" Hardhome" is the eighth episode of the fifth season of HBO's medieval fantasy television series Game of Thrones, and the 48th overall. It was written by series co-creators David Benioff and D. B. Weiss, and directed by Miguel Sapochnik. It first aired on May 31, 2015.
The episode's main plot focuses on the battle against the Army of the Dead at Hardhome, in which Jon Snow leads a rare cooperative effort between the Night's Watch and the Free Folk against the undead soldiers led by the Night King. The battle is mentioned, but not seen, in Martin's novel from which the fifth season is adapted, A Dance with Dragons. Other plotlines in the episode include Tyrion Lannister and Daenerys Targaryen meeting in Meereen, Cersei Lannister suffering from thirst in her cell, and Theon Greyjoy revealing to Sansa Stark that her brothers Bran Stark and Rickon Stark are alive.
The episode received acclaim from critics and fans, with many hailing it as one of the series' best episodes, praising the Hardhome attack sequence, action, visuals, performances, final scene, and the first interactions between Tyrion and Daenerys. It achieved a viewership of 7.01 million during its initial airing in the United States. At the 67th Primetime Emmy Awards, "Hardhome" was nominated for six awards, and was Peter Dinklage's pick to support his nomination for Outstanding Supporting Actor in a Drama Series, which he won.
Jorah returns to Yezzan and asks to fight in the fighting pits.
Like other episodes this season, "Hardhome" contained a large amount of original material that does not appear in Martin's novels. This includes the battle scene in which the Wildlings and Night's Watch are ambushed by the White Walkers and army of the undead, as well as the meeting of Daenerys Targaryen and Tyrion Lannister. According to Erik Kain of Forbes, "We have now fully parted ways with the books. If the rest of Season 5 hadn't convinced you that the show was forging its own path, this episode is the final nail in the coffin."
With Live+7 DVR viewing factored in, the episode had an overall rating of 9.94 million viewers, and a 5.1 in the 18–49 demographic. In the United Kingdom, the episode was viewed by 2.383 million viewers, making it the highest-rated broadcast that week. It also received 0.211 million timeshift viewers.
The Atlantic named "Hardhome" one of the best television episodes of 2015. Erik Kain of Forbes called this "one of the best, most exciting episodes I've seen in the entire show's run, let alone this season," citing "High action and a series of pretty crazy revelations." Matt Fowler of IGN gave the episode 10/10, labeling it a "masterpiece". He praised the Tyrion/Daenerys scenes but predominantly the final sequence, which he described as "edge-of-your-seat exciting" and also "quite terrifying". This made "Hardhome" the first episode in season 5 to receive a 10/10 rating from IGN. Matt Fowler also named it the best episode of the entire series. Both Myles McNutt and Erik Adams of The A.V. Club gave the episode the website's highest grade, "A". They called it "a welcome reminder that the," with McNutt citing it as his favorite episode of the series thus far. Bridle Roman of SFX gave the episode a perfect five stars, and highlighted the character of Karsi, played by Birgitte Hjort Sørensen, as a great addition and "her death hits hard" even if "we have only seen her for a few scenes". The episode received praise even from some of its usual critics: Madeline Davies of Jezebel wrote, "I feel like I haven't said this in a long time, but last night's Game of Thrones was ...cool?" Davies cited the quality of the battle scene and unifying theme of hope in desperate situations as the episode's key strengths, specifically that the abused and tormented Sansa learns that her brothers may still be alive and that though Jon faces "the seemingly impossible task of defeating a constantly growing army of White Walkers, he at least possesses a sword that can kill them." Kirsten Acuna of Business Insider reports that this is the single most popular episode to date as rated by fans, noting that the "tremendous reaction is in complete juxtaposition with reactions to an episode that aired two weeks ago," which received one of the series' lowest fan ratings. Acuna credits this response to the quality of the battle scene, which featured "a fighting army of the walking dead which would easily give the AMC series of the same name a run for its money."
| 2015 | Primetime Emmy Awards | Outstanding Supporting Actor in a Drama Series | Peter Dinklage as Tyrion Lannister | ||
| Primetime Creative Arts Emmy Awards | Outstanding Cinematography for a Single-Camera Series | Fabian Wagner | |||
| Outstanding Production Design for a Fantasy Program | Deborah Riley, Paul Ghirardani, Rob Cameron | ||||
| Outstanding Prosthetic Makeup for a Series | Jane Walker, Barrie Gower, and Sarah Gower | ||||
| Outstanding Single-Camera Picture Editing for a Drama Series | Tim Porter | ||||
| Outstanding Sound Editing for a Series | Tim Kimmel, Paula Fairfield, Bradley C. Katona, Peter Bercovitch, David Klotz, Jeffrey Wilhoit, Dylan T. Wilhoit | ||||
| Outstanding Sound Mixing for a Series | Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters | ||||
| British Society of Cinematographers | Best Cinematography in a Television Drama | Fabian Wagner | |||
| ACO/BSC/GBCT Operators TV Drama Award | David Morgan, Sean Savage, Ben Wilson, David Worley | ||||
| Hollywood Professional Alliance | Outstanding Sound | Tim Kimmel, Paula Fairfield, Bradley Katona, Paul Bercovitch, Onnalee Blank, Mathew Waters | |||
| Outstanding Color Grading | Joe Finley | ||||
| Outstanding Editing | Tim Porter | ||||
| IGN | Best TV Episode | ||||
| IGN | Best TV Episode | ||||
| 2016 | ADG Excellence in Production Design Award | One-Hour Single Camera Fantasy Television Series | Deborah Riley | ||
| Shorty Awards | GIF of The Year | Come At Me Bro | |||
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing - Television Series – One Hour | Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters, Brett Voss | |||
| American Society of Cinematographers | Outstanding Achievement in Cinematography in Regular Series | Fabian Wagner | |||
| American Cinema Editors Awards | Best Edited One-Hour Series For Non-Commercial Television | Tim Porter | |||
| Golden Reel Awards | Tim Kimmel | ||||
| Tim Kimmel | |||||
| Best Sound Editing in Television, Short Form: Music | David Klotz | ||||
| USC Scripter Award | Best Adapted Screenplay | David Benioff and D.B. Weiss | |||
| Visual Effects Society Awards | Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | David Ramos, Antonio Lado, Piotr Weiss, Félix Bergés | |||
| Outstanding Compositing in a Photoreal Episode | Eduardo Díaz, Guillermo Orbe, Oscar Perea, Inmaculada Nadela | ||||
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