Marvelman was a Great Britain Golden Age superhero comic book, published by L. Miller & Son in the United Kingdom between 1954 and 1963. The lead character was originally created by Mick Anglo as a replacement for Captain Marvel due to Fawcett Publications ending the latter's titles following legal action by DC Comics.
In 1982 the character was Miracleman in the comics anthology Warrior, and later renamed Miracleman in 1985. Since 2009, the rights to the character have been licensed from Anglo by Marvel Comics, who have reprinted some of the vintage material under the original Marvelman name.
Anglo initially handled the strip himself while it was shaped before involving other artists from his studio, including James Bleach, Norman Light and Don Lawrence. The British comic industry of the time did not keep exhaustive records of creators—with the strips themselves bearing no credits—but among the Gower Street Studios artists identified as working on Marvelman, Young Marvelman and/or Marvelman Family were Ron Embleton, George Stokes and Denis Gifford, who would all go on to have successful careers in the industry. To keep the work on schedule Anglo adopted a system broadly similar to the "Marvel method" later used by Stan Lee—to avoid complicated scripts with overdetailed panel descriptions he would instead devise a plot outline, pass it to one of the studio's artists and then write dialogue and narration to fit the resulting pages of art. Writing about the artists from the studio in 1977, Anglo would recall that this allowed the artists to put their own stamp on the character, noting that Lawrence's were "elongated"; Roy Parker used "bulging muscles and a lantern jaw"; while John Whitlock and Norman Light both made the character barrel-chested. He also claimed the contributions of Gifford and Frank Daniels on the title brought a poor reader response.
Back-up features were either produced by Gower Street Studios or were from other series licensed by Miller, including adventure serial Lance and science fiction heroes Captain Zip Morgan of Space Patrol and Johnny Galaxia (an import of a Spanish comic strip created by Josep Beá and Blay Navarro). In-house humour strips such as Young Joey, The Friendly Soul and Flip and Flop were also used to fill single or half pages. These were initially devised by Anglo before he handed them over to Gifford, who was more at home with humour strips than superhero material. Anglo's assistant Dorothy Saporito and her successor Roshan Kanga also helped finish off material for the comic.
Marvelman was similar to Captain Marvel: a young copy boy named Micky Moran encounters an astrophysicist called Guntag Barghelt (instead of the wizard Wizard Shazam) who gives him superpowers based on atomic energy instead of magic. To transform into Marvelman, he speaks the word "Kimota", which is phonetically "atomic" backwards—Anglo changed it to avoid readers thinking the word began with a soft 'c'. Typically, either through his work (Moran being sent on a fact-finding mission by the Bugle editor was a common device) or happenstance Moran would stumble across some sort of criminal activity, change into Marvelman and save the day. Most of the adventures were self-contained, though occasionally a 'Marvelman serial' would run across multiple issues. When surprised, both Micky and Marvelman were given to exclaiming "Holy Macaroni!". The character's origin was initially only relayed in a text box accompanying the first frame of each adventure, before later being told in the strip "The Birth of Marvelman" in Marvelman #65, dated 13 November 1954. In Marvelman #102 a third member of the Marvelman Family appeared—Johnny Bates was gifted the power to transform into Kid Miracleman, and would briefly feature as a back-up in Marvelman.
The title's most lasting villain was evil scientist Doctor Gargunza, a reinvention of Captain Marvel's arch-enemy Doctor Sivana, given a new look that involved a black widow's peak, spectacles and an exaggerated overbite, a distinctive "Hak! Hak!" chuckle and a name invented by Anglo's brother. A prototype of the character called Professor Zargunza would appear in Marvelman #26, with side-parted white hair, before Gargunza debuted in "Marvelman and the Skeletons in the Cupboard!" in Marvelman #27. The visually and narratively identical Cuprini would also feature in Marvelman #32 before the character's identity and design settled down. While Gargunza would invariably lose and be bought to justice as each scheme failed, the character would always escape and return on numerous occasions. Another recurring antagonist was the fictional Eastern bloc country of Boromania, agents of whom were defeated by Marvelman on numerous occasions. Other story opportunities were opened up when Marvelman gained the ability to fly fast enough around the Earth to travel through time, usually into the past but occasionally into the future. This allowed him to visit periods such as England in the Elizabethan era or the Middle Ages, the reign of Louis XIV, the Wild West or American Civil War, and also meet historical figures including Hannibal, Hippocrates, and Charles II. His adventures also saw him cross paths with fictional or mythical characters such as King Arthur,
Icarus, Scheherazade and Dick Whittington.
Anglo died on 31 October 2011, aged 96.
The revival was continued by American publisher Eclipse Comics from 1985. Due to objections from Marvel Comics, the title and the character were renamed as Miracleman, with the supporting cast updated accordingly. In a text essay included with Miracleman #2, Moore noted the character's existence since 1953 predated Marvel Comics' use of the name, and instead originated from the rival Fawcett publication.
Following the resolution of the protracted ownership debate, Marvel Comics struck a deal with Anglo to license the character shortly after the legal ownership was confirmed in 2009. This allowed the character to return to the Marvelman name, which would be used for reprints of the Anglo-era material (with Miracleman retained for material produced from 1982 onwards), overseen by archivist Derek Wilson.
Marvel's first output featuring the character was the Marvelman Classic Primer, a one-shot of text pieces by John Rhett Thomas, interviews with Anglo and Gaiman and pin-ups by Mike Perkins, Doug Braithwaite, Miguel Angel Sepulveda, Jae Lee, Khoi Pham and Ben Oliver. This was followed by the six-issue limited series , reprinting restored versions of Anglo's strips from Marvelman, Young Marvelman and Marvelman Family. Cover art was produced by Marko Djurdjević and others, with one a modified version of Anglo's cover to Marvelman #33. The series was collected as a trade paperback
Soon afterwards Marvel instigated a series of hardback Marvelman Classic archive collections. The first volume contained Marvelman #25 and #27-34; the reason for the gap was that—despite extensive searches and a Twitter appeal by Tom Brevoort—Marvel were unable to locate any proof that the second appearance of the character in Marvelman #26. A note to this effect was printed in the collecting, relating that some of the collectors contacted had raised doubts the issue existed and that if it was discovered it would be included in future editions. A copy of the issue surfaced in 2014 as the subject of an eBay auction, selling for over £4000 and confirming its publication. no further editions of Marvelman Classic Vol. 1 or any subsequent volumes have been published, but a digital version of the issue is available for purchase on Amazon via ComiXology. After some initial interest, sales of the Marvelman Classic volumes dropped sharply, and none have been issued since 2011.
Success
Overseas
Decline and cancellation
Ownership
Legacy
Revival
Reprints
Reception
Collected editions
Marvelman Classic Vol. 1 August 2010 Contains material from Marvelman #25 & 27–34 Marvelman Classic Vol. 2 February 2011 Contains material from Marvelman #35–44 Marvelman: Family's Finest March 2011 Contains material from Marvelman #65, #72–77, #102, #105–106, #108, #159, #222, #228, #235 & #252; Young Marvelman #57, #72,
#88, #100, #200 & #202; and Marvelman Family #3, #8–10, #14, #18 & #29–30.Marvelman Classic Vol. 3 September 2011 Contains material from Marvelman #45–54
Explanatory notes
External links
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