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Kuper has adapted short works by Kafka into comics before, but here he tackles the most famous one of all: the jet-black comedy that ensues after the luckless Gregor Samsa turns into a gigantic bug
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The story loses a bit in translation (and the typeset text looks awkward in the context of Kupers distinctly handmade drawings). A lot of the humor in the original comes from the way Kafka plays the storys absurdities absolutely deadpan, and the visuals oversell the joke, especially since Kuper draws all the human characters as broad caricatures. Even so, he works up a suitably creepy frisson, mostly thanks to his drawing style. Executed on scratchboard, its a jittery, woodcut-inspired mass of sharp angles that owes a debt to both Frans Masereel (a Belgian woodcut artist who worked around Kafkas time) and MAD magazines Will Elder. The knotty walls and floors of the Samsas house look like theyre about to dissolve into dust. In the books best moments, Kuper lets his unerring design sense and command of visual shorthand carry the story. The jagged forms on the huge insects belly are mirrored by folds in business clothes; thinking about the debt his parents owe his employer, Gregor imagines his insectoid body turning into money slipping through an hourglass. Every thing and person in this Metamorphosis seems silhouetted and carved, an effect that meshes neatly with Kafkas sense of nightmarish unreality.
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