Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 Nanometre. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesis and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several have a green color, including the emerald, which is colored green by its chromium content.
During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, while red was reserved for the nobility. For this reason, the costume of the Mona Lisa by Leonardo da Vinci and the benches in the British House of Commons are green while those in the House of Lords are red. It also has a long historical tradition as the color of Ireland and of Gaelic culture. It is the historic color of Islam, representing the lush vegetation of Paradise. It was the color of the banner of Muhammad, and is found in the flags of nearly all Islamic countries.
In surveys made in Americas, European, and Muslim world, green is the color most commonly associated with nature, life, health, youth, spring, hope, and envy. In the European Union and the United States, green is also sometimes associated with toxicity and poor health, but in China and most of Asia, its associations are very positive, as the symbol of fertility and happiness. Because of its association with nature, it is the color of the environmental movement. Political groups advocating environmental protection and social justice describe themselves as part of the Green politics, some naming themselves Green party. This has led to similar campaigns in advertising, as companies have sold green, or environmentally friendly, products. Green is also the traditional color of safety and permission; a green light means go ahead, a green card permits permanent residence in the United States.
Latin with viridis also has a genuine and widely used term for "green". Related to virere "to grow" and ver "spring", it gave rise to words in several Romance languages, French vert, Italian verde (and English , verdure etc.). Likewise the Slavic languages with zelenъ. Ancient Greek also had a term for yellowish, pale green – χλωρός, chloros (cf. the color of chlorine), cognate with χλοερός "verdant" and χλόη "chloe, the green of new growth".
Thus, the languages mentioned above (Germanic, Romance, Slavic, Greek) have old terms for "green" which are derived from words for fresh, sprouting vegetation. However, comparative linguistics makes clear that these terms were coined independently, over the past few millennia, and there is no identifiable single Proto-Indo-European or word for "green". For example, the Slavic zelenъ is cognate with Sanskrit "yellow, ochre, golden". The Turkic languages also have jašɨl "green" or "yellowish green", compared to a Mongolian word for "meadow".
"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow"). In the comparative study of in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, black, red, green, yellow, and blue), or more rarely in systems with five colors (white, red, yellow, green, and black/blue).Newman, Paul and Martha Ratliff (2001). Linguistic Fieldwork. Cambridge: Cambridge University Press, . p. 105. These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai language word เขียว kheīyw, besides meaning "green", also means "rank" and "smelly" and holds other unpleasant associations.
The Celtic languages had a term for "blue/green/grey", Proto-Celtic *glasto-, which gave rise to Old Irish glas "green, grey" and to Welsh language glas "blue". This word is cognate with the Ancient Greek γλαυκός "bluish green", contrasting with χλωρός "yellowish green" discussed above. In modern Japanese, the term for green is 緑, while the old term for "blue/green", Ao now means "blue". But in certain contexts, green is still conventionally referred to as 青, as in ao shingō and aoba, reflecting the absence of blue-green distinction in old Japanese (more accurately, the traditional Japanese color terminology grouped some shades of green with blue, and others with yellow tones).
668–789 | 380–450 | |
610–668 | 450–490 | |
575–610 | 490–520 | |
526–575 | 520–570 | |
508–526 | 570–590 | |
484–508 | 590–620 | |
400–484 | 620–770 |
The perception of greenness (in opposition to redness forming one of the opponent process mechanisms in human color vision) is evoked by light which triggers the medium-wavelength M in the eye more than the long-wavelength L cones. Light which triggers this greenness response more than the yellowness or blueness of the other color opponent mechanism is called green. A green light source typically has a spectral power distribution dominated by energy with a wavelength of roughly 487–570 nm.
Human eyes have color receptors known as cone cells, of which there are three types. In some cases, one is missing or faulty, which can cause , including the common inability to distinguish red and yellow from green, known as deuteranopia or red-green color blindness.
In the subtractive color system, used in painting and color printing, green is created by a combination of yellow and blue, or yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a color corresponding to an equal mixture of red and blue light (one of the ). On a traditional color wheel, based on subtractive color, the complementary color to green is considered to be red.
In additive color devices such as computer displays and televisions, one of the primary colors light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ≈550 Nanometre; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique hues (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.
An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green").
Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm.
Green wavelengths are also available from , including the helium–neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid . Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons, and bird control.
