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The Malayali people (; also spelt Malayalee and sometimes known by the demonym Keralite) are a Dravidian ethnolinguistic group originating from the present-day state of Kerala and Union Territory of Lakshadweep in India, occupying its southwestern Malabar coast. They form the majority of the population in Kerala and Lakshadweep. They are predominantly native speakers of the Malayalam language, one of the eleven classical languages of India. The state of Kerala was created in 1956 through the States Reorganisation Act. Prior to that, since the 1800s existed the Kingdom of Travancore, the Travancore, Malabar District, and South Canara of the British India. The Malabar District was annexed by the British through the Third Mysore War (1790–92) from Tipu Sultan. Before that, the Malabar District was under various kingdoms including the Zamorins of Calicut, Kingdom of Tanur, Arakkal kingdom, Kolathunadu, Valluvanad, and Palakkad Rajas."Travancore." Encyclopædia Britannica. Encyclopædia Britannica. Encyclopædia Britannica Inc., 2011. Web. 11 November 2011.Chandra Mallampalli, Christians and Public Life in Colonial South India, 1863–1937: Contending with Marginality, RoutledgeCurzon, 2004, p. 30
According to the Indian census of 2011, there are approximately 33 million Malayalis in Kerala, making up 97% of the total population of the state. Malayali minorities are also found in the neighboring state of Tamil Nadu, mainly in Kanyakumari district and Nilgiri district and Dakshina Kannada and Kodagu districts of Karnataka and also in other metropolitan areas of India. Over the course of the later half of the 20th century, significant Malayali communities have emerged in Persian Gulf countries, including the United Arab Emirates (UAE), Bahrain, Saudi Arabia, Oman, Qatar and Kuwait and to a lesser extent, other developed nations with a primarily immigrant background such as Malaysia, Singapore, the United States (US), the United Kingdom (UK), Australia, New Zealand and Canada. As of 2013, there were an estimated 1.6 million ethnic Malayali expatriates worldwide. The estimated population of Malayalees in Malaysia in year 2020 is approximately 348,000, which makes up 12.5% of the total number of Indian population in Malaysia that makes them the second biggest Indian ethnic group in Malaysia, after the Tamils. Most of the Malayalee population in Malaysia aged 18 to 30 are known to be either the third, fourth, or fifth generation living as a Malaysian citizen. According to A. R. Raja Raja Varma, Malayalam was the name of the place, before it became the name of the language spoken by the people.
Just before independence, British Malaya attracted many Malayalis. Large numbers of Malayalis have settled in Chennai (Madras), Delhi, Bangalore, Mangalore, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad and Chandigarh. Many Malayalis have also emigrated to the Middle East, the United States, Canada, Australia, New Zealand and Europe. As of 2009–2013, there were approximately 146,000 people with Malayali heritage in the United States, with an estimated 40,000 living in the New York tri-state area. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. Statistics New Zealand:Language spoken (total responses) for the 1996–2006 censuses (Table 16) , stats.govt.nz 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Oman, Qatar, UAE, Kuwait and region mainly in London. The city of Chennai has the highest population of Malayalis in a metropolitan area outside Kerala, followed by Bangalore.
Besides, the Malayalee citizens in Malaysia are estimated to be 229,800 in the year 2020 whereas the population of the Malayalee expatriates is approximately 2,000. They make up around 10 percent of the total number of Indians in Malaysia.
The Malayalis live in a historic area known as the Malabar coast, which for thousands of years has been a major center of the international spice trade, operating at least from the Roman era with Ptolemy documenting it on his map of the world in 150 AD. For that reason, a highly distinct culture was created among the Malayali due to centuries of contact with foreign cultures through the spice trade. The arrival of the Cochin Jews, the rise of Saint Thomas Christians, and the growth of Malabar Muslims community, in particular, were very significant in shaping modern-day Malayali culture. Later, Portuguese Latin Christians, Dutch Malabar, French Mahe, and British Anglo Indian, which arrived after 1498 left their mark through colonialism and pillaging their resources.
