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It bridges the histories of botany, empire, and mind to take up the claim of objectivity as the dissolution of a discrete self and thus explores the mind''s movement toward and with the world. The poems in Light Light range from the epigrammatic to the experimental, from the narrative to the lyric, consistently exploring the way language captures the undulation of a mind''s working, how that rhythm becomes the embodiment of thought, and how that embodiment forms a politics engaged with the environment and its increasing alterations.
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