Meenakshi also spelled as Minakshi or ', and also known as ', and , is a Hindu goddess. She is considered as a form of the goddess Parvati, and is the tutelary deity of Madurai. Along with Kamakshi, and Visalakshi, she is considered as one of the three of Adi Shakti: Vishalakshi in the north,Bangala Bhasar Abhidhaan ( Dictioanary of the Bengali Language), Shishu Sahitya Samsad Pvt Ltd., 32A, APC Road, Kolkata – 700009, Volume 2, p.1600. (ed. 1988) She is represented as the divine consort of Sundaresvarar, a form of Shiva, and the sister of Alagar, a form of Vishnu.
Meenakshi finds mention in Tamil literature as the warrior queen of the ancient Pandya dynasty, and was later deified. She is mainly worshiped in South India, and has a Meenakshi Temple devoted to her in Madurai. Her iconography is usually represented with a raised right hand holding a Nelumbo nucifera, on which sits a green parrot, while her left hand hangs by her side. Meenakshi Tirukalyanam, the marriage of Meenakshi and Shiva is celebrated as a major festival. She was also extolled as Shri Vidya by Adi Shankara.
is a [[Sanskrit]] term meaning 'fish-eyed', derived from the words 'fish' and 'eye'. She was mentioned in early Tamil literature as meaning 'fish-eyed one' in [[Tamil|Tamil language]]. She is also known by the Tamil name or (). The name of might also mean "rule of the fish", derived from the Tamil words ''meen'' ('fish') and ''aatchi'' ('rule'), denoting the fish signage on the flag used by the [[Pandyas]].
Various meanings of this appellation have been suggested, including that she was originally a goddess of the fisher-folk, that her eyes are "large and brilliant" like that of a fish, or that she has "long and slender" eyes shaped like the body of a fish. Another interpretation is that the name is based on the belief that the fish never close their eyes: the goddess similarly never stops watching over her devotees. Yet another interpretation states that the name is based on the ancient belief that the fish feed their young by merely looking at them; the goddess supposedly supports her devotees by merely glancing at them.
According to religious scholar William P. Harman, the story may reflect the matrilineal traditions prevalent in South India during the time and the regional beliefs that "spiritual powers rest with the women", gods listen to their spouse, and that the fates of kingdoms rest with the women. According to historian Susan Bayly, the reverence for Meenakshi is a part of the Hindu goddess tradition that integrates with the Hindu society where the "woman is the lynchpin of the system" of social relationships. According to anthropologist Christopher Fuller, the wedding represents a symbolic paradigm for human marriages during the time.
Though the temple was mentioned in texts from 6th century CE, it was built extensively during the rule of the Pandyas in the 11th to 12th century CE. After most of the temple was destroyed in the early 14th century by the armies of Delhi Sultanate, the temple was rebuilt after during the Vijayanagara rule in the late 14th to 15th centuries. Most of the present masonry was rebuilt after the 14th century CE, and the temple was furtherrenovated and expanded in the 16th and 17th centuries by the Madurai Nayaks.
The main shrines are located in the center of the temple complex, surrounded by various monuments inside concentric (enclosures). The enclosures are fortified with high masonry walls, with the outer walls having four towering gopurams (gateways), one each on either direction, which allow people to enter the complex from all four directions. The complex has numerous sculpted pillared mandapa including the Ayirakkal mandapam (thousand pillar hall). There are various shrines are dedicated to Hindu deities inside the temple complex. The vimanas above the (sanctums) of Meenakshi and Sundareśvarar are gilded with gold.
The temple is a major pilgrimage destination within the Shaivism tradition, dedicated to Meenakshi and Shiva. As Vishnu is considered to be Meenakshi's brother, it is mentioned as Mathura of the South in the Vaishnava texts. The large temple complex is the most prominent landmark in Madurai and attracts tens of thousands visitors a day. The temple attracts over a million pilgrims and visitors during the annual 10-day Chithirai festival , celebrated with much festivities and a temple car (chariot) procession during the Tamil calendar of Chittirai.
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