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The Cypria (; ; ) is a lost of ancient , which has been attributed to and was quite well known in classical antiquity (ii.117) refers to it. and fixed in a received text, but which subsequently was lost to view. It was part of the , which told the entire history of the in epic hexameter verse. The story of the Cypria comes chronologically at the beginning of the Epic Cycle, and is followed by that of the ; the composition of the two was apparently in the reverse order. The poem comprised eleven books of verse in epic dactylic hexameters.


Date and authorship
The Cypria, in the written form in which it was known in , was probably composed in the late seventh century BCE,"An indication that at least the main contents of the Cypria were known around 650 BCE is provided by the representation of the Judgement of Paris on the Chigi vase" (Burkert 1992:103). On the proto-Attic pitcher of c. 640 BCE called the , Paris is identified as Alexandros, as he was apparently called in Cypria. but there is much uncertainty. The Cyclic Poets, as the translator of Homerica Hugh G. Evelyn-White noted,In his Preface to Hesiod, The Homeric Hymns, and Homerica "were careful not to trespass upon ground already occupied by ," one of the reasons for dating the final, literary form of Cypria as post-Homeric, in effect a "". "The author of the Kypria already regarded the Iliad as a text. Any reading of the Kypria will show it preparing for events for (specifically) the Iliad in order to refer back to them, for instance the sale of Lycaon to or the kitting out of with and with "., "Homer's Sense of Text" The Journal of Hellenic Studies 116 (1996, pp. 47–61). p. 48, noting that the observation had been made by Eric Bethe, in Homer: Dichtung und Sage II: Odysee, Kyklos, Zeitbestimmung, 1922:202. A comparison can be made with the , also lost, but which even in its quoted fragments is more independent of the Iliad as text.

The stories contained in the Cypria, on the other hand, were fixedW. Kullmann's term Faktkanon, the "canon of facts" is useful in distinguishing fixed narrative content—the list and sequence of facts—from fixed, canonic texts. much earlier than that, and the same problems of dating associated with the epics also apply to the Cypria. Many or all of the stories in the Cypria were known to the composer(s) of the Iliad and . The Cypria, in presupposing an acquaintance with the events of the Homeric poem, in the received view thus formed a kind of introduction to the Iliad Encyclopædia Britannica, 1911: "" though there is an overlap in events from the death of Palamedes, including the catalogue of Trojan allies. J. Marks observes that "Indeed, the junction would be seamless if the Kypria simply ended with the death of Palamedes."

The title Cypria, associating the epic with ,Burkert, (Burkert 1992:103) noting Mesopotamian parallels, concludes "these observations must then point to that epoch when Cyprus, though rich and powerful, was still formally under Assyrian domination". demanded some explanation: the epic was said in one ancient traditionRecorded in ' Chiliades xiii.638. to have been given by as a dowry to his son-in-law, a Stasinus of Cyprus mentioned in no other context; there was apparently an allusion to this in a lost Nemean ode by . Some later writers repeated the story. It did at least serve to explain why the Cypria was attributed by some to Homer and by others to Stasinus. Others, however, ascribed the poem to Hegesias (or Hegesinus) of Salamis in Cyprus or to Cyprias of Halicarnassus (see ).

It is possible that the "Trojan Battle Order" (the list of and their allies, of 2.816–876, which forms an appendix to the Catalogue of Ships) is abridged from that in the Cypria, which was known to contain in its final book a list of the Trojan allies.


Manuscript tradition
In current critical editions only about fifty lines survive of the Cypria's original text, quoted by others. For the content we are almost entirely dependent on a prose summary of the Cyclic epics contained in the attributed to an unknown "Proclus" (possibly to be identified with the 2nd-century AD grammarian Eutychius Proclus, or else with an otherwise unknown 5th-century grammarian).The Chrestomathy itself was preserved in the ninth-century Patriarch Photios' renowned Bibliotheca or Myriobiblon, codex 239. Many other passing references give further minor indications of the poem's storyline.


Content
What follows embeds reports of known content of the Cypria in a retelling of the known events leading up to the anger of Achilles.

The poem narrates the origins of the and its first events. It begins with the decision of Zeus to relieve the Earth of the burden of population through war, a decision with familiar Mesopotamian parallels.Burkert 1992: 101–104. Compare . The war of the Seven against Thebes ensues.

The Cypria described the wedding of and ; in the Judgement of ParisParis is called Alexandros in quotations of Cypria and in the surviving synopsis. among the goddesses , , and : Paris awards the prize for beauty to Aphrodite, and as a prize is awarded Helen, wife of .

Then Paris builds his ships at Aphrodite's suggestion, and foretells the future to him, and Aphrodite orders to sail with him, while prophesies the outcome. In the Trojans are entertained by the sons of , Castor and Pollux, and by Menelaus, who then sets sail for Crete, ordering Helen to furnish the guests with all they require."In the Cypria, Nemesis was Helen's mother, born after Zeus raped the goddess, who had done her best to escape him." Aphrodite brings Helen and Paris together, and he takes her and her back to his home of with an episode at , which Paris and his men successfully storm.

In the meantime Castor and Pollux, while stealing the cattle of and , are caught and killed: Zeus gives them immortality that they share every other day.

Iris informs Menelaus, who returns to plan an expedition against Ilium with his brother . They set out to assemble the former suitors of Helen, who had sworn an oath to defend the rights of whichever one won her hand. Nestor in a digression tells Menelaus how was destroyed after seducing the daughter of Lycus, the story of , the madness of , and the story of and . In gathering the leaders, they detect ' feigned madness.

The assembled leaders offer ill-omened sacrifice at Aulis, where the prophet warns the Greeks that the war will last ten years. They reach the city of in and sack it in error for Ilium: comes to the city's rescue and is wounded by . The fleet scattered by storm, Achilles puts in at and marries Deidameia, the daughter of , then heals Telephus, so that he might be their guide to Ilium.

When the Achaeans have been mustered a second time at Aulis, Agamemnon is persuaded by Calchas to sacrifice his daughter to appease the goddess and obtain safe passage for the ships, after he offends her by killing a stag. Iphigeneia is fetched as though for marriage with Achilles. Artemis, however, snatches her away, substituting a deer on the altar, and transports her to the land of the , making her immortal.

Next they sail as far as , where while they are feasting, is bitten by a snake and is left behind in . Here, too, Achilles quarrels with Agamemnon. A first landing at the is repulsed by the Trojans, and is killed by . Achilles then kills , the son of , and drives the Trojans back. The Greeks take up their dead and send envoys to the Trojans demanding the surrender of Helen and the treasure. The Trojans refusing, they first attempt an assault upon the city, and then lay waste the country round about.

Achilles desires to see Helen, and Aphrodite and contrive a meeting between them. The Achaeans next desire to return home, but are restrained by Achilles, who afterwards drives off the cattle of Aeneas, sacks neighbouring cities, and kills . carries away Lycaon to Lemnos and sells him as a slave, and out of the spoils Achilles receives as a prize, and Agamemnon . Then follow the death of Palamedes, the plan of Zeus to relieve the Trojans by detaching Achilles from the Hellenic confederacy, and a catalogue of the Trojan allies.


Reception
The Cypria was considered to be a lesser work than 's two masterpieces: criticised it for its lack of narrative cohesion and focus. It was rather a catalogue of events than a unified story.


Editions


See also
  • Eris (mythology)
  • Apple of Discord


Notes
  • (2025). 9780674237919, Center for Hellenic Studies, Trustees for Harvard University. .
  • (1995). 9780674643642, Harvard University Press. .

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