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Bidoun is a non-profit organization focused on art and culture from the Middle East and its diasporas. Bidoun was founded as a print publication and magazine in 2004 by Lisa Farjam, eventually expanding to online publishing and curatorial projects. The print edition of the magazine was in publication from spring 2004 until spring 2013.
Bidoun was a finalist for the 2009 National Magazine Award for General Excellence (circulation category less than 100k). It has won three Utne Independent Press Awards, for Social/Cultural Coverage and Design.
As of 2024, the editors of Bidoun are Negar Azimi, Michael C. Vazquez, Tiffany Malakooti, and Anna Della Subin. Babak Radboy is Bidoun's longtime Creative Director. The contributing editors of Bidoun are Alexander Provan, Anand Balakrishnan, Aram Moshayedi, Kaelen Wilson-Goldie, Shumon Basar, Zain Khalid, Sohrab Mohebbi, Sophia Al Maria, Yasmine El Rashidi, Sukhdev Sandhu, Yasmine Seale, and Elizabeth Wiet.
In 2009, Bidoun organized the group exhibition 'NOISE' at Sfeir–Semler gallery in Beirut featuring Vartan Avakian, Steven Baldi, Walead Beshty, Haris Epaminonda, Media Farzin, Marwan, Yoshua Okon, Babak Radboy, Bassam Ramlawi, Mounira Al Solh, Andree Sfeir, Rayyane Tabet, Lawrence Weiner, and Alessandro Balteo Yazbeck. That same year Bidoun initiated a collaboration with the web-based archive UbuWeb in order to make available rare video and sound pieces from in and around the Middle East.
'Forms of Compensation' was a 2010 exhibition of a series of 21 reproductions of iconic modern and contemporary artworks produced in Cairo by craftspeople and auto mechanics in the neighborhood around the Townhouse Gallery, commissioned by Babak Radboy and overseen by Ayman Ramadan.
In 2015, Bidoun occupied a booth at the Frieze Art Fair in New York where it exhibited and sold insignificant objects from artists. Inspired by the celebrity collectibles market, where a Justin Bieber hairball sold at auction for $40,668, Bidoun extended this covetous logic to the rarified realm of art, proffering such miscellanies as Jeremy Deller's iPod Mini, Lawrence Weiner's gold tooth, Hans-Ulrich Obrist’s abused passport, and a 1638 edition of Burton’s The Anatomy of Melancholy defaced by Orhan Pamuk. Other items included Tony Shafrazi’s prescription drugs, a rock signed by Robert Smithson, Douglas Gordon’s house keys, Yto Barrada’s third grade report card, Hal Foster’s breath mints, Cindy Sherman’s eyeliner, Tala Madani’s body lotion, Wade Guyton’s Nikes, Anicka Yi’s brain, Julie Mehretu’s golf ball, Bjarne Melgaard’s Christmas card from a serial killer, Laura Owens’ bus pass, Shirin Neshat’s kohl, a stuffed animal once owned by the great Iranian modernist Bahman Mohasses, and Darren Bader’s junk mail.
In 2016, Bidoun programmed a screening series at the Solomon R. Guggenheim Museum, organized by Tiffany Malakooti.
Bidoun has staged exhibitions around the life and work of the late avant-garde theater director Reza Abdoh at MoMA PS1 in 2018 and KW Institute of Contemporary Art in 2019. These were co-organized by Klaus Biesenbach, Director, MoMA PS1 and Chief Curator at Large, The Museum of Modern Art; Kirst Gruijthuijsen, Director, KW Institute for Contemporary Art, and Negar Azimi, Tiffany Malakooti, and Babak Radboy for Bidoun.
In 2023, Negar Azimi and Edwin Nasr organized the exhibition Nicolas Moufarrege: Mutant International at CCA Berlin that ran from February 9 to March 25.
"Bidoun’s editorial voice might be described as a combination of Artforum and Harper's, its audience comprising artists, academics, and intellectually curious readers who enjoy a magazine that manages to dissect Edward Said and Michael Jackson in the same issue." —Print magazine
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