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Bummed is the second studio album by English Rock music band Happy Mondays, released on 21 November 1988 on Factory Records. During 1987 and early 1988, the band discovered house music and the rave drug ecstasy. Factory producer Martin Hannett was subsequently enlisted to produce the band's next album. Sessions were held at The Slaughterhouse recording studio in Driffield over three weeks. Hannett moved recording to Strawberry Studios, where extra instrumentation was added. Bummed is a Madchester-style psychedelic funk album, where much of the lyrical content was influenced by the 1970 film Performance, with dialogue from the film sampled throughout.
Happy Mondays toured the United Kingdom supporting James in late 1988, which coincided with the release of the lead single from Bummed, "Wrote for Luck", on 31 October 1988. Happy Mondays played a series of headlining shows to close out the year; stints in mainland Europe and the UK followed in the first half of 1989. "Lazyitis – One Armed Boxer", an alternative version of the closing track "Lazy Itis", was released as the second single from the album on 6 May 1989. Following this, the band embarked on a North American tour, supporting labelmates Pixies. At the suggestion of their manager, remixes of "Wrote for Luck" – retitled "W.F.L." – were made by Paul Oakenfold and Vince Clarke of Erasure. These versions were released together as part of a reissued "W.F.L." single in September 1989.
Bummed received generally positive reviews from Music journalism, many of whom praised Hannett's production work. It peaked at number 59 on the UK Albums Chart, though it was initially seen as a disappointing seller by Factory Records. The original version of "Wrote for Luck" reached number seven on the UK Independent Singles Chart. "Lazyitis – One Armed Boxer" charted at number 46 on the UK Singles Chart, followed by the remixed "W.F.L." at number 68. Bummed appeared on album of the year and best of decade lists by NME, Sounds, and Q. "Wrote for Luck" and Bummed have been viewed as defining releases of the acid house era and the Second Summer of Love.
In the first half of 1987 (between recording and the release of their debut), Factory A&R member and Disc jockey Mike Pickering was introducing house music at the label's Haçienda club.Middles 1997, p. 63 The members of Happy Mondays would visit the venue to immerse themselves in Pickering's selections. It would prove to have an influence on the members, as it served as a bridge between the music they heard in their heads and what they wrote.Middles 1997, p. 64 The band at this point did not fit into any particular music scene; grebo was establishing itself, a new wave of gothic rock was being ushered in, and American indie bands were rising to prominence.Spence 2015, p. 102 In October 1987, the band embarked on their first headlining tour of the United Kingdom, which saw the debut of new songs "Fat Lady Wrestlers" and "Moving in With".Spence 2015, pp. 112–113, 313
Shortly before Christmas 1987, Happy Mondays dancer Bez was introduced to the rave drug ecstasy and quickly introduced it to the other members.Spence 2015, p. 121 Frontman Shaun Ryder grew tired of their manager, Phil Saxe, wanting someone who was more in tune with the scene at the Haçienda. In early 1988, Saxe left his role, citing that he could not devote enough time to it.Middles 1997, p. 68 He was replaced by Nathan McGough, who took on the role full-time at his suggestion. McGough had been a member of Factory band The Royal Family and the Poor and previously managed Factory act Kalima.Middles 1997, pp. 68–69 McGough's first measure was getting the band legally signed to Factory, who had no formal contracts with their artists up to that point.Middles 1997, p. 70 Around this time, the members had a lucrative business selling ecstasy; through various people, they had accumulated 15,000 pills of the drug.Spence 2015, p. 124
McGough liked the idea of having Hannett, as did Ryder, who learned of him through New Order frontman Bernard Sumner and his work on Unknown Pleasures (1979) by Joy Division.Ryder 2012, p. 146 Factory Records co-founder Tony Wilson was hesitant about the idea before realising it would work well for both Hannett and the band.Middles 1997, p. 72 Hannett had been struggling financially at the time, stemming from a prior lawsuit with Factory.Spence 2015, p. 134 Bassist Paul Ryder and drummer Gary Whelan drove to pick Hannett up from Chorlton to take him to the studio. Happy Mondays and Hannett decamped to Strawberry Studios in Stockport with the intent to record demos; however, Hannett and the members instead spent session time in separate pubs.Middles 1997, p. 73 They ended up only recording an early version of "Wrote for Luck".Bez 2000, p. 246
Describing the drug's impact on the recording, McGough recalled that the members of the band were consuming it daily and added they brought 200 pills of it with them, "but they ran out after ten days so I had to go back to Manchester and collect another hundred. Bummed is definitely an E album, perhaps the first full album ever made on that drug." Bez was arrested while in Manchester for stealing a car and possessing marijuana. He also had 500 ecstasy pills, but the police were not aware of what they were at the time; he had to sit out of the remainder of the sessions.Spence 2015, p. 139 Ryder also noted the influence of LSD on the sessions. The band provided the alcoholic Hannett with large amounts of ecstasy to keep him from drinking during the recording.
