Product Code Database
Mavo (often styled MaVo or MAVO) was a radical Japanese art movement of the 1920s. Founded in 1923, Mavo was productive during the late Taishō period (1912–26). Mavo re-instituted the Japanese Association of Futurist Artists, the anarchistic artist group who displayed an outdoor exhibit in Ueno Park in Tokyo in protest of conservatism in the Japanese art world.
Led by Tomoyoshi Murayama, the group deployed an interdisciplinary array of performance art, painting, illustration and architecture, to communicate anti-establishment messages to the mainstream. Fueled by responses to industrial development, the Mavo group created works about crisis, peril and uncertainty. Art historian Gennifer Weisenfeld has written that Mavo sought to reintegrate art into daily life.
"Mavoist" artists sought to disrupt or blur the boundaries between art and daily life. They rebelled against the establishment by combining industrial products with painting or printmaking, usually in collage form. Their performance art protests against social injustice deployed theatrical eroticism, that mocked public norms for morality at the time.
During a 1923 demonstration, Takamizawa Michinao, one of the members of Mavo, threw rocks in protest, through a glass ceiling of a building housing an exhibition of artworks curated by Nika-kai (The Second Society). Nika-kai was established in 1914 to oppose the conservative Bunten, the governmental Ministry of Education Exhibition. Murayama had spent 1922 in Berlin where he became familiar with the social satire painting of Georg Grosz, Wassily Kandinsky's "spiritual" abstract paintings, El Lissitzky's constructivist works, and Alexander Archipenko's sculptures. As a cultural leader and public figure, Murayama had a confident, flamboyant personality, an androgynous physical presence sporting a bob-hairstyle, and posing for photographs in states of undress.
|
|