As of mid-2011, direct green laser diodes at 510 nm and 500 nm have become generally available,
Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar.
Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate.
Verdigris is made by placing a plate or blade of copper, brass or bronze, slightly warmed, into a vat of fermenting wine, leaving it there for several weeks, and then scraping off and drying the green powder that forms on the metal. The process of making verdigris was described in ancient times by Pliny. It was used by the Romans in the murals of Pompeii, and in Celtic medieval manuscripts as early as the 5th century AD. It produced a blue-green which no other pigment could imitate, but it had drawbacks: it was unstable, it could not resist dampness, it did not mix well with other colors, it could ruin other colors with which it came into contact, and it was toxic. Leonardo da Vinci, in his treatise on painting, warned artists not to use it. It was widely used in miniature paintings in Europe and Persia in the 16th and 17th centuries. Its use largely ended in the late 19th century, when it was replaced by the safer and more stable chrome green. Viridian, as described above, was in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting Café Terrace at Night.
Green earth is a natural pigment used since the time of the Roman Empire. It is composed of clay colored by iron oxide, magnesium, aluminum silicate, or potassium. Large deposits were found in the South of France near Nice, and in Italy around Verona, on Cyprus, and in Bohemia. The clay was crushed, washed to remove impurities, then powdered. It was sometimes called Green of Verona.
Mixtures of oxidized cobalt and zinc were also used to create green paints as early as the 18th century.
Cobalt green, sometimes known as Rinman's green or zinc green, is a translucent green pigment made by heating a mixture of cobalt (II) oxide and zinc oxide. Sven Rinman, a Swedish chemist, discovered this compound in 1780.
There is no natural source for green which has been approved by the US Food and Drug Administration. Chlorophyll, the E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials.
To create green sparks, use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.
Animals typically use the color green as camouflage, blending in with the chlorophyll green of the surrounding environment. Most fish, reptiles, amphibians, and birds appear green because of a reflection of blue light coming through an over-layer of yellow pigment. Perception of color can also be affected by the surrounding environment. For example, broadleaf forests typically have a yellow-green light about them as the trees filter the light. Turacoverdin is one chemical which can cause a green hue in birds, especially. Invertebrates such as insects or mollusks often display green colors because of porphyrin pigments, sometimes caused by diet. This can causes their feces to look green as well. Other chemicals which generally contribute to greenness among organisms are flavins (lychochromes) and hemanovadin. Humans have imitated this by wearing green clothing as a camouflage in military and other fields. Substances that may impart a greenish hue to one's skin include biliverdin, the green pigment in bile, and ceruloplasmin, a protein that carries copper in chelation.
The green huntsman spider is green due to the presence of bilin pigments in the spider's hemolymph (circulatory system fluids) and tissue fluids.
In Ancient Egypt, green was the symbol of regeneration and rebirth, and of the crops made possible by the annual flooding of the Nile. For painting on the walls of tombs or on papyrus, Egyptian artists used finely ground malachite, mined in the west Sinai and the eastern desert; a paintbox with malachite pigment was found inside the tomb of King Tutankhamun. They also used less expensive green earth pigment, or mixed yellow ochre and blue azurite. To dye fabrics green, they first colored them yellow with dye made from saffron and then soaked them in blue dye from the roots of the woad plant.
For the ancient Egyptians, green had very positive associations. The hieroglyph for green represented a growing papyrus sprout, showing the close connection between green, vegetation, vigor and growth. In wall paintings, the ruler of the underworld, Osiris, was typically portrayed with a green face, because green was the symbol of good health and rebirth. Palettes of green facial makeup, made with malachite, were found in tombs. It was worn by both the living and the dead, particularly around the eyes, to protect them from evil. Tombs also often contained small green amulets in the shape of scarab beetles made of malachite, which would protect and give vigor to the deceased. It also symbolized the sea, which was called the "Very Green".Anne Vachiron (2000), Couleurs – pigments et teintures dans les mains des peuples, p. 203
In Ancient Greece, green and blue were sometimes considered the same color, and the same word sometimes described the color of the sea and the color of trees. The philosopher Democritus described two different greens: , or pale green, and , or leek green. Aristotle considered that green was located midway between black, symbolizing the earth, and white, symbolizing water. However, green was not counted among the four classic colors of Greek painting – red, yellow, black and white – and is rarely found in Greek art.
