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A monster is a type of imaginary or fictional creature found in , , , and . They are very often depicted as dangerous and , with a strange or grotesque appearance that causes and , often in humans. Monsters usually resemble , deformed, otherworldly and/or mutated or entirely unique creatures of varying , but may also take a form, such as mutants, , spirits, cannibals or , among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or order of the human world in the process.

Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek , does not sacrifice to the white bull which the god sent him, so as punishment Poseidon makes Minos' wife, Pasiphaë, fall in love with the bull. She copulates with the beast, and gives birth to the man with a bull's head, ). Human monsters are those who by birth were never fully human ( and her sisters) or who through some supernatural or unnatural act lost their humanity (, Frankenstein's monster), and so who can no longer, or who never could, follow the moral law of human society.

Monsters may also be depicted as misunderstood and friendly creatures who frighten individuals away without wanting to, or may be so large, strong and clumsy that they cause unintentional damage or death. Some monsters in fiction are depicted as mischievous and boisterous but not necessarily threatening (such as a sly ), while others may be docile but prone to becoming angry or hungry, thus needing to be tamed and taught to resist savage urges, or killed if they cannot be handled or controlled successfully.

Monsters pre-date , and the academic study of the particular cultural notions expressed in a society's ideas of monsters is known as monstrophy. Monsters have appeared in literature and in feature-length films. Well-known monsters in fiction include , Frankenstein's monster, , , , reanimated mummies, and .


Etymology
Monster derives from the monstrum, itself derived ultimately from the verb moneo ("to remind, warn, instruct, or foretell"), and denotes anything "strange or singular, contrary to the usual course of nature, by which the gods give notice of evil," "a strange, unnatural, hideous person, animal, or thing," or any "monstrous or unusual thing, circumstance, or adventure." The Rev. J.E. Riddle, A Complete English-Latin and Latin-English Dictionary, London: Longmans, Green, and Co., 1870, s.v. monstrum, Latin-English part, p. 399.


Cultural heritage
In the words of Tina Marie Boyer, assistant professor of medieval German literature at Wake Forest University, "monsters do not emerge out of a cultural void; they have a literary and cultural heritage".

In the religious context of ancient Greeks and Romans, monsters were seen as signs of "divine displeasure", and it was thought that birth defects were especially ominous, being "an unnatural event" or "a malfunctioning of nature".

Monsters are not necessarily abominations however. The Roman historian , for instance, describes a snake's absence of legs or a bird's ability to fly as monstrous, as both are "against nature". Nonetheless, the negative connotations of the word quickly established themselves, and by the playwright and philosopher Seneca's time, the word had extended into its philosophical meaning, "a visual and horrific revelation of the truth".

In spite of this, mythological monsters such as the and are not natural beings, but divine entities. This seems to be a holdover from Proto-Indo-European religion and other belief systems, in which the divisions between "spirit," "monster," and "god" were less evident.


Monsters in fiction

Prose fiction
The history of monsters in fiction is long. For instance, in the epic poem is an archetypal monster: deformed, brutal, and with enormous strength, he raids a human settlement nightly to slay and feed on his victims. The modern literary monster has its roots in examples such as the monster in 's and the vampire in 's .

Monsters are a staple of , , and (where the monsters are often extraterrestrial in ). There also exists , a subgenre of that involves monsters.


Film

Pre–World War II monster films
During the age of , monsters tended to be human-sized, e.g. Frankenstein's monster, the , and . The film featured a that consisted of models, as in 's King Kong, the first giant of the sound era.

Universal Studios specialized in monsters, with 's reprisal of his stage role, , and playing Frankenstein's monster. The studio also made several lesser films, such as Man-Made Monster, starring Lon Chaney Jr. as a carnival side-show worker who is turned into an electrically charged killer, able to dispatch victims merely by touching them, causing death by electrocution.

There was also a variant of Dr. Frankenstein, the mad surgeon Dr. Gogol (played by ), who transplanted hands that were reanimated with malevolent temperaments, in the film Mad Love.

were introduced in films during this period. were cinematically depicted as fearsome monsters as well. As for giant creatures, the cliffhanger of the first episode of the 1936 Flash Gordon serial did not use a costumed actor, instead using real-life to depict a pair of battling dragons via use of camera perspective. However, the cliffhanger of the ninth episode of the same serial had a man in a rubber suit play the Fire Dragon, which picks up a doll representing Flash in its claws. The cinematic monster cycle eventually wore thin, having a comedic turn in Abbott and Costello Meet Frankenstein (1948).


Post–World War II monster films
In the post–World War II era, however, giant monsters returned to the screen with a vigor that has been causally linked to the development of . One early example occurred in the American film The Beast from 20,000 Fathoms, which was about a that attacked a lighthouse. Subsequently, there were Japanese film depictions, (, ), British depictions ( Gorgo), and even Danish depictions ( ), of giant monsters attacking cities. A recent depiction of a giant monster is depicted in J. J. Abrams's , which was released in theaters 18 January 2008. The intriguing proximity of other brought the notion of extraterrestrial monsters to the big screen, some of which were huge in size (such as and ), while others were of a more human scale. During this period, the -human monster was developed in the film series Creature from the Black Lagoon.

Britain's Hammer Film Productions brought color to the monster movies in the late 1950s. Around this time, the earlier Universal films were usually shown on American television by independent stations (rather than network stations) by using announcers with strange personas, who gained legions of young fans. Although they have since changed considerably, movie monsters did not entirely disappear from the big screen as they did in the late 1940s.

Occasionally, monsters are depicted as friendly or misunderstood creatures. King Kong and Frankenstein's monster are two examples of misunderstood creatures. Frankenstein's monster is frequently depicted in this manner, in series and films such as and Van Helsing. is an example of the "Monster as Hero" archetype. The theme of the "Friendly Monster" is pervasive in pop-culture. , , and Shrek are notable examples of friendly "monsters". In the Monsters, Inc. franchise by , the monster characters scare (and later entertain) children in order to create for running machinery in their home world, while the furry monsters of and live in harmony with animals and humans alike. Japanese culture also commonly features monsters which are benevolent or likable, with the most famous examples being the Pokémon franchise and the pioneering anime My Neighbor Totoro. The book series/webisodes/toy line of is another example.


Games
Monsters are commonly encountered in fantasy or role-playing games, as well as video games, as enemies for players to fight against. They may include aliens, legendary creatures, extra-dimensional entities or versions of regular animals.

Especially in role-playing games, "monster" is a catch-all term for hostile characters that are fought by the player. fictional races are usually not referred to as monsters. At other times, the term can carry a neutral connotation, such as in the Pokémon franchise, where it is used to refer to cute fictional creatures that resemble real-world animals. Characters in games may refer to all of such creatures as "monsters". Another role playing game that has many different fantasy creatures (monsters and dragons alike), is Dungeons & Dragons.

In some other games, such as and , "Monsters" (which are usually NPCs) refer to strange beings that are either , , or mythical creatures that share similarities with human beings.


See also

Monsters in legend and fiction


Related concepts


Notes

Citations

Bibliography
  • (2025). 9780195336160, Oxford University Press.
  • (2025). 9780198299905, Oxford University Press.
  • (2025). 9780195387438, Oxford University Press.
  • Weinstock, Jeffrey Andrew, ed. (2020). The Monster Theory Reader. University of Minnesota Press. 2020.


External links
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