Edmund Cutlar Purdom (19 December 19261 January 2009)[ Obituary, lalibre.be. 2 January 2009. Accessed 1 October 2024.]
According to the Freebmd online index of births, marriages and deaths of the General Registry Office of England & Wales (Free UK Genealogy CIO, a charity registered in England and Wales, Number 1167484), Purdom was born Edmund C Cutlar Purdom and his birth was registered in the First Quarter of 1927. was an English actor, voice artist, and director. He worked first on stage in Britain, performing various works by Shakespeare, then in the United States on Broadway and in Hollywood, and eventually in Italy. He is perhaps best known for his starring role in the 1954 films The Egyptian and The Student Prince.
By taking over important roles exited by Mario Lanza and Marlon Brando, Purdom was known by the mid-1950s as "The Replacement Star". After the failure of his Hollywood career, Purdom returned briefly to the United Kingdom and then settled in Italy, where he spent the remainder of his life appearing in local films. Between the 1970s and 1990s, he was a regular in European B movie, working with directors like Juan Piquer Simón, Joe D'Amato, Sergio Martino and Ruggero Deodato. His daughter, Lilan Purdom, became a journalist for French TV Channel TF1. She is the author of the book Hollywood Garage, about her father's career.
Early life
Edmund Cutlar Purdom
[Some sources cite his birth name as Edmund Anthony Cutlar Purdom] was born in Welwyn Garden City, Hertfordshire on 19 December 1926, the youngest of four children of
Charles Purdom, a London drama critic, and his wife, Lillian Antonia ( Cutlar). Raised Catholic, Purdom was educated by
Jesuits at St Ignatius College, Stamford Hill, and, later, by Benedictines at
Downside School.
Career
He began his acting career in 1946, aged 19, by joining the Northampton Repertory Company, appearing in productions that included
Romeo and Juliet and Molière's
The Imaginary Invalid. After two years of military service where he joined the Army's Central Pool of Artists, he joined the Royal Shakespeare Theatre at Stratford-upon-Avon for two seasons.
Laurence Olivier saw Purdom and offered him a chance to tour in the U.S.
United States
In 1951–1952, Purdom appeared in small roles with the
Laurence Olivier/
Vivien Leigh company on Broadway in Shakespeare's
Antony and Cleopatra and Shaw's
Caesar and Cleopatra. His good looks brought him to the attention of Hollywood. Universal tested him for the part of the leading girl's brother in
The Mississippi Gambler but decided he was too British. 20th Century Fox tested him for a role in
My Cousin Rachel. MGM offered him a small role in
Rhapsody, which he turned down.
He made a screen test at Warner Brothers, directed by Michael Curtiz, from a scene from Force of Arms but Warners were not interested. As Purdom had left his play, he did not have the fare to return to Britain, so he decided to stay in Hollywood.
"I was so broke", Purdom recalled, "that I couldn't afford to pay the doctor's bill when my daughter was born. I had no money for bus fare. I had to walk from studio to studio looking for a job. Once we were evicted for not paying the rent."
MGM
He managed to get a small part in
Julius Caesar at MGM.
George Cukor recommended him to
Charles Brackett for the small role of Charles Lightoller in
Titanic (1953). This brought Purdom to the attention of executives at MGM who signed him to a long-term contract.
The Student Prince
Mario Lanza was fired from the lead role in a new version of
The Student Prince (1954). Purdom was suggested for the part and he did a successful test, directed by
George Sidney.
He was cast opposite
Ann Blyth. The film was directed by
Richard Thorpe. Purdom lip-synched to Lanza's singing voice.
The Egyptian
Advance word on
The Student Prince was promising, and when 20th Century Fox needed an actor at the last minute to replace
Marlon Brando as the title character in
The Egyptian, its most lavish production of 1954, Purdom was cast over
John Derek,
John Cassavetes and Cameron Mitchell.
MGM's head of production Dore Schary announced the studio would build up Purdom as a star. He was cast in three films: another MGM musical, Athena; the title role in the biblical epic The Prodigal, MGM's most lavish production of 1955, opposite Lana Turner; and the swashbuckler The King's Thief (1955), in a role originally meant for Stewart Granger. There was some talk he would appear in the remake of Ben Hur.
