Product Code Database
Example Keywords: music games -playback $75
barcode-scavenger
   » » Wiki: Malkasten
Tag Wiki 'Malkasten'.
Tag

Malkasten (English: "Paintbox") is a progressive German artists' association, founded in Düsseldorf in 1848, during the March Revolution. Since 1867, their headquarters have been in the Pempelfort district.


History
During the unrest in 1848, artists also began to take part in political discussions. In August of that year, the held an event called the "Fest der Deutschen Einheit" (Festival for German Unity). Many artists and sculptors associated with the Düsseldorfer Malerschule took part in its artistic design. On the night of the celebration, they decided to establish an artist's association which, a few days later, they named "Malkasten", at the suggestion of Karl Hübner.Bernhard Endrulat: Ein Kaiserfest im „Malkasten“ zu Düsseldorf mit dem Festspiel von Carl Hoff und 11 in Holzschnitt ausgeführten Originalzeichnungen, 1878, pg.13 ( Online) @ the ULB Düsseldorf The name was meant to express the equality of every "color"; artistic and political. The 112 founding members included not only academic professors, such as Theodor Hildebrandt, Heinrich Mücke and Karl Ferdinand Sohn, but also , the editor of the satirical journal , as well as many members of the Malerschule; including Johann Peter Hasenclever, Joseph Fay, Johann Wilhelm Preyer, and the German-born American painter, , who played a key role in developing an art community that was independent of the academies. Although women became active in the organization well before the end of the 19th century, they were not admitted as members until 1977.


Early years
Within a few weeks, the organization's statutes had been established, and the first Board of Directors elected. In the statutes it was stipulated that the KVM, as an "association for a sociable artistic life", should represent a heterogeneous membership and "has no other purpose than to discuss and promote the interests of art and artists, and to entertain each other socially". As early as 1849, the board was able to officially announce that almost all of Düsseldorf's male artists had joined the association. Following the decision that non-artists could join, it became a focal point for Düsseldorf's intellectual community. The composer, , was admitted as a member in 1850. The public at large was able to participate in some of the group's activities, through events such as a masked ball and carnival, known as the Malkasten-Redoute, which was celebrated every year until 1938.

In 1856, a group of members associated with Leutze and Hermann Becker, called for a "first gathering" of German visual artists in Bingen am Rhein. The meeting, held that September, brought together over 160 artists from twenty-one cities, and led to the establishment of the (General German Art Cooperative); the first national organization of artists in Germany."Die erste Versammlung deutscher bildender Künstler", In: Friedrich Wilhelm Hackländer: Erlebtes, Vol.2, 1856 ( Online) @ Project Gutenberg

As the association grew, it became impractical to hold meetings and events in rented venues, which were often too small or too expensive.Wilhelm Camphausen: Zum letzten Feste des „Malkasten“ im alten Vereinslokale, Ratingerstraße Nr. 3, 1865, ( Online) @ ULB Düsseldorf. From 1857, efforts were made to acquire land on which to build a permanent meeting hall and administrative offices. They eventually focused their attention on a parcel near Schloss Jägerhof, which was the former residence of the philosopher, Friedrich Heinrich Jacobi. The City of Düsseldorf wanted to keep it from falling into the hands of speculators so, in 1861, they approved Malkasten's request to incorporate and acquire the property.


The Malkasten-Haus, from 1867
To finance the acquisition, the corporation's Chairman, , organized a lottery. The artists provided oil paintings (in gilded frames), watercolors, , prints and photographs, as well as a marble statue; with a total value of 46,000 . Gewinnliste zur Verloosung für die Erwerbung des Jakobi’schen Gartens, 1861, ( Online) @ the ULB Düsseldorf. Construction on the new clubhouse began in 1864, and the building was dedicated in 1867. The garden pond was decorated with a statue modeled after the "Venus de Milo", made of the metal from melted paint tubes. Due to its relatively soft texture, the statue's buttocks became the target of people with , slings and .Hans Heinz Ewers: "Der Popo der Venus". In: Beatrix Müller, Marianne Tilch (Eds.): Düsseldorf. Texte und Bilder aus vier Jahrhunderten. J.B. Metzlersche Verlagsbuchhandlung, Stuttgart 1991, pg.264

In September 1877, Emperor was the guest of honor for the presentation of several ; one of which depicted General Gebhard Leberecht von Blücher, crossing the near , with Prussian and Russian forces, thereby initiating the campaign in north-east France (1814). The script for the event and the staging were produced by , with music composed by . This was followed by a banquet. The event made such an impression on the public officials of Düsseldorf that a mural of it was painted in the meeting room of the new in 1894. In the early 1880s, the , , and his wife, , became acquainted with the magistrate, , at a Malkasten event. The subsequent love affair between Elisabeth and Emil led to a duel in which he was killed. This incident served as inspiration for the classic novel, , by .

