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Mumblecore is a of characterized by naturalistic acting and (sometimes improvised) dialogue, low budgets, an emphasis on dialogue over plot, and a focus on the personal relationships of young adults. Filmmakers associated with the genre include , , the Duplass brothers and , , Aaron Katz, ,Hubert, Andrea (May 19, 2007). " Andrea Hubert on the latest fad to hit the US indie film scene". . Retrieved on July 27, 2008.Harring, Michael (Sep 29, 2009). " Local Sightings Film Festival: An I-5 Road Trip and Other New Movies Debut ". The Seattle Weekly. Retrieved on Oct 7, 2009. and . In many cases, though, these directors reject the term. The genre is a mostly American phenomenon. The related term mumblegore has been used for films mixing the mumblecore and genres.


Distinguishing characteristics
Naturalism – both in performance and dialogue – is a key feature of almost all mumblecore films. Early mumblecore films tended to feature non-professional actors; however, later films have had more professional actors, including major stars such as ( and Happy Christmas) and ( Digging for Fire). Some mumblecore films feature a prominent use of improvisation, with the cast sharing script credits, though some, like 's films, are mostly scripted. Bujalski's Beeswax Makes People Say Mumblecore, indieWire. Retrieved June 2011.

Mumblecore films are generally produced with a , which has ranged from several thousand to several million dollars as well as low production values. Filming is done in real places, as opposed to studio sets or . Many of these films are shot digitally, although Bujalski's films have all been shot on film. Soundtracks tend to be limited, or nonexistent.

Mumblecore films tend to revolve around characters in their twenties and early thirties who are usually single, white, and fairly aimless in both their professional and personal lives. Plots are often concerned with difficulties in romantic relationships, exacerbated by the characters' inability to articulate their own desires.


Influences on mumblecore
Films that have been described as influencing, or at least anticipating, the conventions of mumblecore include Girlfriends (1978), Manhattan (1979), My Dinner with Andre (1981), Stranger Than Paradise (1984), Sex, Lies, and Videotape (1989), Slacker (1991), Clerks (1994), Go Fish (1994) and (1995). Directors cited as influences include Michelangelo Antonioni, Eric Rohmer, , Gus Van Sant, Richard Linklater, and .

Reality television, including what one critic called "the spring-break psychodrama of MTV's The Real World, has also been called an influence on mumblecore, as has the 2001 reality-TV-style series The Office.

Another often-cited influence on mumblecore is the profusion of cheaper filmmaking technology starting in the early 2000s, such as the Panasonic AG-DVX100 video camera, and desktop video editing software such as Final Cut Pro.


History
Bujalski has been described as the "Godfather of Mumblecore". A Genre Worth Shouting About, The Independent. Retrieved June 2011. His 2002 directorial debut, Funny Ha Ha, is generally considered to be the first mumblecore film.

The 2005 South by Southwest Film Festival screened a number of other films that came to be considered part of the mumblecore movement, including Bujalski's second film, Mutual Appreciation; The Puffy Chair, by and ; and Kissing on the Mouth, by . Mumblecore meets the mainstream in Cyrus at Sundance, Guardian. Retrieved June 2011. Mumblecore Goes Mainstream, Variety. Retrieved June 2011. That festival was also the origin of the term "mumblecore": , a sound editor who has worked with Bujalski, coined the term one night at a bar during the festival, when asked to describe the similarities between those three films. The term was first used publicly by Bujalski in an interview with . Bujalski has downplayed the existence of an organized "movement", however, and stated that he does not intentionally make "mumblecore" films.

Film journalists have also referred to the genre collectively with the terms "bedhead cinema" and "Slackavetes" (a derived from the title of Richard Linklater's dialogue-heavy, 1990s film Slacker, and the name of independent film director ).

In 2007, the in New York City exhibited a ten-film series of mumblecore films, titled "The New Talkies: Generation D.I.Y." The films shown were: Hannah Takes the Stairs, Funny Ha Ha, Kissing on the Mouth, The Puffy Chair, Dance Party USA, Quiet City, Hohokam, , Mutual Appreciation, LOL, and Quietly on By, as well as the first season of Joe Swanberg and Kris Williams's web series Young American Bodies, and a collection of short films dubbed "Mumbleshorts".


