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Esther (; ), originally Hadassah (; ), is the eponymous heroine of the Book of Esther in the . According to the biblical narrative, which is supposed to be set in the Achaemenid Empire, the Persian king falls in love with Esther and marries her. His grand vizier is offended by Esther's cousin and guardian because of his refusal to ; bowing in front of another person was a prominent gesture of respect in Persian society, but deemed unacceptable by Mordecai, who believes that a should only express submissiveness to God. Consequently, Haman plots to have all of Persia's Jews killed, and eventually convinces Ahasuerus to permit him to do so. However, Esther foils the plan by revealing and decrying Haman's plans to Ahasuerus, who then has Haman executed and grants permission to the Jews to take up arms against their enemies; Esther is hailed for her courage and for working to save the Jewish nation from eradication.

The Book of Esther's story provides the traditional explanation for , a celebratory that is observed on the on which Haman's order was to go into effect, which is the day that the Jews killed their enemies after Esther exposed Haman's intentions to her husband, the king. Most scholars agree that the Book of Esther is fictional, likely based on Persian myths or rituals repurposed to explain the Jewish festival of Purim.

Two related forms of the Book of Esther exist: a shorter -sourced version found in and Bibles, and a longer -sourced version found in and Bibles.


Name
When she is introduced, in Esther 2:7, she is first referred to by the Hebrew name Hadassah, which means "myrtle tree." This name is absent from the early Greek manuscripts, although present in the texts, and was probably added to the Hebrew text in the 2nd century CE at the earliest to stress the heroine's Jewishness. The name "Esther" probably derives from the name of the Babylonian goddess or from the Persian word cognate with the English word "star" (implying an association with Ishtar) though some scholars contend it is related to the Persian words for "woman" or "myrtle".


Narrative
In the third year of the reign of King of Persia the king banishes his queen, , and seeks a new queen. Beautiful maidens gather together at the in the citadel of under the authority of the eunuch .

Esther, a cousin of , was a member of the community in the who claimed as an ancestor Kish, a who had been taken from into captivity. She was the orphaned daughter of Mordecai's uncle, Abihail, from the tribe of Gad. Upon the king's orders, Esther is taken to the palace where Hegai prepares her to meet the king. Even as she advances to the highest position of the harem, perfumed with gold and myrrh and allocated certain foods and servants, she is under strict instructions from Mordecai, who meets with her each day, to conceal her Jewish origins. The king falls in love with her and makes her his Queen.

Following Esther's coronation, Mordecai learns of an assassination plot by Bigthan and Teresh to kill King Ahasuerus. Mordecai tells Esther, who tells the king in the name of Mordecai, and he is saved. This act of great service to the king is recorded in the Annals of the Kingdom.

After Mordecai saves the king's life, the is made Ahasuerus' highest adviser, and orders that everyone to him. When Mordecai (who had stationed himself in the street to advise Esther) refuses to bow to him, Haman pays King Ahasuerus 10,000 silver talents for the right to exterminate all of the Jews in Ahasuerus' kingdom. Haman casts lots, , using supernatural means, and sees that the thirteenth day of the Month of is a fortunate day for the genocide. Using the seal of the king, in the name of the king, Haman sends an order to the provinces of the kingdom to allow the extermination of the Jews on the thirteenth of Adar. When Mordecai learns of this, he tells Esther to reveal to the king that she is Jewish and ask that he repeal the order. Esther hesitates, saying that she could be put to death if she goes to the king without being summoned; nevertheless, Mordecai urges her to try. Esther asks that the entire Jewish community fast and pray for three days before she goes to see the king; Mordecai agrees.

On the third day, Esther goes to the courtyard in front of the king's palace, and she is welcomed by the king, who stretches out his scepter for her to touch, and offers her anything she wants "up to half of the kingdom". Esther invites the king and Haman to a banquet she has prepared for the next day. She tells the king she will reveal her request at the banquet. During the banquet, the king repeats his offer again, whereupon Esther invites both the king and Haman to a banquet she is making on the following day as well.