The Romans had a greater appreciation for the color green; it was the color of Venus, the goddess of gardens, vegetables and vineyards. The Romans made a fine green earth pigment that was widely used in the wall paintings of Pompeii, Herculaneum, Lyon, Vaison-la-Romaine, and other Roman cities. They also used the pigment verdigris, made by soaking copper plates in fermenting wine.Anne Vachiron (2000), Couleurs – pigments et teintures dans les mains des peuples, p. 214. By the second century AD, the Romans were using green in paintings, mosaics and glass, and there were ten different words in Latin for varieties of green.
In the Middle Ages and Renaissance, the color of clothing showed a person's social rank and profession. Red could only be worn by the nobility, brown and gray by peasants, and green by merchants, bankers and the gentry and their families. The Mona Lisa wears green in her portrait, as does the bride in the Arnolfini portrait by Jan van Eyck.
There were no good vegetal green dyes which resisted washing and sunlight for those who wanted or were required to wear green. Green dyes were made out of the fern, plantain, buckthorn berries, the juice of Urtica and of leeks, the digitalis plant, the broom plant, the leaves of the fraxinus, or ash tree, and the bark of the alder tree, but they rapidly faded or changed color. Only in the 16th century was a good green dye produced, by first dyeing the cloth blue with woad, and then yellow with Reseda luteola, also known as yellow-weed.
The pigments available to painters were more varied; monks in monasteries used verdigris, made by soaking copper in fermenting wine, to color medieval manuscripts. They also used finely-ground malachite, which made a luminous green. They used green earth colors for backgrounds.
During the early Renaissance, painters such as Duccio di Buoninsegna learned to paint faces first with a green undercoat, then with pink, which gave the faces a more realistic hue. Over the centuries the pink has faded, making some of the faces look green.
The 18th and 19th centuries brought the discovery and production of synthetic green pigments and dyes, which rapidly replaced the earlier mineral and vegetable pigments and dyes. These new dyes were more stable and brilliant than the vegetable dyes, but some contained high levels of arsenic, and were eventually banned.
In the 18th and 19th centuries, green was associated with the romantic movement in literature and art. The German poet and philosopher Goethe declared that green was the most restful color, suitable for decorating bedrooms. Painters such as John Constable and Jean-Baptiste-Camille Corot depicted the lush green of rural landscapes and forests. Green was contrasted to the smoky grays and blacks of the Industrial Revolution.
The second half of the 19th century saw the use of green in art to create specific emotions, not just to imitate nature. One of the first to make color the central element of his picture was the American artist James McNeill Whistler, who created a series of paintings called "symphonies" or "noctures" of color, including Symphony in gray and green; The Ocean between 1866 and 1872.
The late 19th century also brought the systematic study of color theory, and particularly the study of how complementary colors such as red and green reinforced each other when they were placed next to each other. These studies were avidly followed by artists such as Vincent van Gogh. Describing his painting, The Night Cafe, to his brother Theo in 1888, Van Gogh wrote: "I sought to express with red and green the terrible human passions. The hall is blood red and pale yellow, with a green billiard table in the center, and four lamps of lemon yellow, with rays of orange and green. Everywhere it is a battle and antithesis of the most different reds and greens."Vincent van Gogh, Corréspondénce general, number 533, cited by John Gage, Practice and Meaning from Antiquity to Abstraction.
In China, green is associated with the east, with sunrise, and with life and growth.Yoon, Hong-Key. The Culture of Feng-Shui in Korea. Lexington: Lexington Books, 2006. p. 27 In Thailand, the color green is considered for those born on a Wednesday (light green for those born at night).
In Persian and Sudanese poetry, dark-skinned women, called "green" women, were considered erotic.Carla N. Daughtry, " Greenness in the Field", Michigan Today, University of Michigan, Fall 1997 The Chinese term for cuckold is "to wear a green hat." This was because in ancient China, prostitutes were called "the family of the green lantern" and a prostitute's family would wear a green headscarf.
In Victorian England, the color green was associated with homosexuality.
In legends, folk tales and films, fairies, dragons, monsters, and the devil are often shown as green.
In the Middle Ages, the devil was usually shown as either red, black or green. Dragons were usually green, because they had the heads, claws and tails of reptiles.
Modern Chinese dragons are also often green, but unlike European dragons, they are benevolent; Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck. The Emperor of China usually used the dragon as a symbol of his imperial power and strength. The dragon dance is a popular feature of Chinese festivals.
