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This book looks closely at both Beethoven and the Grosse Fuge, placing both in their historical and social contexts
itemprop="offers" target="_external" title="" itemscope itemtype="http://schema.org/Offer">47.99
It considers interesting questions about whether absolute music—music without words—can have meaning and speculates that some works of Western music can evoke synesthesia in listeners—a sense of motion through three-dimensional volumes of space. The author also speculates that Beethoven's long creative dry spell in his late 40s was caused by an extended bout with clinical depression.
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