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Brian Donnelly (born November 4, 1974), known professionally as Kaws (stylized as KAWS), is an American artist and designer. His work includes repeated use of a cast of figurative characters and motifs, some dating back to the beginning of his career in the 1990s, initially painted in 2D and later realized in 3D. Some of his characters are his own creations while others are reworked versions of existing icons.

Kaws's sculptures range in size from a few inches to ten meters tall," Pop artist KAWS' gigantic cartoon sculptures will be taking over the Yorkshire countryside". , 31 January 2016. Accessed 25 March 2017 and are made from various materials including fiberglass, aluminum, wood, bronze, and a steel pontoon inflatable raft." KAWS brings giant cartoon creations to Yorkshire Sculpture Park". , 4 February 2016. Accessed 25 March 2017

Kaws's influences come from traditional high art painters like , , and , and he has been compared to the likes of for his cross-market appeal and ability to blur lines between commercial and . His work is exhibited in galleries and museums, held in the permanent collections of public institutions, and avidly collected by individuals including music producer , internet figure , rappers Pharrell Williams, , and members of South Korean group BTS. A number of books illustrating his work have been published.

Kaws lives and works in Brooklyn, New York, creating sculptures, on canvas, and while also collaborating commercially, predominantly on toys, but also clothing, , and other products. KAWS is represented by Gallery, New York.


Early life and education
Donnelly was born in 1974 in Jersey City, New Jersey, where he attended St. Anthony High School. As a teenager, Donnelly created a tag for himself, KAWS (based on the way the letters looked—the word, in fact, has no meaning), which he painted on the roof of an area building so that he could see it outside while attending class in high school.Robb, Adam. "Former Jersey City graffiti artist KAWS has first solo museum show", The Jersey Journal, June 25, 2010, updated January 18, 2019. Accessed November 22, 2019. "Stare long enough and you'll start to notice the faded graffiti tagged along the top floors of some surrounding factories, like the crude white letters spelling Kaws on two sides of a rooftop at 13th and Coles. It's the tag of Brian Donnelly, arguably Jersey City's most celebrated artist to date, who painted his pseudonym there in the early 1990s so it would be visible from his classroom window at nearby St. Anthony High School." He went on to attend the School of Visual Arts in New York City, receiving a Bachelor of Fine Arts in illustration in 1996. Following graduation, he briefly worked for as a freelance animator painting backgrounds for the animated series , and Doug.Healy, Murray. And "Graffiti Artist Turned Gallery Artist Turned Art Toy Maker, KAWS." Pop. Feb. 2007: 260-265.

Moving to New York City in the 1990s, Kaws pursued illegal graffiti.

(2025). 9781848222366, Lund Humphries Publishers.
Animator by day, and by night, Kaws started billboards, bus shelters, and phone booths, using a gifted to him by friend and fellow graffiti artist ." KAWS on 'Brilliant Ideas'". Bloomberg L.P., 15 June 2016. Accessed 23 March 2017 Using a key he created for himself, he also started subvertising bus shelters. Kaws has since subvertised in Paris, London, Berlin, and Tokyo.


Artworks
Kaws's acrylic paintings and sculpture have many repeating images, meant to be universally understood. Some of his characters date back to the beginning of his career in the 1990s: Companion (created in 1999), Accomplice, Chum, and Bendy. His series The Kimpsons subverted the American cartoon .

Kaws's Companion is a grayscale clown-like figure based on with his face obscured by both hands, and two bones sticking out of his head. In 1999, the Japanese toy company Bounty Hunter produced and sold a vinyl Companion toy (Mickey Mouse with X-ed out eyes). The figure was adapted into a balloon for the 2012 Macy's Thanksgiving Day Parade, as part of its "Blue Sky Gallery" of balloons. Having already created oversized sculptures in the past, Kaws started to produce further sculptures of his Companion character for exhibitions in Switzerland, Hong Kong, Taiwan, Málaga, London, and China.

Kaws has periodically shown both paintings and products at Colette in Paris since 1999. His work was included in the traveling exhibition Beautiful Losers, which started at the Cincinnati Contemporary Art Center and traveled throughout the US and Europe, including his then-largest museum show to date at the High Museum of Art in Atlanta, GA in 2012." Kaws: Down Time". High Museum of Art. Accessed 24 March 2017

Since 2018 Espacio SOLO, Colección SOLO museum in Madrid, shows in its main hall Companion (Resting place) as part of its permanent exhibitions.

