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Hakama are a type of traditional Japanese clothing. Originally stemming from Ku (p=Kù), the trousers worn by members of the Chinese imperial court in the and , this style was adopted by the Japanese in the form of in the 6th century. are tied at the waist and fall approximately to the ankles. They are worn over a specially adapted for wearing , known as a .

(2025). 9781845193997, Sussex Academic Press. .

There are two types of : divided and undivided . The type have divided legs, similar to trousers. Both of these types appear similar. A "mountain" or "field" type of was traditionally worn by field or forest workers. They are looser in the waist and narrower in the leg.

are secured by four straps (): two longer   attached on either side of the front of the garment, and two shorter  attached on either side of the rear. The rear of the garment may have a rigid trapezoidal section, called a koshi-ita. Below that on the inside, there may be a hakama-dome (a spoon-shaped component sometimes referred to as a ) which is tucked into the  or  at the rear, and helps to keep the  in place.
     

, especially those for martial arts, may have seven deep , two on the back and five on the front. Although they appear balanced, the arrangement of the front pleats (two to the right, three to the left) is asymmetrical, and as such is an example of in Japanese aesthetics.

Historically, a boy would start wearing his first pair of from the age of five, as commemorated in ; a similar practice to this, called "breeching", was seen in Europe up until the , where boys would from then on start to wear instead of dresses, as a recognition of coming of age.


Men's
While used to be a required part of menswear, nowadays typical Japanese men usually wear only on extremely formal occasions and at tea ceremonies, weddings, and funerals. are also regularly worn by practitioners of a variety of , such as , , taidō, , jōdō, ryū-te, and kyūdō. wrestlers, who do not wear in the context of their sport, are, however, required to wear traditional Japanese dress whenever they appear in public. As are one of the most important parts of traditional male formal dress, sumo wrestlers are often seen wearing when attending appropriately formal functions.

In addition to martial artists, are also part of the everyday wear of Shinto , priests who maintain and perform services at .

are worn with any type of kimono except  (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped  are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear. Solid and graduated (ombré) colours are also common. For casual wear, men sometimes wear  (kimono with just a  and no ) or  (kimono alone, as for ).
     


The most formal type of men's , , are made of stiff, striped , usually black and white, or black and navy blue. These are worn with black kimono (kimono with one, three, or five family crests on the back, chest, and shoulders), white (divided-toe socks), white (under-kimono) and various types of footwear. In cooler weather, a (long jacket) with a white (-fastener) completes the outfit.

Traditionally made of silk, are sometimes made with blends. is woven with a dense warp. Traditionally, the weft is woven wet, and beaten firmly into place to make it denser. The silk strands are not twisted, and are treated in . These techniques makes the cloth glossy and the pattern very small-scale and precise.


Both and are simultaneously worn with the courtly attire of . The ōguchi-hakama are red under-pants, with closed crotch, tied off on the wearer's left. The uenobakama, white and with an open fly, is then worn over the , tied off on the right. These designs can be traced to the .


and
traditionally formed part of a complete outfit called a kamishimo. Worn by samurai and courtiers during the Edo period, the outfit included a formal kimono, , and a sleeveless jacket with exaggerated shoulders called a .
     

Samurai visiting the and other high-ranking at court were sometimes required to wear very long called (). These resemble normal in every way except their remarkable length in both the back and front, forming a train one or two feet long and impeding the ability to walk normally, thus helping to prevent a surprise attack or assassination attempt. are now only worn particularly in plays (including ), plays, and Shinto rituals.


Some during the had the hems made narrower than the body in imitation of the ballooning trousers worn by the Portuguese. This style carried on into the Edo period and became called . In addition to the taper, they had a secured band of cloth—looking rather like a pants cuff—sewn around each leg's hem, so the ballooning fabric would not open out like regular . This variety of was also commonly known as .


Sashinuki, also called , are a type of that are meant to be worn blousing over the leg and exposing the foot. To accomplish this, they are somewhat longer than normal , and a cord is run through the hem and drawn tight, creating a "ballooning" effect. To allow for the body required, more formal featured six panels rather than four. Technically, this cord around the ankle makes a type of (tied) . The earliest form of were cut like normal (albeit a bit longer) and have a cord running through the hem of each leg. These cords were pulled tight and tied off at the ankle. This was the form commonly worn during the Heian period. were worn by court nobles with various types of leisure or semi-formal wear.


(armored trousers) had small armor plates or mail armor sewn to the cloth of the . They were worn by samurai warriors.
     


Women's
Women's differ from men's in a variety of ways, most notably fabric design and method of tying.

