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born February 13, 1950 is a Japanese manga artist, professor and university administrator. As part of the Year 24 Group, she was a leading figure in manga scene in the 1970s creating such manga as Kaze to Ki no Uta, Toward the Terra, Natsu e no Tobira. Additionally she became head of the Faculty of Manga at Kyoto Seika University, and then later became the president of the university.
The addition of realism to the stories of Takemiya, as well as other manga creators such as Moto Hagio, and Yumiko Oshima is cited as a reason for the increased popularity of the genre.
As part of the Year 24 Group, Takemiya pioneered a genre of manga about love between young men called ( "boy love"). In 1970, she published a historical short story titled Sunroom Nite ("In the Sunroom") in Betsucomi, which is possibly the first manga ever published. Illustrating a tragic romance between a Romani people boy and his wealthy classmate, it contains the earliest known male–male kiss in manga.
Takemiya cites her influences as being manga (manga for boys), the works of Shotaro Ishinomori, films, and documentaries. In 1972, after publishing "I Love the Sky!", Takemiya traveled to Europe to learn more about life there as research for ("The Poem of Wind and Trees"). After that, she traveled to different parts of Europe on an almost annual basis.
Among her best known works are the manga and Toward the Terra, which are noted for being pioneering series of the 1970s and 1980s. She received the 9th Seiun Award for best science fiction manga for Toward the Terra in 1978, and the 25th (1979) Shogakukan Manga Award in the and category for both and Toward the Terra in 1980. She is regarded as "one of the first successful crossover women artists" to create both and manga. Many of her series have been adapted into anime, including Toward the Terra in 1980 and 2007, ("The Door into Summer") in 1981, Andromeda Stories in 1982, and in 1987. In 1983, Takemiya served as a special designer on the theatrical anime film , alongside other notable manga artists.
Since 2000, Takemiya has taught at Kyoto Seika University's Faculty of Manga. That university is the only one in Japan with its own manga department as well as a museum showcasing manga art. In 2010, the university offered a Masters graduate degree, where Takemiya would teach. She served as Dean of the Faculty of Manga from April 2008 until March 2013. She was also president of the university from April 2014 to March 2018. During her tenure at Kyoto Seika, Takemiya started the 原画ダッシュ project, which uses digital technology to create accurate reproductions of manga artwork and manuscripts, for both its preservation and to produce material suitable for art exhibitions, with a focus on manga art.
In 2001, she received the for women who contribute to society. From 2009 to 2014, she served as a member of the selection committee for the Tezuka Osamu Cultural Prizes. In 2012, she received the Japan Cartoonists Association's Minister of Education, Culture, Sports, Science and Technology Award in recognition of her entire body of work. In 2014, she was awarded the Medal of Honor with Purple Ribbon by the Ministry of Internal Affairs and Communications of Japan for her contributions to manga.
In January 2016, Takemiya published her first autobiography, "The Boy's Name Is Gilbert". The book documents the manga revolution of the 1970s and the creation of and Toward the Terra. In March 2021, she published her second autobiography, "The Door Opens Every Time: A Witness of the Times". Its text was compiled from Takemiya's interviews with journalist Keiko Chino, first published in the column of the newspaper.
Takemiya's work is featured in the catalogue for (2019), including an interview where she discusses the Genga (Dash) project (pages 253-267). (2025). 9780500480496, Thames & Hudson, The British Museum. ISBN 9780500480496
In 2019, the Japanese Diet proposed and then ultimately withdrew a bill that could increase copyright control on the internet for publishers. Takemiya opposed the bill, saying it could harm the creation of fan fiction. “Fan fiction represents a love for manga,” Takemiya said. “We don’t want the close relationship between artists and fans to collapse.”
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