In Irish folklore and English folklore, the color was sometimes associated with witchcraft, and with faeries and spirits.Williams, Margaret. The Pearl Poet, His Complete Works. Random House, 1967.Vance Randolph. The Devil's Pretty Daughter. Columbia University Press, 1955. p. 215.Hulbert, J. R. " Syr Gawayn and the Grene Knyʒt". In: Modern philology Vol. 13 (1915/16). p. 456. The type of Irish fairy known as a leprechaun is commonly portrayed wearing a green suit, though before the 20th century he was usually described as wearing a red suit.
In theater and film, green was often connected with monsters and the inhuman. The earliest films of Frankenstein were in black and white, but in the poster for the 1935 version The Bride of Frankenstein, the monster had a green face. Actor Bela Lugosi wore green-hued makeup for the role of Dracula in the 1927–1928 Broadway stage production. Why The Devil Wears Green, D. W. Robertson, Jr., Modern Language Notes, Vol. 69, No. 7. (Nov. 1954), pp. 470–72. The Johns Hopkins University Press.
A green tinge in the skin is sometimes associated with nausea and sickness.Ford, Mark. Self Improvement of Relationship Skills through Body Language. City: Llumina Press, 2004. p. 81 The expression 'green at the gills' means appearing sick. The color, when combined with gold, is sometimes seen as representing the fading of youth.Lewis, John S. "Gawain and the Green Knight." College English. 21.1 (Oct 1959) pp. 50–51 In some Far East cultures the color green is used as a symbol of sickness or nausea.Kalb, Ira. Creating Your Own Marketing Makes Good $ & Sense. K & A Press, 1989. p. 210
Green in Europe and the United States is sometimes associated with status and prosperity. From the Middle Ages to the 19th century it was often worn by bankers, merchants country gentlemen and others who were wealthy but not members of the nobility. The benches in the House of Commons of the United Kingdom, where the landed gentry sat, are colored green.
In the United States green was connected with the dollar bill. Since 1861, the reverse side of the dollar bill has been green. Green was originally chosen because it deterred counterfeiters, who tried to use early camera equipment to duplicate banknotes. Also, since the banknotes were thin, the green on the back did not show through and muddle the pictures on the front of the banknote. Green continues to be used because the public now associates it with a strong and stable currency."Currency Notes" on the website of the U.S. Bureau of Engraving and Printing, p. 12.
One of the more notable uses of this meaning is found in The Wonderful Wizard of Oz. The Emerald City in this story is a place where everyone wears tinted glasses that make everything appear green. According to the populist interpretation of the story, the city's color is used by the author, L. Frank Baum, to illustrate the financial system of America in his day, as he lived in a time when America was debating the use of paper money versus gold.Carruthers, Bruce G.; Sarah Babb. "The Color of Money and the Nature of Value: Greenbacks and Gold in Postbellum America." The American Journal of Sociology. (May 1996) 101.6 pp. 1556–91
Green is one of the three colors (along with red and black, or red and gold) of Pan-Africanism. Several African countries thus use the color on their flags, including Nigeria, South Africa, Ghana, Senegal, Mali, Ethiopia, Togo, Guinea, Benin, and Zimbabwe. The Pan-African colors are borrowed from the Ethiopian flag, one of the oldest independent African countries. Green on some African flags represents the natural richness of Africa.Murrell, Nathaniel et al. Chanting down Babylon. Philadelphia: Temple University Press, 1998. p. 135
Many flags of the Muslim world are green, as the color is considered sacred in Islam (see below). The flag of Hamas,Friedland, Roger and Richard Hecht. To Rule Jerusalem. Berkeley: University of California Press, 2000. p. 461 as well as the flag of Iran, is green, symbolizing their Islamism ideology.Kaplan, Leslie C. Iran. p. 22 The 1977 flag of Libya consisted of a simple green field with no other characteristics. It was the only national flag in the world with just one color and no design, insignia, or other details.Symons, Mitchell. This Book...of More Perfectly Useless Information. New York: HarperEntertainment, 2005. p. 229 Some countries used green in their flags to represent their country's lush vegetation, as in the flag of Jamaica,Smith, Whitney. Flag Lore of All Nations. Brookfield: Millbrook Press, 2001. p. 49 and hope in the future, as in the flags of Portugal and Nigeria.Amienyi, Osabuohien. Communicating National Integration. Ashgate Publishing, 2005. p. 43 The green Cedrus libani of Lebanon tree on the Flag of Lebanon officially represents steadiness and tolerance.