Hannett would have the band perform the songs over and over for several hours at a time and, as such, would record the majority of the album live. Due to his previous experience as a bass player, Hannett spent time alone with Paul Ryder working on a specific sound. Hannett ran the instrument through a multitude of digital filters, time modulation, and effects pedals.Spence 2015, pp. 135–136 In addition to using his own guitar on the album, guitarist Mark Day used one of Hannett's. Aware of Hannett's financial issues, Shaun Ryder bought the guitar from him for £300.Spence 2015, p. 136 On one occasion, Wilson visited the band during the sessions. Upon entering the studio, he found it dark and filled with smoke, as the floor was completely covered in house records.Middles 1997, pp. 74–75
Wilson brought with him a film crew to shoot part of the sessions for a TV programme he was involved in about working environments.Spence 2015, p. 137 As the band returned to Manchester, Hannett continued experimenting with the Magnetic tape at Strawberry Studios with engineer Laurence Diana.Spence 2015, p. 140 He brought in additional musicians to enhance the tracks: percussion from drum teacher Dave Hassell, piano from his friend Steve Hopkins, and banjo from Derek "Horseman" Ryder (father of Shaun and Paul Ryder). Hannett saturated the recordings with effects such as reverberation and echo. The sessions lasted for three weeks in total, costing £50,000; the final recordings were mixed at Strawberry Studios in September 1988.Spence 2015, p. 155
In his biography of the band, Shaun Ryder: Happy Mondays, Black Grape & Other Traumas, author Mick Middles said the public overlooked its intent, theorising that it could be used in varying contexts: "from the more obvious cadging (e.g. he bummed a Cigarette from his mate) to scrounging a room for the night (e.g. he bummed a carpet)".Middles 1997, pp. 79–80 The 1970 film Performance became a big influence on the band, with Ryder directly lifting lines of dialogue for lyrics or being inspired by some of the scenes in it. He would mix in slang words he had heard while shifting ecstasy. Ryder was expected to have finished writing the lyrics to the songs in the months prior to recording; by the time recording was nearly done, he had lyrics for less than half of the album. It prompted him to finish the other half in the final few days of the sessions.Verrico 1998, p. 64
"Mad Cyril" is named after a character from Performance and includes a sample of a different character from the same film, Harry Flowers.Ryder 2019, p. 20 The song's lyrics describe a gangster having a trip. "Fat Lady Wrestlers" is representative of the lifestyle the band had at the time, as Ryder explained: "We were very much living like crazy hustlers".Ryder 2019, p. 22 "Performance" is written from the perspective of Chas, another character from the film of the same name. Similar to "Moving in With", it also references Ryder's place in Boothstown, where they would stash valuable items such as drugs or clothes.Ryder 2019, p. 25 "Brain Dead" opens with Ryder quoting a line from the film Gimme Shelter (1970): "You're rendering that scaffolding dangerous!"
With "Wrote for Luck", the band tried to write a song that could be played at the Haçienda. Paul Ryder unsuccessfully tried to play sequenced basslines, which he heard in the Chicago house music that Pickering was playing at the club, on his bass guitar. Keyboardist Paul Davis tried to play the synth part from "Two Tribes" (1984) by Frankie Goes to Hollywood, while Whelan had a go at emulating "Running Up That Hill" again. Day later contributed his guitar part, while Shaun Ryder added the song's hook, "Higher than high high", based on his mental state at the time.Spence 2015, p. 126 It marked the first time Ryder attempted to write a song about the same topic, namely a heroin drug deal gone wrong. One of its lines is dialogue directly taken from the 1974 film Stardust.