While men's can be worn on both formal and informal occasions, women rarely wear , except at graduation ceremonies and for traditional Japanese sports such as kyūdō, some branches of and . Women do not wear at tea ceremony. The image of women in kimono and are culturally associated with school teachers. Just as university professors in Western countries don their academic caps and gowns when their students graduate, many female school teachers in Japan attend annual graduation ceremonies in traditional kimono with .

are worn by  or shrine maidens who assist in maintenance and ceremonies. A 's uniform consists of a plain white kimono with a bright red , sometimes a red  during formal ceremonies. This look stems from the attire worn by high-ranked aristocratic woman in the Heian era, as well as court performers such as .
     

While formal men's are made of striped fabric, women's formal are either a solid colour or dyed with graduating hues. for young women are sometimes sparsely decorated with embroidered flowers such as cherry blossoms. Women typically wear just below the bust line, while men wear them at the waist.


Dress reform and scholastic use
have traditionally been worn as school wear. Before the advent of school uniforms in Japan, students wore everyday clothes, which included  for men. In the [[Meiji period]] (1868–1912) and Taishō period (1912–1926), Western-style wear was adopted for school uniforms, initially for both male and female uniforms. However, at the time, Western women's dress was fairly cumbersome.
     

(1854–1936), a women's activist, educator and , found traditional kimono to be too restrictive, preventing women and girls from moving and taking part in physical activities, harming their health. While Western dress was being adopted at the time, she also believed to be restrictive and harmful to women's health. Shimoda had worked as a to Empress Shōken from 1871 to 1879. She adapted the clothing worn by ladies-in-waiting at the Japanese imperial court to make a uniform for her Jissen Women's School. During the Meiji period and Taishō period, other women's schools also adopted the . Source says: "See Shimoda, "Honbō joshi fukusō no enkaku本邦女子服装の沿革 The," Part I, Onna, 31 January 1901, in Shimoda Utako chosakushū, vol. 1, 1-3; "Joshi no tainin no han’i ni tsukite," Nihon Fujin, 25 April 1900, in Shimoda Utako chosakushū, vol. 4, 107-127." It became standard wear for high schools in Japan, and is still worn for graduation ceremonies.

The image of women in is also culturally associated with school teachers. Just as university professors in Western countries don their academic caps and gowns when their students graduate, many female school teachers in Japan attend annual graduation ceremonies in traditional kimono with .

File:Shimoda Utako in hifu and hakama.jpg|, women's activist, educator and advocate, in File:Jogakusei in Taisho period.JPG|A Taishō-era student File:德川多惠子.jpg|An imperial princess in and File:Print from the series Streaked Mist by Ikeda Shōen 04.jpg|Wearing as reform dress, 1906 File:Schoolmarm on the graduation ceremony 1953.jpg|Teacher in 1953 File:Bowing-students-waseda-graduation2015.ogv|Two students (first and third from the left) wearing over at Waseda University graduation ceremony, 2015


Tying
There are many ways for men to tie . First, the is tied in a special knot (an "under- knot") at the rear. Starting with the front, the ties are brought around the waist and crossed over the top of the knot of the . The ties are brought to the front and crossed below the waist, then tied at the back, under the knot of the . The is then tucked behind the , the is adjusted, and the rear ties brought to the front and tied in a variety of ways. The most formal method results in a knot that resembles two bow-ties in a cross shape.

The method of tying the ties is also different, with women's being tied in a simpler knot or a bow. As with men's , the front ties are first brought to the back, then to the front, then tied at the back in a knot. Then the back are brought around to the front. At this point, they may be tied with a bow at the left hip, just in front of the opening, with the ends of the ties at equal lengths. For more secure fastening, the ties may be wrapped once at center front, then tied inside at the back.


Folding
Like all types of traditional Japanese clothing, it is important to fold and store correctly to prevent damage and prolong the life of the garment, especially those made of silk. With this is particularly important, since have so many pleats which can easily lose their creases; re-creasing the pleats may require specialist attention in extreme cases.

are often considered particularly challenging to learn to fold properly, in part because of their pleats and in part because their long ties must be correctly smoothed and gathered before being tied in specific patterns.
     

Various martial arts traditions in which practitioners wear them have prescribed methods of folding the . This is often considered an important part of .

In some martial arts it is also an old tradition that the highest ranking student has the responsibility to fold the teacher's as a token of respect.

(1982). 9780870117855, Kodansha International, Ltd..
(1993). 9780099428992, Random House.


See also


Further reading


External links
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