Legacy
Some critics have stated that mumblecore ended around 2010, as the original crop of directors began making films with larger budgets, more diverse storylines, and a more conventional cinematic approach. Daily Film Dose: Alexander The Last, The Movie That Killed Mumblecore, Reece Crothers, August 26, 2010 For this reason, films made since 2010 or so that retain an emphasis on naturalistic dialogue and plot are sometimes referred to as "post-mumblecore". People who have been labelled as "post-mumblecore" include , Sean Price Williams, , Alex Ross Perry and Kate Lyn Sheil.


Influences on other genres
The big-budget films (2012) and its sequel Magic Mike XXL (2015) have been described as having mumblecore elements due to their use of naturalistic dialogue. Some TV series, including the series Girls (2012), Looking (2014) and Togetherness (2015), Euphoria (2019), and the series Easy (2017) have been called mumblecore-inspired, or, in the words of one critic, "mumbleshows".

Horror films using mumblecore techniques have resulted in the term "mumblegore." Films that have been described as "mumblegore" include (2008), The House of the Devil (2009), Entrance (2011), You're Next (2011), V/H/S (2012), The Sacrament (2013), and Creep (2014). Directors associated with mumblegore cinema include Swanberg and Duplass, as well as , , , the trio Radio Silence, , , and .

A review of the independent quasi-documentary Bloody Nose, Empty Pockets, in which actors were served real alcohol and filmed interacting in improvised scenes in a recreated dive bar, noted that "the film may be the first-ever in a new 'stumblecore' genre, a risky fusion of indie-mumblecore and on-camera drunkenness."


Outside the United States
Mumblecore is not a strictly American phenomenon. Since about 2009, the Berlin Mumblecore movement has had its own manifesto, Sehr gutes Manifest. Berlin Mumblecore is not a reaction to the American hype so much as it is a reaction to the lack of reform in the German public financial support system for the film industry (Filmfoerderung). Crowdfunding became a new possibility to finance movie productions with small budgets, independently from restrictions of the German Filmfoerderung.

In 2009, Jette Miller's Austern ohne Schale was screened in Berlin. In 2011, the movies Frontalwatte by and Papa Gold by Tom Lass were released. The latter won several German film awards. In 2012, Klappe Cowboy by Timo Jacobs and Ulf Behrens premiered, as well as the award-winning by . Denis Demmerle: Eine neue Schule. In: Berliner Filmfestivals. 2012-04-28, retrieved in December 2012 In 2015, Malte Wirtz's Voll Paula! had its theatrical release, having also been produced without public film funding. Since then he produced three more Mumblecore Films ( Hard & Ugly, Only One Day in Berlin, and About Rita!) and the media called him one of the most active German directors.