Ryder said "Bring a Friend" is the closest track to a love song on the album, with many of its lines taken from a pornographic magazine he had read while in Amsterdam.Middles 1997, p. 76 "Do It Better" was initially called "E"; it is centred around a guitar part and Ryder ad-libbing around the phrase "on one", which referred to being high on ecstasy. The album's closing track, "Lazy Itis", has Can-esque drumming patterns and borrows a lyric from "Ticket to Ride" (1965) by the Beatles, resulting in a writing credit between Happy Mondays and Lennon–McCartney. Its title phrase was a word the Ryders' grandmother used to say.Spence 2015, p. 138 For the single version of the track, Ryder decided to include lyrics from "Gonna Make You a Star" (1974) by David Essex.
Concerned about people stealing promotional posters, as they had done previously for New Order gig posters, Factory Records decided to purchase a building and have it plastered with posters of the album's artwork.Middles 1997, pp. 78–79 Located on Charles Street, it was noticed by various workers traveling in the southern part of Manchester. Middles said the landmark could be viewed as the first "identifiable symbol of Manchester dance culture" and Madchester as a whole.Middles 1997, p. 79 In early 1989, the band signed a Music publisher with FFRR Music; around this time, the band signed a contract with American label Elektra Records.Spence 2015, pp. 157–158 The latter was impressed by the "Wrote for Luck" video and Wilson's sales pitch. Factory also had smaller deals with labels in Europe, such as Rough Trade Records in Germany.Spence 2015, p. 158 By July 1989, Bummed was released in North America as "Wrote for Luck" was gaining traction at radio stations.
"Lazy Itis" was released as the second single from the album; a contemporary issue of Music Week listed the date of 24 April 1989,Dalton ed. 1988c, p. 47 while Spence gave a release date of 6 May 1989.Spence 2015, p. 315 Robertson said the artwork was a "bright arrangement of that is also bloated and sluggish and is delivered in a Hallucinogen", while its title is "incorporated into a three-dimensional typographic sculpture through which runs a river of ink".Robertson 2006, p. 155 The single iteration is dubbed "Lazyitis – One Armed Boxer"; its B-side is a remix of "Mad Cyril". The former is a duet between Ryder and Yodeling Karl Denver, which was intended as a theme song for an unrealised film by The Bailey Brothers. The song's music video was filmed a month prior at the Mancunian Way flyover with the band and Denver.Spence 2015, p. 165 It stars the band in Strangeways prison attire, playing football, while their friend Big Les walks around them with a dog. The Bailey Brothers wanted to include rain in it, so they hired a Rainmaking. Filming concluded when Denver was unable to continue mouthing the words due to his teeth chattering from the cold.Spence 2015, p. 166
In an attempt to boost the album's reach in the UK, McGough suggested making a house remix for one of its tracks. He was put in contact with Pete Tong at FFRR, who connected McGough with Paul Oakenfold. Bez had previously spent the last six months convincing the band to work with him, and Ryder had been playing "Jibaro" (1988) by Oakenfold's band Electra frequently during the making of Bummed.Ryder 2012, p. 172 McGough quizzed the members on who else they wanted as a remixer, with Paul Ryder suggesting Vince Clarke of Erasure.Spence 2015, p. 163 Oakenfold played white label copies of his remix at various clubs, all to positive reception from the crowds.Spence 2015, p. 175 Reissued on 18 September 1989,Dalton ed. 1988d, p. 36 "Wrote for Luck" – now retitled "W.F.L." – included Clarke and Oakenfold remixes of the title track, with "Lazyitis – One Armed Boxer" as its B-side. Robertson said that the artwork for this version adapts the original "Wrote for Luck" cover as it "becomes the backdrop for what appears to be a fish tank", with species of fish swimming in front of it. He added that this contributes a "playful dimension to their pre-existing aesthetic".Robertson 2006, p. 168
"Wrote for Luck", "Lazy Itis", and remixes of "Wrote for Luck" and "Mad Cyril" appeared on Happy Mondays' first compilation album, Double Easy – The U.S. Singles (1993). "Mad Cyril", "Lazy Itis", and a remix of "Wrote for Luck" were included on their second and fourth compilation albums, Loads (1995) and The Platinum Collection (2005). "Mad Cyril" and remixes of "Wrote for Luck" and "Lazy Itis" appeared on the band's third compilation album, Greatest Hits (1999). Remixes of "Wrote for Luck" and "Lazy Itis" were included on the band's fifth compilation album, Double Double Good: The Best of Happy Mondays (2012).
