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Gynocriticism or gynocritics is the term coined in the seventies by to describe a new literary project intended to construct "a female framework for the analysis of women's literature".

By expanding the historical study of as a distinct literary tradition, gynocritics sought to develop new models based on the study of female experience to replace male models of literary creation, and so "map the territory"Quoted in J. Childers ed., The Columbia Dictionary of Modern Literary and Cultural Criticism (1995) p. 129 left unexplored in earlier literary criticisms.


History
While previous figures like and Simone de Beauvoir had already begun to review and evaluate the female image in literature, and second-wave feminism had explored and through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the feminine experience and ideology, and the history and development of the female literary tradition.Xu, Y 2007, 'Contribution of gynocriticism to feminist criticism', US – China Foreign Language, vol. 5, no. 5, pp. 1 – 5.Barry, P 2009, Beginning theory; An introduction to literary and cultural theory, Manchester University Press, Manchester.


Development as a literary critique
Gynocriticism also examines the female struggle for identity and the social construct of gender. According to Elaine Showalter, gynocritics is the study of not only the female as a gender status but also the 'internalized consciousness' of the female. The uncovering of the female and exposition of a female model is the intention of gynocriticism, comprising recognition of a distinct female where a female identity is sought free from the definitions and oppositions.

Gynocriticism accordingly challenged a Freudian psychoanalytic perspective whereby the female inherently suffers envy of men and feelings of inadequacy and injustice, combined with feelings of intellectual inferiority.Frager, R & Fadiman, J 2005, Personality and personal growth 6th ed, Pearson Prentice Hall, New Jersey. Arguing that male 'phallic prejudice' itself creates a female consciousness that demands a critique, and that prejudice against the female incites a specific noesis that gets attributed to the female, Gynocriticism stressed that this prejudice has concealed the female literary tradition to the point of imitating the masculine.Friedman, Susan Stanford. Mappings : Feminism and the Cultural Geographies of Encounter. Princeton, N.J.: Princeton University Press, 1998


Achievements and limitations
Gynocriticism helped reclaim from obscurity a vast body of early female writings, often published in ,Patricia Waugh, Literary Theory and Criticism (2006) p. 328 as well as producing such feminist classics as The Madwoman in the Attic.J. Childers ed., The Columbia Dictionary of Modern Literary and Cultural Criticism (1995) p. 129 However its very successes left it open to new challenges from within feminism. Poststructuralists complained that it fetishized the role of the author, at the expense of the reader and the text, and that its grand narrative, setting up a female canon in opposition to the male, was , and omitted differences and divisions among women, leaving out and women of color, for example.Literary Terms." Fall 2002. Montclair State University (students of ENGL 605: Literary Research). 05 Jun. 2005 .

Race, class, social interest, political inclination, religion and sexuality all arguably come into play in the construction of identity. Separating out such properties would create a view of the female, yet if gender and identity are merely constructs then it becomes difficult to assign any inherent qualities of nature or language to found a critique.

Despite such limitations, gynocriticism offers a valuable interrogation of 'female' literature, through the study of sameness and difference in gender. While the term is rarely used in third-wave feminism, the practices and canon establishment of gynocriticism continues to underpin feminist literary criticism.I. Buchanan, A Dictionary of Critical Theory (2010) p. 215


See also

Further reading
  • Groden, Michael and Martin Kreiswurth, eds. The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: The Johns Hopkins University Press, 1997.


External links

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