The Student Prince was released and became a hit. Purdom was called "the most promising new star in Hollywood". Hedda Hopper called Purdom "the most surprising and notable figure this year in Hollywood...a fine actor in the great romantic tradition."
Leaving MGM
Schary later wrote in his memoirs that "Lanza's recordings were the prime ingredient for the picture's success, and that success went to Purdom's head. He believed he was responsible for the happy result. He asked for a new contract. We denied it. He asked for a release. We granted it."
Another contributing factor may have been that while
The Student Prince had been a hit,
The Egyptian was a box-office disappointment.
Athena,
The Prodigal and
The King's Thief were all flops.
There was more bad publicity when he had an affair with Linda Christian (when she was married to Tyrone Power) leading to him divorcing his first wife. The split was bitter and public, and his wife later sued him for child support. Purdom argued for a reduction in child support because he no longer had his MGM contract worth $40,000 per year. He told the court he had renegotiated it in order to seek more money by freelancing and that he was in debt for $11,500. He said MGM had an option on his services for three films over three years. "It is my greatest desire to get back in front of the camera at the present time," he said.
He was announced for Loser Takes All (1956) but did not appear in the final film.
For Allied Artists, Purdom made Strange Intruder (1956) with Ida Lupino. In 1957, he married Alicia Darr, who later got in a brawl with Christian. He continued to be sued for debts by his ex-wife and his lawyers.
Purdom returned to Broadway, appearing in Child of Fortune, an adaptation of Henry James's The Wings of the Dove, for Jed Harris. Brooks Atkinson of The New York Times stated Purdom "plays the part of the faithless suitor like a cultivated gentleman but his style is heavy." The play closed after 23 performances.[ Child of Fortune at IBDB]
Europe
In 1958, Purdom went back to the
United Kingdom, where he played the lead role in
Sword of Freedom (also known as
Marco the Magnificent), a swashbuckler television series made for ITC Entertainment. He then went to
Italy, where the film industry was booming and there was a demand for English-speaking actors in order to ensure international distribution for the films. Purdom eventually settled permanently in Italy. His films included
Herod the Great (1959),
The Cossacks (1960),
The Loves of Salammbo (1960),
Suleiman the Conqueror (1961) and
Nefertiti, Queen of the Nile (1961). He also occasionally worked in England on films such as
Malaga (1960) and
The Comedy Man (1964).
In 1962, he said "I couldn't stand Hollywood. The people, their status, symbols and public image were too much. I walked out. Perhaps I should have been more patient." Hedda Hopper wrote in response to this: "the truth is he did his best to become a star here, but he didn't make the grade – even with Mario Lanza's voice; but he did walk out on his wife and family and start gallivanting around with Linda Christian. I'll bet he'll come hopping back if anyone crooked a finger." He married Christian in 1962, but they divorced the following year.
He continued to work extensively in Italian , on television and as a voice dubbing actor for many years (recording dialogue translated from Italian into English for sales of Italian films in English-speaking countries).
He had roles in TV movies and miniseries, such as (as Vittorio De Sica) and The Winds of War. In 1984, he came back to his native country to direct the horror film Don't Open till Christmas. He narrated a popular short documentary on the life of Padre Pio. He also narrated the 1997 documentary, 7 Signs of Christ's Return.[ Seven Signs of Christ's Return (1997), IMDB.com. Accessed 30 July 2022.] His last role was in The Knights of the Quest (2001).
Death
Purdom died from heart failure on 1 January 2009 in Rome at age 82. He was survived by his fourth wife, Vivienne, a photographer, and his two daughters by his first wife.
Personal life
Purdom was married four times and divorced three times.
-
Anita "Tita" Phillips, the mother of his daughters, Lilan (born 11 October 1952) and Marina Ann (born 8 July 1954); they married in a Catholic wedding at the Brompton Oratory in London on 5 January 1951 and divorced on 5 March 1956
-
Alicia Darr ( Barbara Kopczyńska; married/divorced 1957)
-
Linda Christian (married in 1962; divorced in 1963)
-
Vivienne Purdom, photographer (married from 2000 until his death in 2009)
Children
His elder daughter, Lilan Purdom, became a journalist with the French television channel TF1.