Following this, Happy Mondays went on a UK tour until mid-March 1989. They supported the Shamen for two dates in Ireland before supporting My Bloody Valentine for three shows in France.Spence 2015, p. 314 Prior to the Ireland shows, Bez was arrested by his father, who was a cop, for violating his bail conditions set during the making of Bummed. Bez's role was filled in by Andrew McKean, who previously worked with Saxe; Bez returned for the My Bloody Valentine shows.Spence 2015, p. 161 Happy Mondays played three UK shows in May 1989. Ryder and Bez flew to New York City, spending two days there drumming up publicity for a forthcoming tour.Spence 2015, pp. 163–164 Happy Mondays appeared on the final episode of The Other Side of Midnight, where they performed "Mad Cyril" (changing the lyrics to reference Wilson) and "Wrote for Luck".Spence 2015, pp. 169–170 In July and August 1989, the band toured across Canada and the US, supporting labelmates Pixies.
Reviewing Bummed in retrospect for AllMusic, Stephen Thomas Erlewine praised Hannett's production as "all smeared colors and harsh edges," and wrote that "decadence has rarely sounded as dangerous as it did in the hands of the Mondays and this is where they reveled in that debauchery, pumping out stiff psychedelic funk as Ryder spat out rhymes of luck, lazyitis and fat lady wrestlers." Writing for The Guardian, Alexis Petridis said, "almost 20 years on, Bummed sounds extraordinary, but wildly abstruse". He expanded on this, calling it the "result of the copious intake of ecstasy". Priya Elan of NME felt the album "actually dated best" out of all of the band's releases, despite Hannett's "raw production showing the Madchester sound in its infancy". BBC Music reviewer Daryl Easlea wrote that it had a "heart and spirit that beats away", stopping the "album from the collapse." Mojo Danny Eccleston credited Happy Mondays with creating "a new kind of psychedelic punk-funk" on Bummed.
Spence said "Wrote for Luck" became the defining track of the acid house era. Scott Plagenhoef of Stylus Magazine considered Bummed the "perfect summation of the 1988 British Summer of Love". It was included in the 2006 edition of 1001 Albums You Must Hear Before You Die.MacDonald 2006, p. 592 In a piece for NME, journalist Mark Beaumont viewed the album as one of ten important releases that defined Factory Records' output. Manic Street Preachers covered "Wrote for Luck" as a B-side to their single "Roses in the Hospital" (1993), while the Panics covered "Lazy Itis" for Cruel Guards (2007).
