Knittelvers (also Knüttelvers or Knittel) is a kind of Germanic verse meter which originated in Germany during the Middle Ages. In Knittelvers, consecutive lines rhyme pairwise (AABB) and each line has four stresses. "Strict" Knittelvers has eight or nine syllables on each line, whereas "free" Knittelvers can use more or fewer. It may be considered a form of doggerel and is sometimes called "Knüttelvers" () because of its rhythm. In German, this form of poetry was popular during the 15th and 16th centuries but rejected in the 17th before being brought back into use by Johann Christoph Gottsched in the 18th century.
The modern Knittelvers (neuhochdeutsche Knittelvers), p.e. in Goethe's Faust, became an established metric in German poetry. Unlike classical Knittelvers, it is not restricted to couplet rhyme scheme.
Baroque literature theorists tried to ban the Knittelvers, as they regarded it as not artistic. Therefore, its use became restricted to popular poetry and satirical works. During the Sturm und Drang literary movement, it was rehabilitated, since the authors distanced themselves from classical forms, embracing Germanic forms instead. From the 19th century on, its use became rare, mostly restricted to comical poetry.
In Swedish, Knittelvers is used in the Eufemiavisorna and in Erikskrönikan, as in the following example:
Here, the introductory line lies outside the couplet rhyme scheme, which becomes ABBCC instead of AABBCC.
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