In 2017, a detailed study of the evolution of the Singapore Malayalee community over a period of more than 100 years was published as a book: From Kerala to Singapore: Voices of the Singapore Malayalee Community. It is believed to be the first in-depth study of the presence of a NRI Malayalee community outside of Kerala.
Designated a "Classical Language in India" in 2013, it developed into the current form mainly by the influence of the poets Cherusseri Namboothiri (Born near Kannur), Thunchaththu Ezhuthachan (Born near Tirur), and Poonthanam Nambudiri (Born near Perinthalmanna), in the 15th and the 16th centuries of Common Era.Freeman, Rich (2003). "Genre and Society: The Literary Culture of Premodern Kerala". In Literary Cultures in History: Reconstructions from South Asia Kunchan Nambiar, a Palakkad-based poet also influenced a lot in the growth of modern Malayalam literature in its pre-mature form, through a new literary branch called Thullal. The prose literature, criticism, and Malayalam journalism, began following the latter half of 18th century CE. The first travelogue in any Indian language is the Malayalam Varthamanappusthakam, written by Paremmakkal Thoma Kathanar in 1785.
The Triumvirate of poets ( Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrics mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems – athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam – and other Literary works . Contemporary Malayalam literature deals with social, political, and economic life context. The tendency of the modern poetry is often towards political radicalism. The writers like Kavalam Narayana Panicker have contributed much to Malayalam drama. In the second half of the 20th century, Jnanpith winning poets and writers like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, M. T. Vasudevan Nair, O. N. V. Kurup, and Akkitham Achuthan Namboothiri, had made valuable contributions to the modern Malayalam literature. Later, writers like O. V. Vijayan, Kamaladas, M. Mukundan, Arundhati Roy, and Vaikom Muhammed Basheer, have gained international recognition.
Arabi Malayalam (also called Mappila Malayalam and Moplah Malayalam) was the traditional Dravidian language of the Mappila in Malabar Coast. The poets like Moyinkutty Vaidyar and Pulikkottil Hyder have made notable contributions to the Mappila songs, which is a genre of the Arabi Malayalam literature.Pg 167, Mappila Muslims: a study on society and anti colonial struggles By Husain Raṇdathaṇi, Other Books, Kozhikode 2007 The Arabi Malayalam script, otherwise known as the Ponnani script, is a writing system - a variant form of the Arabic script with special orthography features - which was developed during the early medieval period and used to write Arabi Malayalam until the early 20th century CE.Miller, Roland. E., "Mappila" in "The Encyclopedia of Islam". Volume VI. E. J. Brill, Leiden. 1987. pp. 458-56. Malayalam Resource Centre Though the script originated and developed in Kerala, today it is predominantly used in Malaysia and Singapore by the migrant Muslim community.Menon. T. Madhava. "A Handbook of Kerala, Volume 2", International School of Dravidian Linguistics, 2002. pp. 491-493.
The modern Malayalam grammar is based on the book Kerala Panineeyam written by A. R. Raja Raja Varma in late 19th century CE. World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,’ specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it.
Kerala's society is less patriarchal than the rest of India. Certain Hindu communities such as the Nairs, Muslims around Kannur, Some parts of Kozhikode district and Ponnani in Malappuram, and Varkala and Edava in Thiruvananthapuram used to follow a traditional matrilineal system known as marumakkathayam Mohamed Koya, S.M, MATRILINY AND MALABAR MUSLIMS, Proceedings of the Indian History Congress, Vol. 40 (1979), pp. 419-431 (13 pages) which has in the recent years (post-Indian independence) ceased to exist. Christians, majority of the Muslims, Kerala's gender relations are among the most equitable in India and the Majority World.
