A gorget ( ; ) was a band of linen wrapped around a woman's neck and head in the medieval period or the lower part of a simple chaperon hood. The term later described a steel or leather collar to protect the throat, a set of pieces of plate armour, or a single piece of plate armour hanging from the neck and covering the throat and chest. Later, particularly from the 18th century, the gorget became primarily ornamental, serving as a symbolic accessory on military uniforms, a use which has survived in some armies (see below).
The term may also be used for other things such as items of jewellery worn around the throat region in several societies, for example wide thin gold collars found in prehistoric Ireland dating to the Bronze Age.
At the beginning of the 16th century, the gorget reached its full development as a component of plate armour. Unlike previous gorget plates and bevors which sat over the cuirass and also required a separate mail collar to fully protect the neck, the developed gorget was worn under the cuirass and was intended to cover a larger area of the neck, nape, shoulders and upper chest, from which the edges of the backplate and breastplate had receded. The gorget served as an anchor point for the , which either had holes in them to engage pins projecting from the gorget, or straps which could be buckled to the gorget. The neck was protected by a high collar of articulated , and the entire gorget was divided into front and back pieces which were hinged at the side so that the gorget could be put on and taken off. Some helmets had additional neck lames which overlapped the gorget, while others formed a tight seal with the rim of the gorget to eliminate any gaps.
By the 17th century there appeared a form of gorget with a low, unarticulated collar and larger front and back plates which covered more of the upper chest and back. In addition to being worn under the breast & backplates, as evidenced by at least two contemporary engravings, they were also commonly worn over civilian clothing or a buff coat. Some gorgets of this period were "parade" pieces that were beautifully etched, gilded, engraved, chased, embossed or enameled at great expense. Gradually the gorget grew smaller and more symbolic, becoming a single crescent shape worn on a chain which suspended the gorget ever lower on the chest, so that the gorget no longer protected the throat in normal wear.
The Japanese (samurai) form of the gorget, called a nodowa, was either fastened by itself around the neck or came as an integral part of the face defence or men yoroi. It consisted of several lames made of lacquered leather or iron, each of which either consisted of one piece or of scales laced together in horizontal rows. The lames were articulated vertically, overlapping bottom to top, by another set of silk laces.
The gorget was revived as a uniform accessory in Nazi Germany, seeing widespread use within the German military and Nazi party organisations, mainly units with a police function and their flag bearers. During World War II, it continued to be used by Feldgendarmerie (military field police), who wore metal gorgets as emblems of authority. German police gorgets of this period typically took the form of flat metal crescents with ornamental designs that were suspended by a chain worn around the neck. These designs and lettering were painted with illuminating paint.
The Prussian-influenced Chilean army uses the German style metal gorget in parades and in the uniform of their Military Police.Rinaldo D. D' Ami, Page 43, World Uniforms in Colour. Volume 2. Nations of America, African, Asia and Oceania. 1969 Patrick Stephens Ltd London, SBN 85059 040 X
The gorget was discontinued as a rank insignia for Swedish officers in the Swedish Armed Forces in 1792, when were introduced. The gorget was revived in 1799, when the Officer of the day was given the privilege of wearing a gorget which featured the Swedish lesser coat of arms. It has since been a part of the officer's uniform (when he or she functions as "Officer of the day") a custom which continues.
However, the historic colours are still used in the gorget patches of the Canadian Army. in the Indian and Sri Lankan air forces also wear gorget patches with one to five stars depending on their seniority.
RAF wear white gorget patches on their service dress and mess dress uniforms. Very similar collar patches are worn by British army officer cadets at Sandhurst on the standup collars of their dark-blue "Number One" dress uniforms. These features of modern uniforms are a residual survival from the earlier practice of suspending the actual gorgets from ribbons attached to buttons on both collars of the uniform. Such buttons were often mounted on a patch of coloured cloth or gold embroidery.
Gorget stones are polished pieces of stones that were worn by Native Americans on the neck or chest as a decoration, ornament, or talisman.
The British Empire awarded gorgets to chiefs of American Indian tribes, both as tokens of goodwill, and as a badge of their high status.p.9 Handbook of North American Indians: History of Indian-White Relations Government Printing Office, 1978 Those being awarded a gorget were known as gorget captains p. 286 Blegen, Theodore Christian & Heilbron, Bertha Lion Minnesota History Minnesota Historical Society, 1928 Gorgets were also awarded to African chiefs.p.41 History of the Civilization and Christianization of South Africa; from its first settlement by the Dutch to the final surrender of it to the British Waugh & Innes, 1832
In colonial Australia, gorgets were given to Aboriginal people by government officials and pastoralists as insignia of high rank or reward for services to the settler community. Frequently inscribed with the word "King" along with the name of the tribal group to which the recipient belonged (despite the absence of this kind of rank among indigenous Australians), the "breastplates", as they came to be known, were highly regarded by those who received them.
The term also refers to a patch of coloured feathers found on the throat or upper breast of some species of birds.
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