Side one
Side two
Happy Mondays
Additional musicians
Production and design
Citations
Sources
Recording and production
Demos
McGough organised Happy Mondays to record demos of their new material at Out of the Blue Studios in Ancoats.Spence 2015, p. 130 Factory became aware that the band were known around London as being a difficult act to record with, not helped by the poor reception to the production of their debut album. Ryder was impressed with the self-produced material at Out of the Blue and asked if they could self-produce their next album, only to be told that they needed a known, popular producer.Spence 2015, p. 133 Factory director Alan Erasmus suggested Martin Hannett; he worked with the label in their early years and split following the construction of the Haçienda, which he was opposed to.Middles 1997, p. 71
Main sessions
Bummed was recorded in August 1988 at The Slaughterhouse in Driffield with engineers Colin Richardson and John Spence. It was a residential studio with a state-of-the-art 36-track recording console. The location was picked as it was a large distance from the Haçienda, in an attempt to cut Happy Mondays from their ecstasy supply. Upon arriving, they found that the living quarters had no food and the rooms were astray. They instead lived in a terrace house that previously contained the studio. Hannett stayed at another house in the nearby town, which allowed for visits from his family.Spence 2015, p. 135 Within two days of visiting a local pub, the band became aware of a nearby army base, where they befriended various personnel. The band started selling the servicemen ecstasy; rave culture subsequently broke out at the pub, which caught the attention of the local press.Middles 1997, p. 74
Composition and lyrics
Overview
Musically, the sound of Bummed has been described as MadchesterWiseman-Trouse 2008, p. 157 and psychedelic funk. Author Dave Thompson, in his book Alternative Rock (2000), said it sounded like the "missing link between post-punk and the burgeoning baggy scene"; he compared Ryder's vocals to that of Fall frontman Mark E. Smith, recommended that Day should audition for Siouxsie and the Banshees, and suggested Bez and Wheelan "send their résumés to Adam Ant".Thompson 2000, p. 410 Ryder said it had a fuller sound when compared to Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), building off the progression from "24 Hour Party People".Spence 2015, p. 125 Referring to the origin of the album's name, Whelan recalled that "'Bummed', was a saying at the time. Shaun used to say he was out all night and he bummed her all night long, a slang word for sex. I didn't even know what the album was called until it came out."Spence 2015, p. 148 Ryder said he used the term for the album intentionally to be "offensive and we thought loads of people would take it the wrong way".
Songs
"Country Song", the opening track on Bummed, was originally known as "Some Cunt from Preston", acting as rhyming slang for Country music. John Wilde of Melody Maker described it as "the world's first psycho-reggae-country-western number".Middles 1997, p. 75 It was written before the band had figured out their sound; while rehearsing at The Boardwalk, they came up with what Ryder called the "Salford version of a country song".Ryder 2019, p. 15 Its title changed from "Some Cunt from Preston" to "Redneck" before ending up at "Country Song".Verrico 1998, p. 74 "Moving in With" is about the place Ryder lived while in Boothstown, Salford.Ryder 2019, p. 17 An earlier version of it was recorded during the same session as "24 Hour Party People". With the song, Paul Ryder attempted to emulate the bass part in "This Must Be the Place (Naive Melody)" (1983) by Talking Heads. Whelan's drum part was inspired by the one in "Running Up That Hill" (1985) by Kate Bush. Shaun Ryder's lyrics were influenced by the Folklore Henny Penny and namecheck several of its characters.Spence 2015, p. 109
Release
Bummed was released on 21 November 1988 through Factory Records.Dalton ed. 1988a, p. 37 The cover art shows an image of Ryder's face painted over in garish colours, which Central Station Design did as part of a series of celebrity shots done in the same way. Iain Ellis of PopMatters said Ryder's "cropped face is a disturbing caricature of drug-afflicted vacancy", which has "become an emblem of the times, the carnival decadence of an era encapsulated in pictorial form." Matthew Robertson, in his book Factory Records: The Complete Graphic Album (2006), added to this, saying that the "viewer cannot help but be caught by the haunting, mesmerizing, enormity" of the artwork.Robertson 2006, p. 145 The album's inner sleeve featured two images of a naked woman, both of which were taken from the Readers' Wives section of an issue of Penthouse.Luck 2002, p. 54 Robertson said this was done "for humour's sake rather than shock value"; Wilson dubbed it "one of the most profoundly disturbing inner sleeves in record history". As a result of this imagery, retailers refused to stock the album; its Japanese release was delayed due to the image, resulting in copies being confiscated at customs. In addition, it received a negative reaction from journalists, such as Penny Anderson of City Life and Mandi James of NME, the latter of whom called the band "sexist wankers" for the decision.Middles 1997, p. 80