Timber is the prime structural material abundantly available in many varieties in Kerala. Perhaps the skillful choice of timber, accurate joinery, artful assembly, and delicate carving of the woodwork for columns, walls and roofs frames are the unique characteristics of Malayali architecture. From the limitations of the materials, a mixed-mode of construction was evolved in Malayali architecture. The stonework was restricted to the plinth even in important buildings such as temples. Laterite was used for walls. The roof structure in timber was covered with palm leaf thatching for most buildings and rarely with tiles for palaces or temples. The ''Kerala murals' are paintings with vegetable dyes on wet walls in subdued shades of brown. The indigenous adoption of the available raw materials and their transformation as enduring media for architectural expression thus became the dominant feature of the Malayali style of architecture.
An example of a Nalukettu structure is Mattancherry Palace.-Malayalam Resource Centre
Many ancient Malayali family houses in Kerala have special snake shrines called Kavu. Sarpam Thullal is usually performed in the courtyard of houses having snake shrines. This is a votive offering for family wealth and happiness. Kerala Natanam (കേരള നടനം) (Kerala Dance) is a new style of dance that is now recognized as a distinct classical art form evolved from Kathakali. The Indian dancer Guru Gopinath (ഗുരു ഗോപിനാഥ്) a well-trained Kathakali artist and his wife Thankamani Gopinath developed this unique form of dance.
Performing arts in Kerala is not limited to a single religion of the Malayali society. , Nasranis Mappilas and Latin Christians have their own unique performing art forms. Duff Muttu, also known as Dubh Muttu/Aravanamuttu is a performing art form prevalent among the Muslim community. It is a group performance, staged as a social event during festivals and nuptial ceremonies.
Oppana is a popular form of social entertainment among the Muslim community. It is a form accompanied by clapping of hands, in which both men and women participate.
Margamkali is a performing art which is popular among the Nasrani Mappilas. It combines both devotion and entertainment, and was performed by men in groups. Since 1980's women also have found groups. The dancers themselves sing the margamkali songs in unison call and response form. Parichamuttukali is another performing art which is popular among Nasranis. This is an artistic adaptation of the martial art of Kerala, Kalaripayattu. Chavittu nadakom is a theatrical art form observed mainly by Kerala Latin Christians, dating back to the second half of the 16th century.
However, many of these native art forms largely play to tourists or at youth festivals, and are not as popular among ordinary Keralites. Thus, more contemporary forms – including those heavily based on the use of often risqué and politically incorrect mimicry and parody – have gained considerable mass appeal in recent years. Indeed, contemporary artists often use such modes to mock socioeconomic elites. Since 1930 when the first Malayalam film Vigathakumaran was released and over the following decade or two, Malayalam Cinema had grown to become one of the popular means of expression for both works of fiction and social issues, and it remains so.
Music formed a major part of early Malayalam literature, which is believed to have started developing by 9th century Common Era. The significance of music in the culture of Kerala can be established just by the fact that in Malayalam language, musical poetry was developed long before prose. Kerala is musically known for Sopanam. Sopanam is religious in nature, and developed through singing invocatory songs at the Kalam of Kali, and later inside temples. Sopanam came to prominence in the wake of the increasing popularity of Jayadeva's Gita Govinda or Ashtapadis. Sopana sangeetham (music), as the very name suggests, is sung by the side of the holy steps (sopanam) leading to the sanctum sanctorum of a shrine. It is sung, typically employing plain notes, to the accompaniment of the small, hourglass-shaped ethnic drum called idakka, besides the chengila or the handy metallic gong to sound the beats.
Sopanam is traditionally sung by men of the Maarar and Pothuval community, who are Ambalavasi (semi-Brahmin) castes engaged to do it as their hereditary profession. Kerala is also home of Carnatic music. Legends like Swati Tirunal, Shadkala Govinda Maarar, Sangitha Vidwan Gopala Pillai Bhagavathar, Chertala Gopalan Nair, M. D. Ramanathan, T.V.Gopalakrishnan, M.S. Gopalakrishnan, L. Subramaniam T.N. Krishnan & K. J. Yesudas are Malayali musicians. Also among the younger generations with wide acclaim and promise is Child Prodigy Violinist L. Athira Krishna etc., who are looked upon as maestros of tomorrow.Killius Rolf (2025). 818882707X, BR Rhythms. 818882707X
Kerala also has a significant presence of Hindustani music as well. The king of Travancore, Swathi Thirunal patronaged and contributed much to the Hindustani Music. The pulluvar of Kerala are closely connected to the serpent worship. One group among these people consider the snake gods as their presiding deity and performs certain sacrifices and sing songs. This is called Pulluvan Pattu. The song conducted by the pulluvar in serpent temples and snake groves is called Sarppapaattu, Naagam Paattu, Sarpam Thullal, Sarppolsavam, Paambum Thullal or Paambum Kalam. Mappila Songs or Mappila Songs are folklore Muslim devotional songs in the Malayalam language. Mappila songs are composed in colloquial Malayalam and are sung in a distinctive tune. They are composed in a mixture of Malayalam and Arabic language.