Seeing that he is in favor with the king and queen, Haman takes counsel from his wife and friends to build a gallows upon which to hang Mordecai; as he is in their good favors, he believes he will be granted his wish to hang Mordecai the very next day. After building the gallows, Haman goes to the palace in the middle of the night to wait for the earliest moment he can see the king.

That evening, the king, unable to sleep, asks that the Annals of the Kingdom be read to him so that he will become drowsy. The book miraculously opens to the page telling of Mordecai's great service, and the king asks if he had already received a reward. When his attendants answer in the negative, Ahasuerus is suddenly distracted and demands to know who is standing in the palace courtyard in the middle of the night. The attendants answer that it is Haman. Ahasuerus invites Haman into his room. Haman, instead of requesting that Mordecai be hanged, is ordered to take Mordecai through the streets of the capital on the Royal Horse wearing the royal robes. Haman is also instructed to yell, "This is what shall be done to the man whom the king wishes to honor!"

After spending the entire day honoring Mordecai, Haman rushes to Esther's second banquet, where Ahasuerus is already waiting. Ahasuerus repeats his offer to Esther of anything "up to half of the kingdom". Esther tells Ahasuerus that while she appreciates the offer, she must put before him a more basic issue: she explains that there is a person plotting to kill her and her entire people, and that this person's intentions are to harm the king and the kingdom. When Ahasuerus asks who this person is, Esther points to Haman and names him. Upon hearing this, an enraged Ahasuerus goes out to the garden to calm down and consider the situation.

While Ahasuerus is in the garden, Haman throws himself at Esther's feet asking for mercy. Upon returning from the garden, the king is further enraged. As it was the custom to eat on reclining couches, it appears to the king as if Haman is attacking Esther. He orders Haman to be removed from his sight. While Haman is being led out, Harvona, a civil servant, tells the king that Haman had built a gallows for Mordecai, "who had saved the king's life". In response, the king says "Hang him (Haman) on it".

After Haman is put to death, Ahasuerus gives Haman's estate to Esther. Esther tells the king about Mordecai being her relative, and the king makes Mordecai his adviser. When Esther asks the king to revoke the order exterminating the Jews, the king is initially hesitant, saying that an order issued by the king cannot be repealed. Ahasuerus allows Esther and Mordecai to write another order, with the seal of the king and in the name of the king, to allow the Jewish people to defend themselves and fight with their oppressors on the thirteenth day of Adar.

On the thirteenth day of Adar, the same day that Haman had set for them to be killed, the Jews defend themselves in all parts of the kingdom and rest on the fourteenth day of Adar. The fourteenth day of Adar is celebrated with the giving of charity, exchanging foodstuffs, and feasting. In , the Jews of the capital were given another day to kill their oppressors; they rested and celebrated on the fifteenth day of Adar, again giving charity, exchanging foodstuffs, and feasting as well.

The Jews established an annual feast, the feast of , in memory of their deliverance. Haman having set the date of the thirteenth of to commence his campaign against the Jews, this determined the date of the festival of Purim.Crawford, Sidnie White. " Esther: Bible", Jewish Women's Archive.


Historicity
Although the details of the setting are entirely plausible and the story may even have basis in actual events, there has been general agreement among scholars that the book of Esther is a work of fiction. Following archeological evidence, however, especially clay tablets found since 2003, this view has been partly changed. It is now clear that the Persian words and concepts in the text actually align with the new findings. Persian kings did not marry outside of seven Persian noble families, making it unlikely that there was a Jewish queen Esther. Further, the name Ahasuerus can be translated to Xerxes, as both derive from the Khshayārsha. Ahasuerus as described in the Book of Esther is usually identified in modern sources to refer to ,
(2025). 9789004187375, Brill. .
who ruled between 486 and 465 BCE, as it is to this monarch that the events described in Esther are thought to fit the most closely. Xerxes I's queen was , further highlighting the fictitious nature of the story. However, it is possible that the Old Persian rendition into Greek of the name Amestis may possibly parallel Vashti in Hebrew, just as Ahashverosh was Khshayārsha in OP or Ahsiarsu in Akkadian, which became Xerxes in Greek and Esther may have been a concubine in the king's harem, not the formal queen.