Singles
"Wrote for Luck" was released as the lead single from Happy Mondays' forthcoming album; author Simon Spence in his book (2014) listed the release date as 31 October 1988,Spence 2015, p. 313 while a contemporary issue of Music Week gave the date of 28 November 1988.Dalton ed. 1988b, p. 37 "Boom" and three remixes (dance, radio, and club mixes) of "Wrote for Luck" were included as its B-sides. Robertson wrote that the sleeve's "hand-drawn lettering was an intentional move away from designers relying on type specimen books", as with previous Factory Records releases.Robertson 2006, p. 141 The music video for "Wrote for Luck" was filmed by The Bailey Brothers in the middle of the October 1988 tour.Spence 2015, p. 144 They decided to shoot the band enjoying a night out at the Legend club in Manchester, which was a rival to the Haçienda.Spence 2015, p. 145 They hired the venue for the shoot, which featured their friends and crew members as extras.Ryder 2012, pp. 160–161 Concerned that the video was not going to receive airplay on The Chart Show, a second video was filmed during the afternoon with a younger crowd. It starred children from a local drama group who spent a week rehearsing acid house-style dancing. As none of them liked "Wrote for Luck", The Bailey Brothers put on music by Pepsi & Shirlie and Wham! in order for them to start dancing.Verrico 1998, p. 70
Reissues and related releases
Bummed was reissued in 2007 as part of a two-CD set through Rhino Records, which included B-sides, the Madchester Rave On (1989) EP, and a variety of remixes. It was included in Rhino Records' Original Album Series box set in 2013, which collected Happy Mondays' first four studio albums. That same year, the band performed the album in its entirety to celebrate its 25th anniversary in 2013. The album was re-pressed on vinyl in 2020 alongside their first, third, and fourth albums.
Touring and live performances
In October 1988, Happy Mondays supported James on their tour of the UK. Following this, the band played four headlining shows across November and December 1988, closing the year with a support slot for New Order at the G-Mex Centre.Spence 2015, pp. 313–314 Happy Mondays played "Performance" and "Do It Better", both of which Ryder picked, for Wilson's TV programme The Other Side of Midnight.Spence 2015, p. 151 A launch party for the album was held on 28 November 1989 at the Heaven club in London.Spence 2015, p. 154 Preceded by two UK shows, Happy Mondays embarked on a stint in mainland Europe in January and February 1989. As the band had run out of money by the tour's end, a few shows were quickly arranged afterwards so that they had enough funds to return home. A London show soon followed, where the members met Elektra A&R representative Howard Thompson.Spence 2015, p. 159 On 21 February 1989, the band did a Peel session, where they played "Mad Cyril" and "Do It Better".
Critical reception
Bummed was met with generally positive reviews from Music journalism. NME writer James Brown lauded the album's "shocking originality" and found that its sound would "fit startlingly amidst the rapid mutation of the current underground dance boom." Q Martin Aston said it "continues the band's warped version of northern soul rhythms, with stabbing guitars and , wayward sequencers, a dislocated rhythm section and surly sardonic vocalist ... The only real failing is its lack of versatility, but it's Happy Mondays' stroppy spirit that counts most of all." Tony Beard of Record Mirror noted the band's musical development, writing that "the sound they slip into is a world away from the cack-handed northern funk they used to bash out." Chicago Tribune journalist Greg Kot complimented Hannett's production, calling it "one excellent reason" for listeners to buy the album.
Commercial performance and accolades
Bummed peaked at number 59 on the main UK Albums Chart and number two on the UK Independent Albums Chart.Thompson 2000, p. 408 Factory saw the album's initial sales as highly disappointing, though they were not concerned due to a large cash flow injection from the sales of New Order's Substance (1987) a year prior.Middles 1997, pp. 80–81 By early 1989, it had sold 15,000 copies.Spence 2015, p. 162 Due to the success of the remixed "W.F.L.", the album's sales reached the threshold for gold certification in the UK.Spence 2015, p. 177 "Lazyitis – One Armed Boxer" charted at number 46 on the main UK Singles Chart and number six on the UK Independent Singles Chart. The original version of "Wrote for Luck" peaked at number seven on the UK Independent Singles Chart. The remixed "W.F.L." peaked at number 68 on the main UK Singles Chart and number three on the UK Independent Singles Chart.
Track listing
All songs written by Happy Mondays, except "Lazy Itis" by Happy Mondays and Lennon–McCartney.
Personnel
Personnel per sleeve.
Charts
+ Chart performance for Bummed
! scope="col" Chart (1989–1990)
! scope="col" Peak
position
External links
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