Agdistis () is a deity of Greek mythology, Roman mythology, and Anatolian mythology who was a Hermaphrodite, having been born with both male and female genitalia. The deity was closely associated with the goddess Cybele.Walton and Scheid, s.v. Agdistis; Baudy, s.v. Agdistis; Turner and Coulter, s.v. Agdistis; Grimal, s.v. Agdistis; Smith, s.v. Agdistis.
Another much longer version of Agdistis's story, was apparently handed down by Timotheus, an Athenian Eumolpid (c. 300 BC).Bremmer, pp. 542–543. According to Arnobius, an early fourth-century Christian apologist:
Arnobius goes on to recount the story as follows.Lancellotti, pp. 3–5; Bremmer, pp. 544–546; Grimal, s.v. Agdistis; Arnobius, 5.5–7. There was a rock in Phrygia called Agdus, from which this Great Mother was fashioned. Now Jupiter (the Roman Zeus) desired to have intercourse with her, but unable to do so, let his seed fall upon the rock. From this rock was eventually born Agdistis, named so after Agdus the mothering rock. In Agdistis was:
After the gods, in their councils, had often considered what could be done to curb Agdistis, Liber (the Roman Dionysus), taking the task upon himself, caused Agdistis to be become drunk and fall fast asleep. With a snare Liber tied Agdistis's foot to his genitals. When Agdistis finally woke up and stood, he tore his own genitals off. And from these and the immense flow of blood upon the earth grew a pomegranate tree. Now Sangarius's daughter Nana placed one of the fruits from the tree in her bosom, and as above, became pregnant with the boy Attis. When the pregnancy is discovered by her father, Nana is shut up in order to starve her to death. But she is kept alive by the Mother of the gods, Attis is born, and Sangarius orders the child exposed. As before the child is found and nurtured, and grows to be a surpassingly beautiful youth, whom the Mother of the gods loved "exceedingly". And, as Attis grew up, Agdistis was his constant secret companion:
Eventually, however, a drunken Attis confesses his relationship with Agdistis,Arnobius, 5.6. and in order to save the youth from "so disgraceful an intimacy", Midas the king of Pessinus resolves to give Attis his daughter in marriage. On the day of the wedding, Midas has the gates of the city closed, so that nothing might disrupt it. But the Mother of the gods knows Attis' fate and that he would never be safe if he married. So, wishing to prevent the marriage, she "raised" the city "walls with her head" and entered the city. And so too entered Agdistis. In a jealous rage, Agdistis bursts in upon the wedding filling everyone with "frenzied madness" which causes Attis to castrate himself and die. The Mother of the gods gathered up the severed genitals and buried them, and Agdistis and the Mother of the gods join together in the funeral wailings. Agdistis pleads for Jupiter to restore Attis to life. Jupiter refuses, but does grant that Attis' body will never decay, his hair should continue to grow, and his little fingers should live, and ever move. Agdistis took the body to Pessinus, where it was consecrated and honored with yearly rites.Arnobius, 5.7. Lancelotti, p. 51 n. 177, interprets the Mother of the gods actions here as allowing 'Agdistis to make Attis insane and be driven to suicide.' Concluding that thus 'the death of Attis is not accidental but planned and intended by the Great Mother, who only in this way can "save him"'.
Agdistis held a special place in the Phrygian religious traditions surrounding Cybele.Sfameni Gasparro, p. 34. The accounts of Agdistis given above revolve around Attis who was the young consort of Cybele and prototype of her eunuch priesthood.Walton and Scheid, s.v. Attis; Sfameni Gasparro, p. 26. And Agistis's story was a mythic aition, or origin myth, which was supposed to explain why Cybele's priests were eunuchs.Hard, p. 218; Sfameni Gasparro, p. 26. Although the Great Mother does not figure directly in Pausanias' account, she figures throughout Arnobius', seemingly in parallel with Agdistis, where they both love Attis, enter the closed city and disrupt the wedding, and join together in mourning his death.Sfameni Gasparro, p. 34; Arnobius, 5.7.
While the two goddesses in Arnobius' account share such things as their intimate relationship with Attis, and their ability to inspire μανία ('mania') in the wedding participants, there are however differences. The most notable difference being Agdistis' androgynous nature.Sfameni Gasparro, p. 37. In addition, as Sfameni Gasparro, p. 34, points out, the Great Mother is portrayed with a "superior dignity", and goes on to suggest that the reason for this is "the 'Hellenizing' mythographer's intention to safeguard, in the crudity of the episode narrated, the dignity of the 'Mother of the Gods' from the 'barbarous' and coarse aspects of the hermaphrodite Agdistis."
