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Igor Borisovich Markevitch (, Igor Borisovich Markevich, , Ihor Borysovych Markevych; 27 July 1912 – 7 March 1983) was a Russian composer and conducting who studied and worked in Paris and became a naturalized Italian and French citizen in 1947 and 1982 respectively. He was commissioned in 1929 for a piano concerto by impresario Serge Diaghilev of the Ballet Russe de Monte Carlo.
Markevitch settled in Italy during World War II. After the war, he moved to Switzerland. He had an international conducting career from there. He was married twice and had three sons and two daughters.
He produced at least one major work per year during the 1930s. He was rated among the leading contemporary composers of the time, even to the extent of being hailed as "the second Igor", after Igor Stravinsky. Markevitch collaborated on the ballet score Rébus with Leonid Massine in 1931; and L'envol d'Icare in 1932 with Serge Lifar. Neither was staged, but both scores were performed in concert. L'envol d'Icare, based on the legend of the fall of Icarus, which Markevitch recorded in 1938 conducting the Belgian National Orchestra, was especially radical, introducing quarter-tones in both woodwinds and strings.'Icare' by Clive Bennett in Tempo No. 133/134 (September 1980), p. 45. (In 1943 he revised the work under the title Icare, eliminating the quarter tones and simplifying the rhythms and orchestration.) Béla Bartók once described Markevitch as "...the most striking personality in contemporary music..." and claimed him as an influence on his own creative work. An independent version of L'envol d'Icare for two pianos and percussion, which Bartók heard, is believed to have influenced the latter's own Sonata for 2 Pianos and Percussion.Bennett, 1980, p. 4.
Markevitch continued composing as war approached, but in October 1941, not long after completing his last original work, the Variations, Fugue and Envoi on a Theme of Handel for piano, he fell seriously ill. After recovering, he decided to give up composition and focus exclusively on conducting. His last compositional projects were the revision of L'envol d'Icare and arrangements of other composers' music. His version of J. S. Bach's Musikalisches Opfer (Musical Offering) is especially notable.
He had débuted as a conductor at age 18 with the Royal Concertgebouw Orchestra. After presiding at the Dutch premiere of Rébus, Markevitch had studied conducting with Pierre Monteux and Hermann Scherchen.Lyndon-Gee, C. Liner notes for Marco Polo CD 8.223666 Complete Orchestral Music Vol 2, 1996; taken from research by David Drew, Tempo 133-134, September 1980. As a conductor, he was much admired for his interpretations of the French, Russian and Austro-German repertory, and of twentieth-century music in general.
He settled in Italy, and during the Second World War was active in the partisan movement. He married and settled in Switzerland in 1947 following the war. He pursued his conducting career worldwide. He became permanent conductor of the Orchestre Lamoureux in Paris in the 1950s, conducted the Spanish RTVE Orchestra in 1965, the London Symphony Orchestra in 1966 and was also permanent conductor of the Monte-Carlo Philharmonic Orchestra.
In 1970, after ignoring his own compositions for nearly 30 years, Markevitch began to conduct his own music frequently, triggering its slow revival. His last concert was in Kiev, his birthplace. He died suddenly from a heart attack in Antibes on 7 March 1983, after a concert tour in Japan and Russia.
The Ukrainian Markevitch (also spelled in Polish as Markiewicz) family is believed to have originated 300 years ago from a common paternal ancestor and his wife. Their ethnicity is disputed as Polish, Ukrainians, or Serbs, as the patronymic name is widespread among central European peoples., Muzeysheremetievyh [1]
In Budapest on 20 April 1936 Markevitch married Kyra Nijinsky (19 June 1914 – 1 September 1998), daughter of the great ballet dancer Vaslav Nijinsky and his wife Romola de Pulszky. They had a son Vaslav Markevitch (20 January 1937 – 12 January 2024 ) before they divorced.
Secondly, Markevitch married in Lausanne on 22 July 1947 Donna Topazia Caetani (1921 – 1990), the only child of Don Michelangelo Caetani dei Duchi di Sermoneta and his wife, the former Cora Antinori.Informations as to Villa Caetani playing a significant role in the Aldo Moro kidnapping, now transcend the level of rumours. Cora Caetani ran the boutique of Jansen, the Paris decorating firm. Their son, Oleg Caetani (b. 1956), became chief conductor and artistic director of the Melbourne Symphony Orchestra in Australia. They also had two daughters together: Allegra (b. 1950) and Natalia (Nathalie, b. 1951), and another son, Timour Markevitch (1960–1962).
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