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Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others.Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays fromUndercut,Screen,October, andMillennium Film Journalto undertake this concrete process of working through abstract concepts. Originally published in 1989.
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