Genres are never static; and the American musical theatre is no exception, as it continues to mature and evolve, generating many new forms in the process.
Genres are never static; and the American musical theatre is no exception, as it continues to mature and evolve, generating many new forms in the process. One such evolutionary offspring is the all-dance musical, a particular hybrid of concert dance and musical theatre, otherwise termed the "dansical." This dissertation defines, anthologizes, and analyzes the dansical, while correspondingly documenting and dissecting its facilitative choreography/dance paradigm within the Broadway musical arena.
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