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Motezuma, 723, is an in three acts by with an Italian by . The libretto is very loosely based on the life of the Aztec ruler who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. (In earlier reference books the opera is referred to as Montezuma, but since the reappearance of the original manuscript this has been corrected to Motezuma.) The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully staged performance in modern times took place in Düsseldorf, Germany, on 21 September 2005.


Background and performance history
Vivaldi's librettist was the Venetian lawyer . His libretto was a highly fictionalised account of an episode in the life of the Aztec ruler . The opera has a happy ending, unlike the real Montezuma who was killed during the initial stages of the Spanish conquest of Mexico. The opera, which premiered on 14 November 1733 at the Teatro Sant'Angelo in Venice, was one of the earliest to be based on a subject from the Americas. According to Michael Talbot in The Vivaldi Compendium, for its time Giusti's libretto "evinces a rare degree of sympathy for the Mexican emperor and his queen Mirena." At the premiere the role of Mirena was sung by Anna Girò, who was a protégée of Vivaldi and whom he considered his "indispensable" prima donna. The title role was sung by the German bass Massimiliano Miler. Unusually for Vivaldi, who preferred with voices, he wrote two roles for castrati—Fernando (Cortés) and Asperano, the Mexican general. The choreographer at the premiere was Giovanni Gallo. The sets were designed by Antonio Mauro.Talbot, Michael (2011). The Vivaldi Compendium, pp. 41; 88–89; 125. Boydell Press. (13 June 2005). "Lost Vivaldi Opera Finally Gets Its Music and Words Together", The New York Times. Retrieved 14 March 2015. Motezuma: drama per musica da rappresentarsi nel Teatro di Sant'Angelo nell'autunno dell'anno 1733. . Although the libretto printed at the time of the premiere survived, the music was thought to have been lost until it was rediscovered in 2002. After World War II, the Sing-Akademie's library was captured by the and taken to the Soviet Union, eventually ending up in , now in .Patricia Kennedy Grimsted. "Bach is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics", Harvard Ukrainian Research Institute, 2003 Following the restitution of the Sing-Akademie collection to Germany, the fragmentary score of Motezuma (the beginning of the first act and large parts of third are missing) was identified by the musicologist . Musicologists began working on reconstructing a version suitable for performance. The Sing-Akademie then asserted that they had a publication right, including derivative rights such as , to the opera.

A concert version of the opera, apparently the first performance since the 18th century, was performed on 11 June 2005 in the Concert Hall in Rotterdam conducted by Federico Maria Sardelli. On 18 July 2005, a version of Motezuma was to have been performed by the Opera Barga Festival in Italy, also conducted by Sardelli. The Rotterdam performance had gone ahead only after a substantial payment to the Sing-Akademie. However, the Barga performance was halted by an injunction, with a potential €250,000 penalty for non-compliance. The reason given was that German law offers copyright protection to entities such as the Sing-Akademie that publish previously inaccessible works. Because the injunction was issued one week before the date of the Barga performance, a "" was performed. The Motezuma libretto were spoken, and other Vivaldi arias sung between them. In mid-September 2005, the injunction was lifted which allowed the first staged performance in modern times to take place on 21 September 2005 in Düsseldorf, Germany, as part of the festival. It was performed by l'Orchestra conducted again by Sardelli. The Düsseldorf production was directed by Uwe Schmitz-Gielsdorf and designed by Paolo Atzori.Apthorp, Shirley (22 September 2005). "Vivaldi's Motezuma Has Dusseldorf Premiere After Court Win", . Retrieved 14 March 2015.

The American premiere was held on 28 March 2009, in Long Beach, California, staged and performed by the Long Beach Opera with musical accompaniment by Musica Angelica directed by David Schweizer and conducted by Andreas Mitisek.Ng, David (March 22, 2009). "Vivaldi's 'Motezuma,' lost, found, restored, re-imagined", Los Angeles Times. Retrieved 14 March 2015.


Roles
, Emperor of MexicoMassimiliano Miler
Mitrena, his wifeAnna Girò
, his daughterGioseffa Pircker
Fernando, General of the Spanish armiessoprano Francesco Bilanzoni
Ramiro, his younger brother ()Angiola Zanuchi
Asprano, General of the Mexicanssoprano castratoMarianino Nicolini


Recordings


References in literature
  • In 's novel Baroque Concerto, the nameless main character, who is related to a Conquistador, visits Venice in 1709. He befriends Antonio Vivaldi, as well as Domenico Scarlatti and George Frideric Handel. During the , he wears a mask of Montezuma. An intrigued Vivaldi asks for an explanation of the story. Upon hearing of the Spanish conquest of the Aztec Empire, Vivaldi decides to write an opera based on it. The resulting opera is Motezuma.


See also
Other operas with Montezuma as the protagonist:
  • Montezuma (1755) by Carl Heinrich Graun
  • Motezuma (1771) by Josef Mysliveček
  • Montezuma (1963) by
  • La Conquista (2005) by
A related opera (in which Montezuma himself does not appear):

Further reading


External links

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