In Anatolia, an inscription from Iconium invokes Agdistis, alongside Apollo and Artemis, as among those gods considered to be "saviors" (the so-called ("theoi sōtēres"), and an altar at Sizma represents both Agdistis and the Great Mother.Walton and Scheid, s.v. Agdistis; Sfameni Gasparro, pp. 34–35. There was also a religious community at Lydian Philadelphia, which enforced a strict moral code, based at a sanctuary of Agdistis (1st century BC).Walton and Scheid, s.v. Agdistis; Sfameni Gasparro, p. 36. From Sardis, a copy of a 4th-century BC degree forbids the priests of Zeus from attendance at the "mysteries" of Agdistis.Sfameni Gasparro, p. 37.
Her name appears on a dedication from the Ancient Greek town of Methymna on the East Aegean Islands island of Lesbos, off the coast of Anatolia, as well as on a marble base (c. 2nd century BC?), found on the mid-Aegean Greek island of Paros.Sfameni Gasparro, p. 35.
Evidence of Agdistis' cult is found in mainland Greece, as early as the 4th–3rd centuries BC.Walton and Scheid, s.v. Agdistis. A relief of Agdistis and Attis, whose identities are secured by inscription, is found on a marble votive stele (late 4th or early 3rd-century), from the Metroon in the Piraeus the port of ancient Athens (Antikensammlung Berlin SK 1612). It depicts two figures. On the left is a young male in oriental dress sitting on a rock facing right. In front of him on the right stands a female figure facing left, holding a tympanum in her left hand down at her side, and offering a cup in her right hand to the youth who holds out his right hand to receive it.Lancellotti, p. 63; Sfameni Gasparro, p. 25, n. 24; Vermaseren, p. 22, Plate XI; LIMC 4381 (Attis 416). The votive dedication reads: "Timothea to Angdistis an and Attis on behalf of her children according to command".Bremmer, p. 540. For the varying forms of the goddesses' name, see Bremmer, p. 552 n. 77. From a copy of a public decree (1st-century BC?) kept in the Metroon of Athens, we know that she also a had a sanctuary of her own at Rhamnous, an Ancient Greece city in Attica situated on the coast, overlooking the Euboea.Sfameni Gasparro, p. 35 with n. 38; Lancellotti, p. 63 n. 19, which suggests that the "cult of Agdistis at Rhamnous" was possibly "imported by foreigners, possibly mercenaries".
Her name also appears on a dedication from Panticapaeum, an ancient Greek city on the eastern shore of Crimea, and, in Egypt, in an inscriptionDittenberger, OGIS 28 recording the construction of a cella and its temenos (temple and temple precinct), during the reign of Ptolemy Philadelphus (284–246 BC).Sfameni Gasparro, p. 36.
While some of the occurrences of the name "Agdistis" are found together, and in the same context, with the Great Mother (such as in the altar at Sizma) and thus the two goddesses can be assumed to have been considered distinct, most are not. In such cases, where the name is found alone, it is impossible to know whether it was being used as one of the many epithets of the Great Mother, or instead used as a reference to Agdistis as a separate goddess.Sfameni Gasparro, pp. 34–37. In either case, it is also unknown to what extant, if any, Agdistis' peculiar hermaphroditic nature informed Agdists' cult practice.Sfameni Gasparro, p. 37.
There is also epigram evidence that Agdistis was considered to be "a goddess with benevolent and healing traits".Lancellotti, p. 50 n. 176.
Attempts have been made to connect Agdistis to other Phrygian deities who were also androgynous. Her name has been conjectured to be the Greek form of the name (possibly Andistis) of an earlier Phrygian divine androgyne.Sfameni Gasparro, pp. 37–38; Lancellotti, pp. 20–21, who notes that, although some have drawn a connection between Angdistis, and a supposedly androgynous Anatolian goddess Adamma (also discussed by Sfameni Gasparro, p. 38), "according to present knowledge, the hypothesis of the androgyny of Adamma can no longer be proposed".
+ Burkert's ComparisonBurkert, pp. 197–198. |
Agdus a rock of unheard-of wildnessArnobius, 5.5. |
spent his lust on the stoneArnobius, 5.5. |
The rock conceived is bornArnobius, 5.5. |
In him there had been resistless might, and a fierceness of disposition ... nor did he think anything more powerful than himself ...Arnobius, 5.5. |
... it had been often considered in the councils of the gods, by what means it might be possible either to weaken or to curb his audacity,Arnobius, 5.6. |
he robs himself of his sex Arnobius, 5.6. |
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