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Irmelin is an opera in three acts with music by Frederick Delius. Composed between 1890 and 1892, it was his first opera, and was not premiered until 1953, nearly twenty years after his death. The libretto was by the composer, and weaves together folk-lore stories. In 1931 Delius made a new Irmelin prelude, using themes from the opera, and this has entered the concert and recording repertoire.
In the opera the heroine, Princess Irmelin, sits in her castle waiting for the dream lover promised to her by voices in the air. She infuriates her father the King by rejecting all her knightly suitors. Meanwhile, Nils, a prince enslaved as a swineherd by the robber chief Rolf, breaks free and finds his way to Irmelin just after her enforced betrothal to one of the suitors. The opera ends with the lovers disappearing together into the forest.
According to the composer Peter Warlock (a disciple of Delius), although Grieg and Messager admired the score,Dibble p. 85 its composer "never seriously contemplated" a production of the opera,Warlock, p. 97 but the musical scholar Jeremy Dibble writes that in the hope of a German production Delius travelled to Bayreuth to show the score to the Wagner conductor Hermann Levi. Levi recommended a meeting with
Richard Strauss, who was then Kapellmeister in Munich, but no further
progress was made.
Florent Schmitt arranged the piano scores of Delius's first two operas, Irmelin and The Magic Fountain, but the first full Irmelin score was a vocal score compiled by Dennis Arundell in 1953.
Delius returned to the score in his last years. In late 1931, with the aid of his amanuensis, Eric Fenby, he created a new Irmelin prelude, described by Dibble as "a miniature ternary structure ... in F sharp major", using material from the original prelude, the conclusion to Act I and themes from Act III. Beecham premiered it as an interlude in Act III of the revival of Delius's Koanga
at Covent Garden in September 1935; its first concert performance was in April 1937 when Beecham conducted it at the Queen's Hall.Dibble, p. 469 He later arranged an orchestral suite from the music for the second act. Beecham owned the manuscript score of the opera, given to him by the composer, which in 1982, was handed on to the Delius Trust.Banfield, Stephen. "Frederick Delius: a Supplementary Catalogue", Music and Letters, Volume 69, Issue 2, April 1988, Pages 286–287
Scene 2 – a hall in the stronghold of Rolf: We meet Rolf's followers, men and women carousing and Rolf declares that he will woo the princess. Nils refuses to sing for the assembly as he wants to quest for the Silver Stream.
Scene 3 – in the mountains: As Nils comes to the Silver Stream, wood-nymphs entice him but he resolutely continues his way.
Scene 2 – outside the castle: They wander off to the forest as the castle vanishes.
The Irmelin Prelude (from 1931) has been recorded by, among others:
Performance history
Beecham conducted the world premiere at the New Theatre Oxford on 4 May 1953; the costumes were by Beatrice Dawson and choreography by Pauline Grant. Beecham's advocacy of the score and the "care with which he realizes each detail, the beauty of sound he elicits from his orchestra", were praised by the Opera critic, as was Dennis Arundell's production.Porter, Andrew. "Opera Diary – Oxford New Theatre: Irmelin (Delius)". Opera, July 1953, Vol. 4, No. 7, pp. 422–425
Roles
Irmelin, a princess soprano Edna Graham The King, her father bass Arthur Copley Nils, a prince having lost his way, swineherd of Rolf tenor Thomas Round Rolf, a chief of robbers baritone George Hancock Old knight baritone David Oddie Young knight tenor Robert Edy Warlike knight bass Maid mezzo-soprano Claire Duchesneau The voice in the air soprano A woman mezzo-soprano Chorus of robbers, knights, women, wood nymphs, girls and boys
Synopsis
Act 1
Irmelin's room in the royal castle: A voice in the air counsels the Princess Irmelin on the man she should fall in love with. The king introduces – and she refuses – three suitors: one old, but rich and devoted, another young and handsome, and the third middle-aged, rich but disagreeable (to whom she is compulsorily betrothed in Act 3).
Act 2
Scene 1 – a forest swamp: Nils is in despair since he lost the Silver Stream which would lead him to his dream princess. Rolf, a robber chief, calls him to his stronghold and makes him a swineherd. There is a storm.
Act 3
Scene 1 – a hall in the castle: Six months later, as the deadline set by the king for her to marry approaches, Irmelin still hopes that her prince will arrive. Nils enters but when he sings of his life as a swineherd he is dismissed to the servants' hall. By night he returns to Irmelin's balcony and they declare their love.
Reputation
Beecham's view of Irmelin was: "Taking the work as a whole I have little hesitation in claiming for it the distinction of being the best first opera written by any composer known to me".Beecham, p. 58 Warlock described the opera as a "fairy-tale of quite ordinary kind" and "its form dramatically rather below the level of the conventional operatic text". In Grove's Dictionary of Music and Musicians, Robert Anderson says of the text, "The libretto's undoubted charm is somewhat obscured by its naivety and the banality of Delius's attempts at rhyme", but he is more complimentary about the score, with its "telling use of motifs that are memorable and apt, economy in the setting of atmosphere, and ability to fill convincingly the large span of the three acts with an admirable sense of flow".Anderson, Robert. "Irmelin", Grove Music Online, Oxford University Press, 2002. The critic Winton Dean wrote of the piece:
Recording
There is (2024) one complete recording of Irmelin:
Notes, references and sources
Notes
Sources
Thomas Beecham (1975). 072780099X, Severn House. 072780099X
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