Muzan-e (無残絵), also known as "Bloody Prints", refers to Japanese woodcut prints of violent nature published in the late Edo period and .
One of the earliest and most well-known examples is the collection eimei nijūhasshūku by the artists Yoshitoshi and Yoshiiku from the 1860s, which depicted several gruesome acts of murder or torture based on historical events or scenes in Kabuki plays.[Forbes, Andrew; Henley, David (2012). 28 Famous Murders. Chiang Mai: Cognoscenti Books.]
Reception
Although most of the works are solely violent by nature, it is perhaps the first known example of
ero guro or the erotic grotesque in Japanese culture, an art subgenre which depicts either erotic or extreme images of violence and mutilation. The Muzan-e has influenced many modern day art formats and ero guro can be found in
manga with the works of
Suehiro Maruo,
Shintaro Kago or
Toshio Maeda; in many live action films such as the
pink film movement and most of the works of director
Takashi Miike and even non-Japanese artists such as Trevor Brown.
Muzan translates from Japanese as cruelty or atrocity, and the works were said to spread a general panic amongst the populace at the time of publishing, with the extreme violence depicted in the paintings taken as a sign of social and moral decline.
References to the Muzan-e in other media
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Suehiro Maruo, a Mangaka whose works are heavily influenced by the original woodcuts, and artist Kazuichi Hanawa, created a modern version of the Muzan-e in 1988 with an art book entitled Bloody Ukiyo-e. While just as bloody and disturbing as the collection it is based on, Bloody Ukiyo-e also show cases a higher degree of full frontal nudity, sexual perversion and includes pop-culture references and modern real life events, such as painting a gun wielding Marc Bolan as a mercenary or the suicide of Adolf Hitler.
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The Muzan-e is intrinsic to the concluding story arc of the anime series Requiem from the Darkness.
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Muzan-E
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