Film music, which refers to playback singing in the context of Indian music, forms the most important canon of popular music in India. Film music of Kerala in particular is the most popular form of music in the state.
Thousands of people gather on the banks of the river Pamba to watch the snake boat races. Nearly 50 snake boats or chundan vallams participate in the festival. Payippad Jalotsavam is a three-day water festival. It is conducted in Payippad Lake which is 35 km from Alappuzha district of Kerala state. There is a close relation between this Payippad boat race and Subramanya Swamy Temple in Haripad. Indira Gandhi Boat Race is a boat race festival celebrated in the last week of December in the backwaters of Kochi, a city in Kerala. This boat race is one of the most popular Vallam Kali in Kerala. This festival is conducted to promote Kerala tourism.
is a culinary specialty in Kerala. It is a steamed rice cake which is a favorite breakfast of most Malayalis. It is served with either brown chickpeas cooked in a spicy gravy, and boiled small green lentils, or tiny ripe yellow Kerala plantains. In the highlands there is also a variety of served with (the boiled-down syrup from [[sweet palm toddy|Palm wine]]) and sweet boiled bananas. to steam the , there is a special utensil called a . It consists of two sections. The lower bulkier portion is where the water for steaming is stored. The upper detachable leaner portion is separated from the lower portion by perforated lids so as to allow the steam to pass through and bake the rice powder.
is a pancake made of fermented batter. The batter is made of rice flour and fermented using either yeast or toddy, the local spirit. It is fried using a special frying pan called and is served with egg curry, chicken curry, mutton stew, vegetable curry and chickpea curry.
Halal or Mappila cuisine is a blend of traditional Kerala, Persian, Yemeni cuisine and Arab food culture. This confluence of culinary cultures is best seen in the preparation of most dishes. Kallummakkaya (mussels) curry, Irachi Puttu ( Irachi means meat), parottas (soft flatbread), Pathiri (a type of rice pancake) and ghee rice are some of the other specialties. The characteristic use of spices is the hallmark of Mappila cuisine. spices like black pepper, cardamom and clove are used profusely. The Kerala Biryani, is also prepared by the community.
The snacks include Unnakkaya (deep-fried, boiled ripe banana paste covering a mixture of cashew, raisins and sugar), pazham nirachathu (ripe banana filled with coconut grating, molasses or sugar), Muttamala made of eggs, Chattipathiri, a dessert made of flour, like baked, layered Chapatis with rich filling, Arikkadukka and so on.
Anthropologists estimate that Kalarippayattu dates back to at least the 12th century CE.Zarrilli, Phillip B. A South Indian Martial Art and the Yoga and Ayurvedic Paradigms. University of Wisconsin–Madison. The historian Elamkulam Kunjan Pillai attributes the birth of Kalaripayattu to an extended period of warfare between the Chera dynasty and the Cholas in the 11th century CE. What eventually crystallized into this style is thought to have been a product of existing South Indian styles of combat, combined with techniques brought by other cultures. Kalaripayattu may be one of the oldest martial arts in existence. The oldest western reference to Kalaripayattu is a 16th-century travelogue of Duarte Barbosa, a Portuguese explorer. The southern style, which stresses the importance of hand-to-hand combat, is slightly different than Kalari in the north.Phillip B. Zarrilli, When the Body Becomes All Eyes
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