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Kreisleriana, Opus number 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. Schumann claimed to have written it in only four days in April 1838Eric Frederick Jensen states that it was composed between early May and mid-September 1838 – Schumann, Oxford University Press, 2001, p. 168 – but does not cite a reference. and a revised version appeared in 1850. The work was dedicated to Frédéric Chopin, but when a copy was sent to the Polish composer, "he commented favorably only on the design of the title page".Charles Rosen, The Romantic Generation, p. 284
Kreisleriana is a very dramatic work and is viewed by some critics as one of Schumann's finest compositions. In 1839, soon after publishing it, Schumann called it in a letter "my favourite work," remarking that "The title conveys nothing to any but Germans. Kreisler is one of E. T. A. Hoffmann's creations, an eccentric, wild, and witty conductor." In 1843, when he had moved from writing for solo piano to much larger works, in particular Paradise and the Peri, he still listed it as one of his best piano works.Stork, Karl, ed., The Letters of Robert Schumann, London, 1907, pp. 126, 241.
The work's title was inspired by the character of Johannes Kreisler from works of E. T. A. Hoffmann. Like the kaleidoscopic Kreisler, each number has multiple contrasting sections, resembling the imaginary musician's Manic Depression, and recalling Schumann's own "Florestan" and "Eusebius," the two characters Schumann used to indicate his own contrasting impulsive and dreamy sides. Johannes Kreisler appears in several books by Hoffmann, including Kater Murr and most notably in the Kreisleriana sections of Fantasy Pieces in Callot's Manner, published in 1814.
In a letter to his wife Clara Schumann, Schumann reveals that she has figured largely in the composition of Kreisleriana:
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