Green is a symbol of Ireland, which is often referred to as the "Emerald Isle". The color is particularly identified with the republican and nationalist traditions in modern times. It is used this way on the flag of the Republic of Ireland, in balance with white and the Protestant orange. Green is a strong trend in the Irish holiday St. Patrick's Day.
Green was the traditional color of Irish nationalism, beginning in the 17th century. The green harp flag, with a traditional gaelic harp, became the symbol of the movement. It was the banner of the Society of United Irishmen, which organized the ultimately unsuccessful Irish Rebellion of 1798. When Ireland achieved independence in 1922, green was incorporated into the national flag.
In the 1970s, green became the color of the third biggest Swiss Federal Council political party, the Swiss People's Party SVP. The ideology is Swiss nationalism, national conservatism, right-wing populism, economic liberalism, agrarianism, isolationism, euroscepticism. The SVP was founded on September 22, 1971, and has 90,000 members.[4]
In the 1980s, green became the color of a number of new European political parties organized around an agenda of environmentalism. Green was chosen for its association with nature, health, and growth. The largest green party in Europe is Alliance '90/The Greens (German: Bündnis 90/Die Grünen) in Germany, which was formed in 1993 from the merger of the German Green Party, founded in West Germany in 1980, and Alliance 90, founded during the Revolution of 1989–1990 in East Germany. In the 2009 federal elections, the party won 11% of the votes and 68 out of 622 seats in the Bundestag.
Green parties in Europe have programs based on ecology movement, grassroots democracy, nonviolence, and social justice. Green parties are found in over one hundred countries, and most are members of the Global Greens.
Greenpeace is a non-governmental environmental organization which emerged from the anti-nuclear and peace movements in the 1970s. Its ship, the Rainbow Warrior, frequently tried to interfere with nuclear tests and whaling operations. The movement now has branches in forty countries.
The Australian Greens was founded in 1992. In the 2010 federal election, the party received 13% of the vote (more than 1.6 million votes) in the Senate, a first for any Australian minor party.
Green is the color associated with Puerto Rico's Independence Party, the smallest of that country's three major political parties, which advocates Puerto Rican independence from the United States.
In Indonesia, green is used by several Islamism political party, including National Awakening Party, Crescent Star Party, United Development Party, and the local Aceh Just and Prosperous Party.
In Taiwan, green is used by Democratic Progressive Party. Green in Taiwan associates with Taiwan independence movement.
Al-Khidr ("The Green One"), was an important Qur'anic figure who was said to have met and traveled with Moses. He was given that name because of his role as a diplomat and negotiator. Green was also considered to be the median color between light and obscurity.
In Christianity, especially Roman Catholic and more traditional Protestant clergy wear green vestments at liturgical celebrations during Ordinary Time. In the Eastern Catholic Church, green is the color of Pentecost. Green is one of the Christmas colors as well, possibly dating back to pre-Christian times, when evergreens were worshiped for their ability to maintain their color through the winter season. Romans used green holly and evergreen as decorations for their winter solstice celebration called Saturnalia, which eventually evolved into a Christmas celebration.Collins, Ace and Clint Hansen. Stories behind the Great Traditions of Christmas. Grand Rapids: Zondervan, 2003. p. 77 In Ireland and Scotland especially, green is used to represent Catholics, while orange is used to represent Protestantism. This is shown on the national flag of Ireland.
In Paganism, green represents abundance, growth, wealth, renewal, and balance. In magickal practices, green is often used to bring money and luck. One figure who shares parallels with various deities is the Green Man.
Biology
Green eyes
In history and art
Prehistoric history
Ancient history
Postclassical history
Modern history
In the 18th and 19th century
In the 20th and 21st century
Symbolism and associations
Safety and permission
Nature, vivacity, and life
Springtime, freshness, and hope
Youth and inexperience
Food and diet
Calm, tolerance, and the agreeable
Jealousy and envy
Love and sexuality
Dragons, fairies, monsters, and devils
Poison and sickness
Social status, prosperity and the dollar
On flags
In politics
In religion
In gambling and sports
Idioms and expressions
See also
Notes
Cited texts
External links
|
|