Kaws's style can be characterized by an emphasis on color and line, distinctive graphics, such as the repeated use of "x"s on the hands, nose, eyes, ears, and the appropriation of pop culture icons such as Mickey Mouse, the , and his characters are generally depicted in a shy or powerless pose often with their hands over their nose. In his paintings, Kaws always deconstructs his appropriation of iconic characters into shapes that produces abstract paintings.

On May 2, 2023, Kaws scored a major legal victory against a Singaporean man who he accused of counterfeiting, with others, replicas of the artist's signature "Companion" figure and other toys, skateboards, and artworks.


Products and commercial collaborations
Since his first vinyl toy with the Japanese clothing brand Bounty Hunter in 1999, he has collaborated on toys with other Japanese companies: for A Bathing Ape (Bape), Medicom Toy, and . Since the beginning of their partnership in 2001, Nigo and Kaws have collaborated on the packaging for Kaws's "The Kimpsons" exhibit and three seasons of A Bathing Ape. He and Medicom Toy ran OriginalFake, a brand and store in Aoyama, from 2006 to May 2013.

Kaws has also collaborated with for the brand Undercover, as a voice-over artist for Michael "Mic" Neumann's , and worked on projects with Burton, , Supreme and . There are Kaws-designed small edition bottles for and , rugs for Gallery 1950 and packaging for Kiehl's cosmetics. In 2004, he collaborated with Undefeated Brand on a billboard project in Los Angeles. In 2008 he collaborated with to produce a collection of guitar picks.

In 2008, he created cover art for musicians , , ( Clipse Till The Casket Drops) and ( 808s & Heartbreak)" Kanye West "808s & Heartbreak" album cover by KKAWS"". Hypebeast, November 2011 as well as designed Nike Air Force 1 trainers (the Nike 1World project involved 18 total designers)." Nike 1World Air Force 1 by KAWS". Hypebeast, 1 July 2008. Accessed 25 March 2017 And in March 2017, the Nike subsidiary released a in collaboration with Kaws – an Air Jordan 4 model customized by Kaws, and a number of apparel pieces. He has also recently contributed a lot to the community with merch lines associated with artists such as with his April 2021 single "The Scotts" featuring who has also been working closely with Brian in recent merchandise releases. With Merch ranging from KAWS collaborated artwork specially created with hand crafted clothing to vinyl and cassette covers. " [8]". StockX, 31 December 2022. Accessed 24 March 2023 and Travis Scott collaborated merch. "[9]". StockX, 23 April 2020. Accessed 24 March 2023

In November/December 2010 he illustrated magazine covers for The New Yorker, Clark Magazine," KAWS x Clark Magazine Issue 45". Hypebeast, 3 November 2010. Accessed 23 March 2017 and Sneeze Magazine." KAWS Fronts the 29th Issue of 'SNEEZE' Magazine Dubbed "Get Met It Pays"". Sneeze Magazine, 18 October 2016. Accessed 25 March 2017 In 2011, Kaws appeared on the Bravo reality competition series , where he was a guest judge for the Season 2 finale. "Work.Of.Art.The.Next.Great.Artist.S02E10 (Finale)," YouTube. Retrieved Jan. 28, 2021. For the 2013 MTV Video Music Awards, Kaws redesigned the MTV Moonman trophy in the form of his "Companion" character," MTV Awards Will Feature a New Moonman, Just Right for Brooklyn". The New York Times, 8 July 2013. Accessed 23 March 2017 and his 3D model was used to create a 60-foot tall inflatable version." VMA's KAWS 60-Foot Moonman: How'd They Do That?". MTV News, 25 August 2013. Accessed 23 March 2017 He also redesigned various event materials. In 2014, Kaws designed the bottle artwork for the scent Girl, by Comme des Garçons and Pharrell Williams." Girl by Pharrell Williams ". Comme des Garçons. Accessed 23 March 2017

In 2016, Kaws entered into an ongoing relationship with clothing store to produce a line of affordable T-shirts and accessories; the first line was clothing and soft toys based on the popular children's show . In April 2017, Uniqlo released a line of -themed T-shirts, accessories, and plushies designed by Kaws;" Kaws x Peanuts". . Accessed 28 April 2017 and in November 2018, Kaws created a second line range of Sesame Street-themed clothing and soft toys. In May 2017, the Museum of Modern Art (MoMA) in New York City released limited supplies of the $200 Kaws Companion action figure, resulting in the MoMA Design Store website crashing due to the unprecedented rush of traffic. In May 2018, Kaws installed two 26-foot tall Companion and BFF sculptures at a shopping complex in Changsha, China.

