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Asyla, . 17, is an composition by the British composer Thomas Adès. It was finished in 1997 and has been performed widely, especially by the British conductor . It has been described as a , the third movement being its unacknowledged .


Composition
The title of the composition is the Latin plural form of asylum, which here means both sanctuary and madhouse. It was commissioned by the John Feeney Charitable Trust and was premiered by the City of Birmingham Symphony Orchestra under the baton of Simon Rattle, in Birmingham's Symphony Hall in October 1997.

This piece is best known for its third movement, which features -like traits. Adès himself narrated the compositional process as follows:

Asyla received critical praise and won a Royal Philharmonic Society Music Award in 1997 and the Grawemeyer Award for Music Composition in 2000. It was eventually published by in 2000.


Analysis
This composition has four movements and takes 22 to 25 minutes to perform. The movement list is as follows:

It is scored for a very large orchestra, which, in addition to the standard instrumentation, also includes 3 pianos (a grand piano and 2 upright pianos, one tuned a quarter tone lower, doubling and grand piano four-hands), six percussionists playing a large range of instruments, and woodwinds doubling , and contrabass clarinet in addition to the standard auxiliaries.

(1999). 057151863X, Faber. 057151863X

Percussion instruments include 5 or 6 , 3 or 4 , 5 tuned , 2 , over 2 octaves of tuned , 4 , , 2 , 3 , (), water , 2 ratchets, washboard, 11 tuned , 4 of various sizes, , 2 , blocks, a bag of , , , 2 orchestral and a kit bass drum, and 2 octaves of .

The piece starts with an untitled movement with cowbells and the flat piano, which is immediately followed by the and the high-pitched sound of the strings. The general atmosphere of the movement becomes much more agitated when the rest of the orchestra joins in progressively. The second movement begins abruptly and suddenly changes to a soft melody played by the . Then the strings take over with a style which has been classified by some critics as "". The sound starts to dissipate towards the end of the movement, fading out using the highest and lowest registers simultaneously.

The third movement tries to resemble "the atmosphere of a massive nightclub with people dancing and taking drugs". It has a steady rhythm which has been compared to 's The Rite of Spring. The music here is much more insistent than in the previous movements and is much more vivid and lively. After reaching a climax echoed by the strings, the fourth movement becomes calmer at the beginning, and suddenly turns violent when a tutti chord initiated by the horns bursts towards the end of the piece. Asyla ends in a quiet but trembling manner.


In popular culture
The third movement is featured in season 4 episode 10 of the Amazon Prime series Mozart in the Jungle.


See also
  • List of compositions by Thomas Adès


Further reading

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