For the in 1925, the members of Malkasten staged historical-themed parades, with hundreds of costumed participants. Three years later, they presented one of the last festivals honoring the artist, Albrecht Dürer. Throughout the 1920s, they presented lectures by notable writers, including .Joachim Lilia: "Thomas Manns letzter Besuch im Rheinland",' In: , 1994, ( Online) @ Portal Rheinische Geschichte

Many Malkasten artists were persecuted during the (Nazification) of Germany, but the officials of the organization itself came to terms with the situation. Together with the Militant League for German Culture, they celebrated the "Nationale Erhebung" (National Uprising) and planted a "" dedicated to "Our Savior in Dire Straits"

The membership structure itself remained unchanged until 1939, following the outbreak of World War II. Up to then, the number of members was steady at around 400. Although some sacrifices had to be made, the strong sense of community enabled them to survive the and the Nazi regime. After 1945, their heavily damaged buildings were rebuilt, according to plans created by the architects and . Hentrich served as the first Chairman of the revived organization, from 1945 to 1955. 1848–1998. Hundertfünfzig Jahre Künstlerverein Malkasten, Düsseldorf 1998, pg.153 ff. ( OnlineSabine Schroyen (Ed.): "Quellen zur Geschichte des Künstlervereins Malkasten. Ein Zentrum bürgerlicher Kunst und Kultur in Düsseldorf seit 1848" In: LVR Archivheft #24, 1992, pg.56

In 1977, was the first woman to be accepted as a full member of Malkasten.


The present
Since 1992, efforts have been made to open the premises and engage with the wider public. The "Jacobihaus" contains lounges and an archive, while the "Hentrichhaus" offers a theater, artist cellar, restaurant and bar. The surrounding park, now known as , has had a since 2014. Some of the extensions and annexes are still undergoing renovation, with financial support from the .

According to the minutes of the general meeting in April, 2019, the organization currently has 302 regular members (mostly artists); down from 403 in 2002, when the last official list was published, but up from 280 in 2018. In addition, there are approximately 170 "extraordinary" members (friends and sponsors), and five honorary members.

Malkasten has four organizational units: the Künstlerverein (artists' association), the affiliated Weinkellerei Malkasten GmbH (), their bar, restaurant and catering operations, and the Stiftung Malkasten (Malkasten foundation). The catering service has been suspended since 2014. The foundation has been officially recognized as a non-profit organization since 2012. Its aim is to support the association in maintaining its historic buildings, as well as the park, and preserve its independence.

The association's board organizes ongoing exhibitions, artist talks, concerts, film screenings, lectures and other cultural events in the buildings and in the park. Access to the events is open to all interested parties, mostly free of charge or at a low price.


Honorary members (a selection)


Further reading
  • Ernst von Schaumburg: Jacobi’s Garten zu Pempelfort: ein historischer Beitrag zur Feier des 25-jährigen Jubiläums des Künstler-Vereins ‚Malkasten‘; nebst einem Plan des Gartens. Jacobi, Aachen 1873, ( Online) @ the ULB Düsseldorf
  • : Aus der Geschichte des Künstlervereins Malkasten: zur Jubelfeier seines fünfzigjährigen Bestehens. 1848–1898. Düsseldorf 1898
  • : "Aus der Chronika des Malkasten". In Velhagen & Klasings Monatshefte, #42, 1927/1928, Vol.1, ; ( Online) @ Goethezeit
  • Landschaftsverband Rheinland, Archives: Quellen zur Geschichte des Künstlervereins Malkasten. Archivheft 24, Rheinland-Verlag Köln, 1992,
  • Wolfgang Hütt: Die Düsseldorfer Malerschule 1819–1869. E. A. Seemann Verlag, Leipzig 1995,
  • Sabine Schroyen (ed.): Hundertfünfzig Jahre Künstlerverein Malkasten. Malkasten Edition. Richter, Düsseldorf 1998, ( Contents)
  • Sabine Schroyen: Bildquellen zur Geschichte des Künstlervereins Malkasten in Düsseldorf. Künstler und ihre Werke in den Sammlungen. Grupello Verlag, Düsseldorf 2001,


External links

Page 1 of 1
1
Page 1 of 1
1

Account

Social:
Pages:  ..   .. 
Items:  .. 

Navigation

General: Atom Feed Atom Feed  .. 
Help:  ..   .. 
Category:  ..   .. 
Media:  ..   .. 
Posts:  ..   ..   .. 

Statistics

Page:  .. 
Summary:  .. 
1 Tags
10/10 Page Rank
5 Page Refs