Product Code Database
Fitoor ( Madness, Obsession, Passion) is a 2016 Indian Hindi-language Musical film romantic drama directed by Abhishek Kapoor, produced by Siddharth Roy Kapur, and written by Kapoor and Supratik Sen based on Charles Dickens' 1861 novel Great Expectations. Aditya Royn Kapur, Katrina Kaif to pair up for 'Fitoor' . Daily News and Analysis. Retrieved 23 October 2013. The film features Tabu, Katrina Kaif, and Aditya Roy Kapur in lead roles. Filming began in Kashmir in November 2014 and concluded in October 2015. Aditya Roy Kapur starts shooting for Fitoor in Kashmir on his birthday . The Times of India. Retrieved 17 November 2014.
Fitoor was released on 12 February 2016, coinciding with the Valentine's Day weekend, Fitoor release date finalised. Hindustan Times. Retrieved 11 March 2015. and proved to be an underwhelming success at the box-office. Upon release, the film received mixed-to-positive reviews from critics, with high praise for its soundtrack, cinematography, costumes, and performances of the cast, with Tabu's performance receiving widespread critical acclaim; however, its screenplay and pacing received criticism. Tabu replaces Rekha as Miss Havisham in 'Fitoor' . Deccan Chronicle. Retrieved 27 May 2015.
Ten years later, Noor is a grown-up young man with artistic talent. He wants to go to a prestigious art school in Delhi but lacks money. He suddenly receives a scholarship to attend the same art school, sponsored by an anonymous benefactor who has seen his work at a patrons' symposium organized by the school. He moves to Delhi, where he encounters Firdaus and Hazrat. Due to several coincidences, Noor begins to believe that it is Hazrat who is paying for him to go to art school. By this time, Firdaus is engaged to Bilal, a Pakistani diplomat. However, there is an immediate rapport between her and Noor even after so many years. Hazrat habitually treats Noor like an underling or errand boy, and after she observes the rapport, she makes her behavior towards him even more peremptory and insulting. This is acceptable to Noor, who thinks that beneath her tough exterior, she is actually his patroness. Noor's feelings for Firdaus have not changed, and they begin a friendship, which evolves into a relationship. Hazrat sees that Noor is now a successful artist who moves in posh circles, and she slowly begins to realise her mistake, but she is still adamant that Firdaus should marry Bilal. A flashback of Hazrat and her lover, Mufti, who left her pregnant and ran away with all her jewels, indicates why she is so adamant that her daughter should treat Noor with maximal wariness and marry Bilal, the conventional, safe choice.
Noor travels for an art show in London, where he finds out that his art scholarship was actually sponsored by Moazzam, a Kashmiri terrorist who he had saved when he was young, and not by Hazrat. Noor is deeply alarmed to distress on realizing that he is merely a pawn in Moazzam's scheme, but is even more shocked and upset as it dawns on him how Hazrat has been playing him all along. Noor confronts her; she denies manipulating him and bursts into a fit of rage, where she rants about her former lover Mufti. Noor realizes that she has been seeking redemption by transposing her desire for vengeance against Mufti towards him by tormenting him and plotting to destroy him; she cannot bear to see other young people happy, not even her own daughter. Noor goes back to the gallery and burns his artwork, which was related to the memory of Firdaus. Another flashback shows that in fact, she lost her baby and Firdaus is her adopted daughter. She wakes up from that semi-dream distraught at what Noor has said about her bitter and diseased inner self and she then commits suicide.
At her funeral, a grieving Firdaus (who remains engaged to Bilal, and still intends to marry him, as per Hazrat's ardent desire) opens the pendant which Hazrat always wore around her neck. She is astonished to find inside it a picture of a happy young couple: Mufti and Hazrat. She realizes that Hazrat has never been able to get over her love for Mufti, despite the fact that he was a horrendous fraudster. Firdaus suddenly realizes that she herself will never be able to get over her love for Noor, who genuinely loves her and is an honest and good man. With this realization, Firdaus decides to break her engagement with Bilal and spend her life with Noor.
Rachit Gupta from Filmfare gave the film a positive review and remarked "The casting of the film is brilliantly done. Kapur looks his part; with his chiseled physique and restrained intensity, he plays Noor with good effect. Kaif and her red hair seduce you and make you submit to untamed beauty. Not just that, her performance is really good. However, Tabu, like always, is the highlight of the film. In the first half, her character lurks in the shadows, but in the latter part, when her story assumes a larger role, the actress hits top gear. Even supporting performances from Aditi Rao Hydari, Lara Dutta and Rahul Bhat are fantastic." However, he expressed mixed views about the film's screenplay saying "The source material, the classic novel by Charles Dickens lends good matter to the story, but a lot is lost in adaptation." Anil Sinanan from TimeOut rated the film 3 stars out of 5 and remarked, "Director Abhishek Kapoor stays true to the complex plot and the novel’s themes of social alienation and moral redemption. Sadly, he is let down by his two attractive leads who fail to bring the depth required to these tortured souls." He, however, highly praised Tabu stating "she, in the Miss Havisham role, brings emotional complexity and dignity to the proceedings" and concluded his review writing, "Worth seeing, but go with low expectations."
In a mixed-to-positive review, Sweta Kaushal from Hindustan Times praised the film's cinematography and soundtrack and opined, "Cinematographer Anay Goswami deserves credit for capturing Kashmir’s gorgeous exquisiteness in all its details -- the white snow-covered mountains, red chinar leaves and the grey of winters. Amit Trivedi’s soulful music enamours us, surrounded as we are with so much surreal beauty." She also praised Tabu and Kapur's performances, saying, "Tabu and Kapur are undoubtedly the best bets in Fitoor, with the former bringing in dramatic energy and a sense of gravitas to the film, while the latter's haunting looks and intense, lovelorn facial expressions lending much weight to the proceedings." He, however, criticised Kaif's performance, saying, "her dialogues sound fake and her one-dimensional acting fails to bring across the passion even in the most intimate of scenes." She concluded her review, saying that "Melodrama and a superficial love story are some of the road blocks that hinder a beautiful cinematic journey Abhishek Kapoor wanted to take you on." Anna MM Vetticad from Firstpost opined about the cast performances, saying "This might have been forgiveable if it weren’t for the casting of Firdaus. Kaif is woefully inadequate, trying to convey Firdaus’ sorrow and confusion with expressionlessness. To make matters worse, her screen companion through much of the film is an actress who has the ability to eke out feelings from a log of wood. This is not Tabu’s best, but in a role that could have been easily over-played and caricatured, she elicits some degree of empathy even for her decidedly unlikeable character. Aditya as Noor is efficient, but that’s about it." She concluded her review saying " Fitoor’s primary problem is that it fails to conjure up the sort of passion that it should have and could have with less literalness and better central casting."
Srijana Mitra Das from The Times of India rated the film 3 stars out of 5 and opined, " Fitoor
| + !Award !Date of ceremony !Category !Recipient !Result !Ref. | |||||
| Screen Awards | 4 December 2016 | Best Supporting Actress | Tabu | ||
| Stardust Awards | 19 December 2016 | Best Supporting Actress | |||
| Zee Cine Awards | 11 March 2017 | Best Supporting Actress | |||
|
|
