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   » » Wiki: Erato
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In , Erato (; ) is one of the , associated with erotic .Bloch, para. 1. The name would mean "desired" or "lovely", if derived from the same root as , as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his .Apollonius Rhodius, 3.1–5


Function
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the she has mostly been shown with a wreath of and , holding a , or a small , a musical instrument often associated with . In 's representations, two turtle-doves are eating seeds at her feet. She is sometimes depicted holding a golden arrow, symbolizing "eros", the feeling she inspires in everybody; at times she is accompanied by , holding a torch.


Family
In Hesiod's genealogy, Erato is the daughter of and the , and the sister to , , , , , , Thalia and ., 53 ff., 78, 915 ff.; Apollodorus, 1.3.1; , Bibliotheca historica 4.7.1

Her father gave Erato to Malus (eponym of ), as a bride and by him became the mother of Cleophema who bore Aegle (Coronis) by ., Hymn to Asclepius 128.37 ff.


Development
Erato was named with the other muses in 's . She was also invoked at the beginning of a lost poem, Rhadine (Ῥαδινή), that was referred to and briefly quoted by .In Geography 8.3.20; Strabo's attribution of the poem to was refuted by H. J. Rose, "Stesichoros and the Rhadine-Fragment", The Classical Quarterly 26.2 (April 1932), pp. 88–92. The love story of made her supposed tomb on the island of a pilgrimage site for star-crossed lovers in the time of PausaniasPausanias, Graeciae Descriptio 7.5.13 and Erato has linked again with love in 's Phaedrus;, Phaedrus 259 nevertheless, even in the third century BC, when Apollonius wrote, the Muses were not yet as inextricably linked to specific types of poetry as they became.Richard Hunter, editor. Jason and the Golden Fleece (Oxford: Clarendon Press, 1993), p. 66 note.

Erato is also invoked at the start of book 7 of 's , which marks the beginning of the second half or "Iliadic" section of the poem.


See also
  • Muses in popular culture


Notes


Further reading
  • Van Aken, A. R. A. (1961). Elseviers Mythologische Encyclopedie. Amsterdam: Elsevier.
  • Bartelink, G. J. M. (1988). Prisma van de mythologie. Utrecht: Het Spectrum.
  • Cooper, J. C., ed. (1997). Brewer's Book of Myth and Legend. Oxford: Helicon.
  • Lurker, Manfred (2004). Routledge Dictionary of Gods and Demons. London: Routledge.


External links

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