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Sir Alan Arthur Bates (17 February 1934 – 27 December 2003) was an English actor who came to prominence in the 1960s, when he appeared in films ranging from Whistle Down the Wind to the kitchen sink drama A Kind of Loving.
Bates is also known for his performance with Anthony Quinn in Zorba the Greek, as well as his roles in King of Hearts, Georgy Girl, Far From the Madding Crowd and The Fixer, for which he received an Academy Award nomination for Best Actor. In 1969, he starred in the Ken Russell film Women in Love with Oliver Reed and Glenda Jackson.
Bates went on to star in The Go-Between, An Unmarried Woman, Nijinsky and in The Rose with Bette Midler, as well as many television dramas, including The Mayor of Casterbridge, Harold Pinter's The Collection, A Voyage Round My Father, An Englishman Abroad (as Guy Burgess) and Pack of Lies. He also appeared on the stage, notably in the plays of Simon Gray, such as Butley and Otherwise Engaged.
Both his parents were amateur musicians who encouraged Bates to pursue music. By the age of 11, having decided to become an actor, he studied drama instead. He further developed his vocation by attending productions at Derby's Little Theatre.
Bates was educated at the Herbert Strutt Grammar School, Derby Road, Belper, Derbyshire (now "Strutts", a volunteer led business and community centre) and later gained a scholarship to the Royal Academy of Dramatic Art in London, where he studied with Albert Finney and Peter O'Toole, before leaving to join the RAF for National Service at RAF Newton.
In 1956, Bates made his West End debut as Cliff in Look Back in Anger, a role he had originated at the Royal Court and which made him a star. He also played the role on television (for the ITV Play of the Week) and on Broadway. He also was a member of the 1967 acting company at the Stratford Festival in Canada, playing the title role in Richard III.
In 1960, Bates appeared as Giorgio in the final episode of The Four Just Men (TV series) entitled Treviso Dam.
Bates worked for the Padded Wagon Moving Company in the early 1960s while acting at the Circle in the Square Theatre in New York City.
Bates also starred as the male lead opposite Lynn Redgrave as the titular Georgy Girl (1966), which also featured James Mason and Charlotte Rampling in supporting roles. He was reunited with Schlesinger in Far From the Madding Crowd (1967), starring Julie Christie, Terence Stamp, and Peter Finch. For these two films, Bates earned himself three Golden Globe nominations: Best Comedy/Musical Actor and Best Male Newcomer; and Best Drama Actor the following ceremony, respectively.
In 1968, Bates starred alongside Dirk Bogarde and Ian Holm in the John Frankenheimer film The Fixer (1968), adapted from the Bernard Malamud novel based off the true story of Menahem Mendel Beilis. It earned Bates an Academy Award nomination for Best Actor, as well as another Golden Globe nomination. He followed that up with Women in Love (1969), directed by Ken Russell and co-starring Oliver Reed and Glenda Jackson, in which Bates and Reed wrestled completely naked. The scene was groundbreaking for of the time, as it was the first studio film to ever feature full frontal male nudity. Bates also earned another BAFTA nomination for Best Actor for his performance.
Following that success, he appeared as Col Vershinin in the National Theatre's film of Three Sisters, reuniting him with Olivier (who directed) and Plowight. He was handpicked by director Schlesinger to play the male lead in the film Sunday Bloody Sunday (1971). However, he was preoccupied filming The Go-Between (1971) for director Joseph Losey alongside Christie again, and had also become a father around that time, so thusly refused the role (which ultimately went to Finch opposite co-lead Jackson).
Bates starred in the film adaptation of A Day in the Death of Joe Egg (1972) with Janet Suzman and produced and appeared in a short, Second Best (1972). He starred in Story of a Love Story (1973). He also starred in two adaptations of his successful theatrical roles: his Tony-winning role in Butley (1974), as well as In Celebration (1975). He was the villain in Royal Flash (1975). He appeared alongside Susannah York and John Hurt in The Shout (1978); and opposite Jill Clayburgh in An Unmarried Woman (1978). He also played Bette Midler's ruthless business manager in the film The Rose (1979).
Bates then starred alongside Julie Andrews as the husband of her who is stricken with multiple sclerosis in Duet for One (1986). In the North Irish IRA thriller A Prayer for the Dying (1987) from director Mike Hodges, he plays the main antagonist opposite Mickey Rourke and Bob Hoskins. And in We Think the World of You (1988), he portrays the older lover of young convict Gary Oldman—the latter of whom gets sent to jail and entrusts his beloved, mischievous German Shepherd ( Alsatian) to the former's care.
On stage, Bates had a particular association with the plays of Simon Gray, appearing in Butley, Otherwise Engaged, Stage Struck, Melon, Life Support, and Simply Disconnected, as well as the film of Butley and Gray's TV series Unnatural Pursuits. In Otherwise Engaged, his co-star was Ian Charleson, who became a friend, and Bates later contributed a chapter to a 1990 book on his colleague after Charleson's early death.Ian McKellen, Alan Bates, Hugh Hudson, et al. For Ian Charleson: A Tribute. London: Constable and Company, 1990. pp. 1–5.
Bates was made a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours,The United Kingdom: and was Knight Bachelor in the 2003 New Year Honours, in both cases for services to drama. and was a patron of The Actors Centre, Covent Garden, London, from 1994 until his death in 2003.
Bates had numerous gay relationships, including those with actor Nickolas Grace and Olympic skater John Curry, as detailed in Donald Spoto's authorised biography Otherwise Engaged: The Life of Alan Bates. Spoto characterised Bates's sexuality as ambiguous, and said, "he loved women but enjoyed his closest relationships with men". Even after homosexuality was partially decriminalised in England in 1967, Bates rigorously avoided interviews and questions about his personal life, and even denied to his male lovers that there was a homosexual component in his nature.
Throughout his life, Bates sought to be regarded as charming and charismatic, or at least as a man who, as an actor, could appear attractive to and attracted by women. He also chose some roles with an aspect of homosexuality or bisexuality, including the role of Rupert in the 1969 film Women in Love and the role of Frank in the 1988 film We Think the World of You.
In the later years of his life, Bates had a relationship with the Welsh actress Angharad Rees.
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‡This mini-film was shown as part of a presentation on the anthology series, Screen Two.
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