Selected filmography
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Goodyear Playhouse (1952, TV series) – episode "The Medea Cup"
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Titanic (1953) – Second Officer Lightoller (uncredited)
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Julius Caesar (1953) – Strato
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The Student Prince (1954) – Prince Karl
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The Egyptian (1954) – Sinuhe
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Athena (1954) – Adam Calhorn Shaw
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The Prodigal (1955) – Micah
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The King's Thief (1955) – Michael Dermott
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Strange Intruder (1956) – Paul Quentin
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Trapped in Tangier (1957) – John Milwood
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Sword of Freedom (1957–1958, TV series) – Marco del Monte
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Herod the Great (1959) – Erode / Herodes
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The Diary of Anne Frank (1959) – British Radio Announcer (voice, uncredited)
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Tales of the Vikings (1959–1960, TV series) – Egil / King Lawrence
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Moment of Danger (1960, aka Malaga) – Peter Carran
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The Cossacks (1960) – Shamil, the Sheik
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The Loves of Salammbo (1960) – Narr Havas
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The Night They Killed Rasputin (1960) – Rasputin
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Fury of the Pagans (1960) – Toryok
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Big Request Concert (1960) – Harry Mell
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The Last of the Vikings (1961) – King Sveno
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La Fayette (1961) – Silas Deane
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Queen of the Nile (1961) – Tumos
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White Slave Ship (1961) – Dr. Bradley
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The Last Ride to Santa Cruz (1964) – Rex Kelly
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The Beauty Jungle (1964) – Rex Carrick
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The Comedy Man (1964) – Julian Baxter
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The Yellow Rolls-Royce (1964) – John Fane
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Heroes of Fort Worth (1965) – Patterson
-
The Man Who Laughs (1966) – Cesare
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(1968) – Narrator (English version)
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Chrysanthemums for a Bunch of Swine (1968)
-
Blackie the Pirate (1971) – Viceroy
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The Fifth Cord (1971) – Edouard Vermont
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(1972) – Gunther
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Il Boss (1973) – Avvocato Rizzo (English version, voice, uncredited)
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The Big Family (1973) – Giovanni Lutture
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High Crime (1973) – Franco (English version, voice, uncredited)
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Frankenstein's Castle of Freaks (1974) – Prefect
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The Perfume of the Lady in Black (1974) – Andy (English version, voice, uncredited)
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What Have They Done to Your Daughters? (1974) – Prof. Beltrame (English version, voice, uncredited)
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The Suspects (1974) – Le journaliste américain
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The Cursed Medallion (1975) – Doctor
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Povero Cristo (1975) – Man in tailcoat
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A Matter of Time (1976) – (uncredited)
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Mister Scarface (1976) – Luigi Cherico
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Big Pot (1976) – Professor Vanderberg
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The Concorde Affair (1979) – Danker
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Pensieri Morbosi (English title: Deep Thoughts) (1980) - The Pianist
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Absurd (1981) – Father
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Pieces (1982) – The Dean
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Ator, the Fighting Eagle (1982) – Griba
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Amok (1983) – Jaarsveld
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2019, After the Fall of New York (1983) – President of the Pan American Confederacy
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Champagne in paradiso (1983) – Paola's Father
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Don't Open till Christmas (1984) – Inspector Ian Harris
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The Assisi Underground (1985) – Cardinal Della Costa
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Who Is Afraid of Dracula? (1985) – Count Dracula
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Don Bosco (1988) – Urbano Rattazzi
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The Rift (1990) – CEO Steensland
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Un orso chiamato Arturo (1992)
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A Ray of Sun (1997) – voice of Renzo Rossellini
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(2001) – voice of Jeremy McFlannel
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The Knights of the Quest (2001) – Hugh of Clarendon
Theatre credits
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The Last of Mrs Cheyney (1950)
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Anthony and Cleopatra (1951)
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Caesar and Cleopatra (1951)
External links