Filmography

List of mumblecore films and television series
  • Funny Ha Ha (2002)
  • The Utopian Society (2003)
  • Kissing on the Mouth (2005)
  • The Puffy Chair (2005)
  • Mutual Appreciation (2005)
  • (2005)
  • Dance Party USA (2006)
  • LOL (2006)
  • Young American Bodies (2006–2009)
  • Hannah Takes the Stairs (2007)
  • Let Them Chirp Awhile (2007)
  • Quiet City (2007)
  • Hohokam (2007)
  • Orphans (2007)
  • Frownland (2007)
  • (2007)Herrington, Chris (March 6, 2008). "Mumblecore": A new new-wave showcase at the Brooks . . Retrieved on August 20, 2008.
  • (2007)
  • (2008)Dollar, Steve (July 25, 2008). " Mumblecore Meets Grindhouse in 'Baghead'". The New York Sun. Retrieved on July 27, 2008.
  • In Search of a Midnight Kiss (2008)Pais, Matt (July 31, 2008). Search of a Midnight Kiss' review. . Retrieved on August 20, 2008.
  • The Pleasure of Being Robbed (2008)Burr, Ty (May 23, 2008). " It's their scene at Cannes – The Boston Globe". Boston.com. Retrieved on August 21, 2008.
  • Nights and Weekends (2008)" What I Meant To Say". Filmmaker Magazine. Summer 2008. Retrieved on August 20, 2008.
  • My Effortless Brilliance (2008)
  • Yeast (2008)
  • Luke and Brie Are on a First Date (2008)
  • It's Nick's Birthday (a mumblecore musical, 2009)
  • (2009)
  • Alexander the Last (2009)
  • Medicine for Melancholy (2009) A Short-Term Affair Leads to Big Questions, New York Times. Retrieved June 2011.
  • (2009)
  • Beeswax (2009)
  • Daddy Longlegs (2009)
  • Sorry, Thanks (2009)
  • The Exploding Girl (2009)
  • (2009)
  • Cyrus (2010)
  • (2010)
  • Guy and Madeline on a Park Bench (2010)
  • (2010)
  • You Wont Miss Me (2010)
  • Overlook (2010)
  • Art History (2011)
  • Autoerotic (2011)
  • (2011)
  • Entrance (2011)
  • (2011)
  • Caitlin Plays Herself (2011)
  • Your Sister's Sister (2011)
  • Bellflower (2011)
  • Mumblecore (2011)
  • The Zone (2011)
  • Memory Lane (2012)
  • The Do-Deca-Pentathlon (2012)
  • The Color Wheel (2012)
  • (2012)
  • (2012)
  • Sun Don't Shine (2012)
  • I Want Your Love (2012)
  • Ivy League Exorcist: The Bobby Jindal Story (2012)
  • Jeff, Who Lives at Home (2012)
  • Save the Date (2012)
  • Celeste & Jesse Forever (2012)
  • (2013)
  • All the Light in the Sky (2013)
  • (2013)
  • I Love You, Apple, I Love You, Orange (2013)Schmader, David (May 1, 2013). "Festive: Seattle True Independent Film Festival 2013". The Stranger. Retrieved on May 1, 2013.
  • (2014)
  • Swim Little Fish Swim (2014)
  • Happy Christmas (2014)
  • (2014)
  • (2015)
  • A Wonderful Cloud (2015)
  • Midnight Delight (2016)
  • Blue Jay (2016)
  • Joshy (2016)
  • (2016)
  • Easy (2016–2019)
  • Before I Fall (2017)
  • Waiting for Violette (2017)
  • Room 104 (2017-2020)
  • Friends, Foes & Fireworks (2018)
  • Support the Girls (2018)
  • Importance (of Us) (2018)
  • Only One Day in Berlin (2018)
  • The Christmas Ride (2020)
  • Shithouse (2020)
  • Yelling Fire in an Empty Theater (2023)
  • The Astrid Experience (2023)Sweta. Top 10 Films Shot on an iPhone. March 6th, 2025. Retrieved March 18th, 2025.
  • Connection at the End of the World (Short Film, 2025)Indie Short Fest. [18].


List of mumblegore films
  • The Green Elephant (1999)
  • (2005)
  • (2007)
  • The Signal (2007)
  • Trigger Man (2007)
  • (2007)
  • (2007)
  • I Can See You (2008)
  • (2008)
  • The House of the Devil (2009)
  • Hysterical Psycho (2009)
  • Red White & Blue (2010)
  • A Horrible Way to Die (2010)
  • Martha Marcy May Marlene (2011)
  • (2011)
  • (2011)
  • The Innkeepers (2011)
  • Entrance (2011)
  • What Fun We Were Having (2011)
  • You're Next (2011)
  • V/H/S (2012)
  • Sun Don't Shine (2012)
  • Resolution (2012)
  • (2012)
  • The Battery (2012)
  • V/H/S/2 (2013)
  • Cheap Thrills (2013)
  • Coherence (2013)
  • (2013)
  • 24 Exposures (2013)
  • The Sacrament (2013)
  • Proxy (2013)
  • The Guest (2014)
  • Honeymoon (2014)
  • Creep (2014)
  • (2014)
  • Bag Boy Lover Boy (2014)
  • (2014)
  • (2014)
  • (2014)
  • They Look Like People (2015)
  • Synchronicity (2015)
  • The Invitation (2015)
  • (2015)
  • Echo Lake (2015)
  • Darling (2015)
  • Southbound (2015)
  • (2015)
  • We Go On (2016)
  • (2016)
  • The Alchemist Cookbook (2016)
  • Another Evil (2016)
  • Creep 2 (2017)
  • The Endless (2017)
  • The Ritual (2017)
  • Flesh & Blood (2018)
  • Pooka! (2018)
  • Body at Brighton Rock (2019)
  • I Trapped the Devil (2019)
  • After Midnight (2019)
  • Exit 0 (2019)
  • Pooka Lives! (2020)
  • Nocturne (2020)
  • The Night House (2020)
  • Save Yourselves! (2020)
  • (2020)
  • (2020)
  • Broadcast Signal Intrusion (2021)
  • Evil in the Woods (2022)
  • Mr. Crocket (2024)


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