Some scholars speculate that the story was created to justify the Jewish appropriation of an originally non-Jewish feast. The festival which the book explains is , which is explained as deriving from the word Pur (פור) meaning "", from the Babylonian word puru. One popular theory says the festival has its origins in a historicized Babylonian myth or ritual in which Mordecai and Esther represent the Babylonian gods and , while others trace the ritual to the Persian New Year, and scholars have surveyed other theories in their works. An attempt to find a historical kernel to the narrative is considered "likely to be futile" in a study by Sara Raup Johnson. However, in recent years, more scholars have defended the story as real history.


Interpretations
The Book of Esther begins by portraying Esther as beautiful and obedient, though a relatively passive figure. Throughout the story, she evolves into a character who takes a decisive role in her own future and that of her people. According to Sidnie White Crawford, "Esther's position in a male court mirrors that of the Jews in a Gentile world, with the threat of danger ever present below the seemingly calm surface." Esther is compared to Daniel in that both represent a "type" for Jews living in Diaspora, and hoping to live a successful life in an alien environment.

According to , by virtue of the fact that Esther used only to convince the king to save her people, the story of Esther is a "rhetoric of exile and empowerment that, for millennia, has notably shaped the discourse of marginalized peoples such as Jews, women, and African Americans", persuading those who have power over them.


Persian culture
Modern day are called "Esther's Children". A building venerated as being the Tomb of Esther and Mordechai is located in , Iran, although the village of Kafr Bir'im in northern Israel also claims to be the burial place of Queen Esther.


Artistic depictions of Esther
Throughout history, many artists have created . Notable early portrayals include the Heilspiegel Altarpiece by and Esther Before Ahasuerus by (1546–47, ) which show Esther appearing before the king to beg mercy for the Jews, despite the punishment for appearing without being summoned being death. This scene became one of the most commonly depicted parts of the story.

Esther's faint had not often been depicted in art before Tintoretto. It is shown in the series of scenes of the Life of Esther attributed variously to Sandro Botticelli and from the 1470s. In other cassone depictions, for example by Filippino Lippi, Esther's readiness to show herself before the court is contrasted to Vashti's refusal to expose herself to the public assembly.

Esther was regarded in Catholic theology as a typological forerunner of the in her role as intercessor. Her regal election parallels Mary's Assumption and as she becomes queen of Persia, Mary becomes queen of heaven; Mary's epithet as 'stella maris' parallels Esther as a 'star' and both figure as sponsors of the humble before the powerful. Contemporary viewers would likely have recognized a similarity between the faint and the common motif of the Swoon of the Virgin, seen in many depictions of the Crucifixion of Jesus. Esther's fainting became a popular subject in the Baroque painting of the following century. A notable Baroque example is Esther Before Ahasuerus by Artemisia Gentileschi.


In Christianity
Esther is commemorated as a matriarch in the Calendar of Saints of the Lutheran Church – Missouri Synod on May 24.

Esther is recognized as a saint in the Church, commemorated on the Sunday before . The Septuagint edition of Esther contains six parts (totaling 107 verses) not found in the Hebrew Bible. Although these interpretations originally may have been composed in Hebrew, they survive only in Greek texts. Because the Hebrew Bible's version of Esther's story contains neither prayers nor even a single reference to God, Greek redactors apparently felt compelled to give the tale a more explicit religious orientation, alluding to "God" or the "Lord" fifty times." These additions to Esther in the Apocrypha were added approximately in the second or first century BCE.

The story of Esther is also referenced in chapter 28 of 1 Meqabyan, a book considered canonical in the Ethiopian Orthodox Tewahedo Church.


Music
  • Marc-Antoine Charpentier, Historia Esther, H.396, for soloist, chorus, strings and continuo, 1677
  • Élisabeth Jacquet de La Guerre, "Esther", for soprano and continuo, in Cantates françaises sur des sujets tirés de l'Écriture, book I, 1708
  • George Frideric Handel, Esther, with a libretto based on a play by , 1718 and 1732
  • Alessandro Stradella, Ester, , 1673


See also


Notes

Citations

Bibliography


Further reading


External links
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