In October 2019, Kaws unveiled "Waiting", a sculpture in Greenpoint, Brooklyn located in front of 21 India Street. In July 2021, Kaws collaborated with . In October 2021, the Kaws Skeleton outfit was released in ' in collaboration with Kaws. KawsPeely, a second outfit based on the character , was released in July 2022. In July 2022, Kaws collaborated with , one of the members of , for his solo album cover. The 2022 release of General Mills' features box art by Kaws. In April 2023, KAWS collaborated with the to release their 2023/24 City Edition Jerseys for the upcoming NBA season. In July 2025, KAWS reunited with , designing their Let God Sort Em Out album cover.


Controversy
Comic book artist Bill Morrison felt "ripped off" by Kaws's 2005 work The Kaws Album because the work was simply a "traced interpretation of my Simpsons Yellow Album" (released in 1998 and signed by Matt Groening), which itself was a parody of the cover art for the album Sgt. Pepper's Lonely Hearts Club Band replaced with characters from .Adair, Torsten. "KAWS made $14 million from Bill Morrison art, and Morrison isn’t happy: When copies of comics art appear in glass houses, should creators throw stones?", The Beat (11/19/2019). "KAWS Painting Sold for Record Breaking HK$116m at Sotheby's NIGO Sale," The Value, 1 April 2019. Accessed 15 June 2020.


Criticism
In response to the sale of "The KAWS Album" at Sotheby's, Anny Shaw wrote that Kaws has not moved on from being a , and that his work is conceptually bankrupt. M. H. Miller views Brian Donnelly's career in light of the current state of the , where contemporary works are less about cultural value than providing a place to invest the wealth of . Kaws is given credit for being modest about his work by claiming that it is not worth the high prices brought upon resale.


Art market
In May 2017, UK auction house Phillips sold a Kaws Seated Companion (2011) sculpture for approximately US $411,000.

On April 1, 2019, at Sotheby's in Hong Kong, The Kaws Album (2005), a painting by Kaws commissioned by , sold for 115.9 million Hong Kong dollars, or about $14.7 million U.S. dollars, a new auction record for the artist at the time. Kaws Auction Record $14.7 Million. Artnews, Annie Armstrong, 1 April 2019. Accessed 12 May 2019


Collections
Kaws's work is held in the following permanent public collections:


Publications
  • Kaws Exposed. Seattle: ARO Space, 1999. . Edition of 2000 copies. 31 pages of photographs of his graffiti.
  • Kaws One. Tokyo: Little More, 2001. Edited by Kawachi, Taka and Akio E-da. .
  • Kaws C10: The Paintings of Kaws. Seattle: Neverstop, 2002. . With an introduced by . Edition of 3000 copies.
  • Kaws: 1993-2010. , 2009. Written by Mónica Ramírez-Montagut. . A retrospective, with illustrations and text. Edited by Ian Luna and Lauren A. Gould and with a contribution by Germano Celant.
  • Kaws: Downtime. Atlanta, GA: High Museum of Art, 2012. Edited by Michael Rooks and Seth Zucker. . With a foreword by Michael E. Shapiro, an essay by Rooks, and a list of Kaws exhibitions. 112 pages. A catalogue to accompany the exhibition Downtime at High Museum of Art.
  • Kaws: Final Days Exhibition Catalogue. 82 pages covering an exhibition at the Center of Contemporary Art of Malaga in 2014.
  • Kaws Exhibition Catalogue. Wakefield, England: Yorkshire Sculpture Park, 2016. Photographs by Jonty Wilde. . A catalogue to accompany an exhibition at Yorkshire Sculpture Park. With texts by Flavia Frigeri, , and Clare Lilley." Kaws Exhibition Catalogue" . Yorkshire Sculpture Park. Accessed 22 March 2017
  • KAWS: Where the End Starts. 2017. With text by: Andrea Karnes, Dieter Buchhart, and Michael Auping. .


General references
  • Thomas, Susan E. (2009). "Value and Validity of Art Zines as an Art Form", The Alternative Music Zine Scene, 28 (31).
  • Thomas, Susan E. (2007). "Zeroing In on Contemporary, Independent Visual Arts Magazines", Notes, 26 (49).
  • Smith, William S. (3 September 2019). "What the Rise of KAWS Says About the Art World’s Ailments.", Art in America. Retrieved 14 April 2023.
  • Smith, William S. (3 September 2019). "What the Rise of KAWS Says About the Art World’s Ailments.", Art in America, "makes the art world uncomfortable." - Anne Pasternak, (par. 2). Retrieved 21 April 2023.


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