the character Sam refers to Berghain as one of the two hardest buildings in Europe to get into, along with the American Embassy in London.
  • In January 2025, German public broadcaster ARD published the series "The Next Level", depicting the tragic death of an American tourist in Berghain in 2017, whilst renaming Berghain to "Reaktor".


See also
  • List of electronic dance music venues
  • , resident DJ at Panoramabar


External links

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